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N.EX.T - Yamaha

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My first encounter with the <strong>Yamaha</strong> Oak Custom kit was on a South American clinic tour some years ago.<br />

I was completely blown away by these drums.<br />

Great projection and clarity of tone gives these drums a very unique and distinct presence.<br />

Definitely one of my favorites. Peace and Love.<br />

http://www.global.yamaha.com/<br />

APBSM004<br />

Sonny Emory Signature WSD1455SE<br />

BEATSPOT MUSICAL INSTRUMENTS & ARTISTS MAGAZINE M A G A Z I N E<br />

FEBRUARY | 2009<br />

Vol.04<br />

FREE<br />

New Model News<br />

SG3000<br />

(Electric Guitar)<br />

Rodrigo Y Gabriela News<br />

INTERVIEW<br />

N.<strong>EX</strong>.T<br />

Rodrigo Y Gabriela (Guitarist)<br />

KOZO SUGANUMA (Drummer)<br />

Bert Smorenburg (Keyboardist)<br />

... and other musicians!


I N T E R V I E W<br />

- Why and when did you start playing guitars?<br />

It all started when I was 4 years old, playing classical guitar by my mom's influence. Later<br />

on, I took piano lessons, violin lesson, & acoustic guitar lessons but I was not quite sure if<br />

I really enjoyed it. And then, my goal for life had been chosen when I was in the 5th grade<br />

watching PBS’ annual re-broadcast of the 1969 Woodstock Music Festival. We were at a<br />

friends' house and I will never forget how my friends were giving love and respect to Jimi<br />

Hendrix and I could not get along with the mood right then, but I for some reason knew,<br />

that's what I will do when I grow up, play electric guitar and look as powerful and crazy as<br />

Jimi Hendrix, someday. From that day on, I remember nothing else about my childhood<br />

besides playing football, being a school patrol & practice electric guitar playing methods on<br />

the classical guitar I had at the time. And, later on when I did finally get the electric guitar of<br />

my own by mowing lawns& cleaning the outside of neighborhood's homes, I just played<br />

guitar and bought cassette tapes, which was practically all I owned at the time. Haha~<br />

- What is the difference between <strong>Yamaha</strong> guitars and others when played?<br />

I am going to be honest. Playing a <strong>Yamaha</strong> guitar will not take you to outer space by<br />

turning it into other company’s guitar. But if that is not what you wanted in the first place<br />

like me, and wanted that extra edge of the <strong>Yamaha</strong>'s unique ingredient that had started way<br />

back during the PEACE days of Santana back in the 60’s, if you ever dreamed of a Les Paul<br />

that has a different personality which sometimes screams louder, but can be so gentle it<br />

cuddles the rest of the sound from the band. Would being the only musical instrument<br />

manufacturer which makes practically every instrument in the world have anything to do<br />

with it? Hmm... I wonder if that's the case. And, it can look even scarier or prettier from<br />

time to time and make you feel as if you can do anything in front of any crowd with it with<br />

confidence, this is the guitar for you. And, believe me, I have played them all and I know<br />

what I want. It's definitely the <strong>Yamaha</strong> instruments and they know what they are doing!<br />

- What is the best way to make better SG2000 sound?<br />

I currently use the SG2000 guitars into the Cornford amps. Probably one of the best<br />

combinations you can ever get for a great guitar sound. I do use several effects but<br />

probably the most important effect of all would be the hands and the inspirations which<br />

give birth to new musical ideas. All in all, there is nothing impossible with the SG2000.<br />

Anything is possible, anything! I have been told by the <strong>Yamaha</strong> office in Korea that I will be<br />

getting my hands on the maiden guitar to be released in Korea, the SG3000 in a couple of<br />

months. I can’t wait to play tunes on that one as it would be like a dream come true to just<br />

hold and play what Santana used to play as I grew up to his music as he looked so cool<br />

playing so many great classic tunes with it. Who knows? I might cry!<br />

- How do you make your ‘unique Kim Se - Hwang’ sound with SG2000 in stage performance?<br />

My unique style could probably define in two ways. Within Korea, they say I play like<br />

American butter. Outside of Korea, I am the guitar ambassador and hold the signature Kpop<br />

sound in electric guitar. I guess that's why the major broadcast companies always get<br />

me to meet up with international bands during their visit to Korea and actually getting to<br />

meet, hear, and play with world renowned wonderful artists has always been a fundamental<br />

experience for me in many ways. From that experience, I try to play in many different styles<br />

but try to keep a fundamental root of tone within the complex versatile styles of music. This<br />

is important as people tend to forget the music they heard yesterday but I do also realize<br />

the special characteristics of guitar heroes from the past and now and they all keep a<br />

signature sound along with their playing. I can happily say, I have a signature sound and it<br />

does work in many different music styles. It’s kind hard to explain in words and can sound<br />

cheesy so, just come see me play!<br />

- Please give a message to fan.<br />

Thank you so much for this great opportunity and hope you found me and my environment<br />

in a new interest. If you would like to know more about me, you can always do a search on<br />

me by my Korean name in major search engines such as www.naver.com or<br />

www.daum.net or you can just visit our band's home page of www.nextfan.co.kr . This<br />

has been a pleasurable experience and hope to see you again very soon. Until then,<br />

CHEERS!<br />

BSM Vol.04 2009 04 Electric Guitar<br />

“Nothing change but evolves”<br />

This is the <strong>Yamaha</strong>’s policy being continued until present from the<br />

development of SG175 which its design was perfected and being kept for<br />

more than 30 years.<br />

After SG175 was designed in 1974, <strong>Yamaha</strong> has passed over its design to<br />

SG2000 with the original technology of T-cross one piece neck and sustain<br />

plate, completing not only design but also the sound.<br />

And then, still the SG series made an evolution. Avalon Bindings which<br />

reminds of the traditional SG175. CUSTOM logo printed on the truss-rod<br />

cover, “Professional” marked on the pick guard. <strong>Yamaha</strong>'s original IRA<br />

(Initial Response Acceleration) technology offering enriched sustain.<br />

Nothing changes in appearance but the internal aspect keeps<br />

innovating…<br />

<strong>Yamaha</strong> SG 3000 evolves to another dimension.<br />

NEW<br />

SG3000<br />

Black Metallic<br />

Electric Guitar SG Series BSM Vol.04<br />

Wine Red<br />

Model<br />

Construction<br />

Scale Length<br />

Fingerboard<br />

Radius<br />

Frets<br />

Body<br />

Neck<br />

Bridge<br />

Pickups<br />

Pickup Switch<br />

Controls<br />

Colors<br />

Gold<br />

SG3000<br />

Neck Through<br />

24 3/4" (628.7mm)<br />

Ebony<br />

13 3/4" (350mm)<br />

22<br />

Carved Maple, Mahogany Back<br />

(T-Cross Maple Body Construction)<br />

Maple + Mahogany 3piece<br />

(Neck Through)<br />

<strong>Yamaha</strong> Tune-O-Matic<br />

SGH-ICB (Alnico V) x 2<br />

3-Position Toggle<br />

Front /Rear Volume,<br />

Front /Rear Tone<br />

(Coil Split Switch on Tone pots)<br />

Black Metallic, Wine Red,<br />

Gold<br />

SG2000<br />

SG Series<br />

SG2000<br />

Neck Through<br />

24 3/4" (628.7mm)<br />

Ebony<br />

13 3/4" (350mm)<br />

22<br />

Carved Maple, Mahogany Back<br />

(T-Cross Maple Body Construction)<br />

Maple + Mahogany 3piece<br />

(Neck Through)<br />

<strong>Yamaha</strong> Tune-O-Matic<br />

with Sustain plate<br />

<strong>Yamaha</strong> Alnico V Humbucker x 2<br />

3-Position Toggle<br />

Front /Rear Volume,<br />

Front /Rear Tone<br />

(Coil Split Switch on Tone pots)<br />

Brown Sunburst,<br />

Red Sunburst, Black<br />

SG1000<br />

Set Neck<br />

24 3/4" (628.7mm)<br />

Ebony<br />

13 3/4" (350mm)<br />

22<br />

Carved Maple, Mahogany Back<br />

Maple + Mahogany 3piece<br />

(Set-in Neck)<br />

<strong>Yamaha</strong> Tune-O-Matic<br />

<strong>Yamaha</strong> Alnico V Humbucker x 2<br />

3-Position Toggle<br />

Front /Rear Volume,<br />

Front /Rear Tone<br />

(Coil Split Switch on Tone pots)<br />

Brown Sunburst,<br />

Red Sunburst, Black<br />

The Effects of Initial Response Acceleration (color indicates volume)<br />

*Brighter Colors indicate increased volume therefore greater resonance.<br />

*This is a graphic representation of the effects of Initial Response Acceleration.<br />

Red Sunburst Brown Sunburst<br />

Black<br />

BSM Vol.04 2009 05 Electric Guitar<br />

SG1000


P08<br />

BSM Vol.04 2009 06 Acoustic Guitar BSM Vol.04 2009 07 Acoustic Guitar


BSM Vol.04 2009 08 Acoustic Guitar<br />

BSM Vol.04 2009 09 Acoustic Guitar


Kozo Suganuma<br />

PLAYS DTX Series<br />

From Hard Rock to Fusion, Jazz Pops…Kozo plays variety of music genre<br />

and also his fast and accurate drumming style makes him to be called “TE-<br />

KAZ-OH”. This time we interviewed Kozo to find out the way of using DTX.<br />

With few steps from the table and I can jam with songs.<br />

DTX makes drum practice very easy and casual.<br />

How How do do you you utilize utilize DTX DTX in in your your room? room?<br />

Usually I use Laptop for my work, so wherever I sit it<br />

will be a workroom. When I am working at the dining<br />

table, I receive songs which I will play in next session.<br />

So I listen to the songs then walk aside to DTX and<br />

connect it with PC. Then I can virtually jam with songs,<br />

this is very convenient for me. I can even play in<br />

midnight, without using much stamina. This is best<br />

system to grasp the structures and patterns of song.<br />

So So you you think think DTX DTX is is good good for for practice. practice.<br />

The rebound of pad is good so its suits for practice.<br />

Recently some kids start playing drums with DTX so<br />

they can hear the good drum sound from DTX<br />

module. When you play with the acoustic kit, the play<br />

often becomes strong and it doesn’t always be the<br />

best sound. On the other hand, you can play DTX in a<br />

relaxed condition, which makes a good sounding.<br />

Please Please give give some some advice advice to to drummers. drummers.<br />

I think learning the basic technique is important.<br />

Practicing rudiments will make you a good drummer.<br />

Like piano always begin with Bier, Rudiments have a<br />

very long history so you must try it. It’s very<br />

profound skill.<br />

’<br />

’<br />

Brand New Cymbal Pads<br />

Edge Bow Bell<br />

Electronic Drums DTXPRESS IV<br />

New Hi-Hat Pad<br />

RHH 135 2-Zone pad<br />

DTXPRESS IV Special Set features<br />

a newly developed moving-type hihat<br />

pad that achieves the natural<br />

feel of pedal action. It gives you<br />

the fine control over the range of<br />

sounds, from quick-and-decisive<br />

to soft-and-subtle. You can even<br />

play “foot splash”!<br />

New Cymbal Pad<br />

PCY155 3-Zone pad<br />

PCY135 3-Zone pad<br />

DTX series offers a choice of 15"<br />

and 13" cymbal pads. Both size<br />

have the 3-zone structure in which<br />

each area of the pad, edge, and bell<br />

produces a different tone. It’s very<br />

light weighted and the natural<br />

“vibration” of real cymbal sound<br />

can be faithfully produced.<br />

Special set<br />

This set includes round cymbal<br />

pads, a snare pad with pad<br />

controller, real hi-hat pad, hi-hat<br />

stand, RS85 rack system, and more.<br />

ELECTRONIC PERCUSSION SYSTEM<br />

DTXP4 (Trigger Module)<br />

RS85 (Rack System)<br />

DTP4K2SP (Pads Set) includes:<br />

NEW PCY155 (3-zone Cymbal Pad) x1<br />

NEW PCY135 (3-zone Cymbal Pad) x2<br />

NEW RHH135 (2-zone Hi-Hat Pad) x1<br />

TP65 (Single-zone Pad) x3<br />

TP100 (3-zone Pad) x1<br />

KP65 (Kick Pad) x1<br />

HS650A (Hi-Hat Stand) x1<br />

ELECTRONIC PERCUSSION SYSTEM<br />

DTXPRESS IV<br />

Techno logy<br />

that Inspires<br />

The best of <strong>Yamaha</strong>’s acclaimed acoustic drums Feels Real, Sounds Real, Plays Real<br />

Standard set<br />

The Standard Set is compact but<br />

covers all the basics with 3-zone<br />

snare and hi-hat pads and 3-zone<br />

round cymbal pads.<br />

BSM Vol.04 2009 12 Electronic Drums BSM Vol.04 2009 13 Electronic Drums<br />

ELECTRONIC PERCUSSION SYSTEM<br />

BSM Vol.04<br />

DTXP4 (Trigger Module)<br />

RS70 (Rack System)<br />

DTP4K2STD (Pads Set) includes:<br />

NEW PCY135 (3-zone Cymbal Pad) x2<br />

TP65 (Single-zone Pad) x3<br />

TP65S (3-zone Pad) x2<br />

KP65 (Kick Pad) x1<br />

HH65 (Hi-Hat Controller) x1


ASIAN BEAT 2008-2009 GRAND FINAL<br />

Date: 28th Feb 2009 Venue: Jockey Club Auditorium<br />

in Hong Kong<br />

Representative Bands<br />

From Malaysia<br />

ATASHINCHI<br />

LEARN MUSIC,LISTEN TO MUSIC,PLAY THE MUSIC<br />

AND FEEL THE MUSIC. NO MUSIC NO LIFE!<br />

From Singapore<br />

Sixology<br />

Sixology is a result of putting 6 very different<br />

individuals together to form a band that is musically<br />

unique in terms of sound and style. Each member of<br />

Sixology has influences that range from blues to<br />

goth to classical to rock n roll. The band’s triple-lead<br />

vocal combination coupled with superb<br />

instrumentation on the keyboards and harmonized<br />

guitar solos separates the 6 from other rock groups.<br />

Its drum rhythms are also unconventional and even<br />

unpredictable at times, giving the group an extra<br />

touch of brilliance. The outcome is Sixology - a study<br />

of what 6 talented musicians can produce and<br />

achieve as one.<br />

From Hong Kong<br />

Summer Junkiez<br />

We are the Summer Junkiez. Have a laugh, enjoy the<br />

sun and take it easy. That’s what we’re about.<br />

From Hong Kong<br />

Grin<br />

Make happiness with music; make music with<br />

happiness.<br />

From Mainland China<br />

SUCKER<br />

We are sucker, the rock n’ roll band form Xi’an China.<br />

The members of our band are from different places of<br />

china. YANG is from Sichuan. Zhang is from Xi’an.<br />

Gesang is from Xianyang. And the guitar player Chen<br />

is from Lanzhou. We do the old school rock n’ roll<br />

together and rocking on!<br />

From Taiwan<br />

Unstable<br />

Since 2004, we have been together as a band. Music is<br />

our lives. We write songs, and we perform at many<br />

schools and cafes. At times, we have not enough money<br />

to play music and live, so we called our group<br />

“Unstable” (which describes our lives.) Heavy metal rock<br />

is our favorite kind of music to perform. Many people in<br />

Taiwan feel this style is too noisy, but because of those<br />

who like this style, we don’t shirink back. We hope that<br />

we can encourage others to enjoy heavy metal as much<br />

as we do. We want to give excitement to the music<br />

market in Taiwan. It’s another dream, that we hope<br />

everyone in Taiwan can experience other music styles.<br />

From Philippines<br />

PANCAKE 80<br />

Acoustic genre was the main focus of our band at an<br />

early stage of our career. As time went by, we delve<br />

with other music genres to adapt with the music<br />

trend, thereby showing our diversity.<br />

From S.Korea<br />

BROKEN VALENTINE<br />

We will do our best and enjoy playing with other asian<br />

bands. Alternative, Modern, Post Grunge Rock band<br />

performing mostly at clubs, and occasionally some rock<br />

festivals. We have acted as supporting band several times<br />

for other famous bands. On 2007, Self produced EP<br />

[Answer me !! Is that what you NEED??] has been released.<br />

From Mongol<br />

ZUGEER L<br />

“ZUGEER L” is a Mongolian nu metal band. The band<br />

was founded in 2005 and founded by huygaa,<br />

uuganaa, bob and hoki. The band was originally a<br />

tribal group that experimented with hardcore screams<br />

and sampling.<br />

From Mexico<br />

Shekina<br />

We are only several persons that each other found in<br />

the way of music, all with the immense desire to<br />

express ourselves, paying a sound to what we<br />

determined as unique and sentient beings. We<br />

formed as a small community that is experimenting<br />

and creating music with joy and simplicity, finding<br />

surprises along the way and are determined to keep<br />

growing in the music, because it gives meaning to<br />

our lives. Carlos, Jairo, Tono, Lorenzo and Oto.<br />

The best music<br />

in Asia starts here ...<br />

http://asianbeat-yamaha.typepad.com/<br />

From Japan (Guest Band - Winner of Tokyo Band Summit -)<br />

KAKERABANK<br />

KAKERABANK create their unique groove by blending<br />

elements of Folk, Rock, Hip-Hop and Traditional music with<br />

Pop style. Sakurai’s typical voice including elements of<br />

traditonal style and Ito’s pop percussion resonate in harmony.<br />

ASIAN BEAT<br />

What is ASIAN BEAT?<br />

BSM Vol.04 2009 16 ASIAN BEAT BSM Vol.04 2009 17 ASIAN BEAT<br />

“Asian Beat” is one of the biggest amateur band contests held throughout<br />

many regions in Asia. It starts out from qualifying rounds in participating<br />

countries and regions. Each winner at national or regional finals can proceed<br />

onto the Grand Final, where they will perform together on the same stage and<br />

compete to be the top of amateur bands in Asia.<br />

<strong>Yamaha</strong> Corporation started this event as “Band Alert” in 1998, renamed to<br />

“Asian Beat” in 2001 and marked 10th anniversary last year. In the past years,<br />

worldwide famous players were the judges such as Nathan East, Wes Borland,<br />

Tommy Aldridge and Billy Sheehan. For further information, you can take a<br />

look at the history on the website.<br />

The 11th Asian Beat competition<br />

will be held from 2008 to 2009.<br />

Information on the participating<br />

countries/regions and the Grand<br />

Final will be updated on the web.<br />

Please do not miss a chance to be<br />

the next Asian Beat Champion.<br />

Best of luck!<br />

ASIAN BEAT<br />

2008-2009 GRAND FINAL<br />

in Hong Kong<br />

FINALIST<br />

Qualifications for Entry<br />

❙ Participating bands should consist of 2 to 12 persons with<br />

musical instrument performance<br />

❙ Only an original song is acceptable<br />

❙ Performance time can not exceed 6 minutes<br />

❙ Detailed information is announced in the Asian Beat Official Website<br />

Special Message<br />

Sonny Emory<br />

It is indeed an honor and privilege to participate in<br />

this extraordinary event Asian Beat. I look forward<br />

to experiencing some of Asia’s finest talent, and<br />

reconnecting with my fans there as well! Wishing<br />

all of you Peace and Love,<br />

BSM Vol.04


A Warm Welcome to the World of <strong>Yamaha</strong> Music<br />

BEATSPOT in SIAM PARAGON<br />

Full-line combo products in new showroom.<br />

NEW<br />

BEATSPOT in The Curve<br />

The first BEATSPOT<br />

991 ROOM 457-8 SIAM<br />

PARAGON CENTER 4TH<br />

FLOOR RAMA 1 RD.,<br />

PATUMWAN BANGKOK<br />

10330 THAILAND<br />

Tel : +66-2129-4305-6<br />

Fax : +66-2129-4504<br />

BEATSPOT in<br />

Subang Jaya<br />

Lot 216, 216A, 217 &<br />

217A, 2nd Floor, The<br />

Curve, No. 6, Jalan PJU<br />

7/3, Mutiara Damansara,<br />

47801 Petaling Jaya.<br />

Tel : +60-3-77253426<br />

Fax : +60-3-77254119<br />

BSM Vol.04 2009 18 BEATSPOT<br />

THAILAND<br />

BANGKOK<br />

MALAYSIA<br />

Kuala Lumpur<br />

SINGAPORE<br />

NEW<br />

BEATSPOT in<br />

Plaza Singapura<br />

BEATSPOT in Fortune Town<br />

A combo musical instrument store<br />

complete with a range of pro audio gear.<br />

3rd Floor, Fortune Town,<br />

Room 81-84,<br />

Ratchadapisek Road,<br />

Dindeang, Bangkok.<br />

10320 Thailand<br />

Tel : +66-2642-1286<br />

Fax : +66-2248-5632<br />

BEATSPOT in Midvalley Megamall<br />

The newest BEATSPOT store with plenty<br />

to offer for beginners as well as pros.<br />

Lot S-018 & S-019, 2nd<br />

Floor, North Court, Mid<br />

Valley The Megamall, Mid<br />

Valley City,Lingkaran Syed<br />

Putra, 59200 Kuala Lumpur.<br />

Tel : +60-3-22872682<br />

Fax : +60-3-22872693<br />

Malaysia<br />

THE CURVE<br />

SPRINT HIGHWAY<br />

LEBUH RAYA<br />

DAMANSARA<br />

LEBUH<br />

Singapore<br />

Istana Park<br />

BEATSPOT in Subang Jaya Opening at June, 2008 NEW<br />

SPRINT<br />

HIGHWAY<br />

JALAN SYED PUTRA<br />

YPMC students<br />

receiving certificates<br />

at the end of concert.<br />

BEATSPOT<br />

(SUBANG JAYA BRANCH)<br />

MAIL BOX 110 LOT F.11<br />

1ST FLOOR SUBANG PARADE<br />

5 JALAN SS 16/1 SUBANG JAYA<br />

47500 PETALING JAYA, SELANGOR<br />

TEL: +60-3-56341971<br />

FAX: +60-3-56341972<br />

Young Ashley Ou Mae Wern<br />

impressed audience with her<br />

talent.<br />

1st BEATSPOT with school (14 studios and with around 1000 students)<br />

BEATSPOT in Plaza Singapura Opening at Oct 15th 2008 NEW<br />

PLAZA<br />

SINGAPURA<br />

DAMANSARA<br />

CENTRAL<br />

KUALA LUMPUR<br />

MID VALLEY<br />

SUBANG JAYA BRANCH<br />

Orchard Road<br />

Handy Road<br />

Dhoby Ghout MRT<br />

BEATSPOT<br />

(Plaza Singapura)<br />

68 Orchard Road, #06-01 Plaza<br />

Singapura, Singapore 238839<br />

TEL: +65-63363311<br />

FAX: +65-63363787<br />

BEATSPOT in Subang Jaya will have monthly<br />

activities called BAND-IN-ACTION that features<br />

Band Members from various genre such as Latin,<br />

Bossanova, Pop, and Rock. And don't forget our<br />

STUDENT-IN-ACTION performed by <strong>Yamaha</strong> Music<br />

students showing their talent and exposed<br />

themselves to the public and gain experience at the<br />

same time. Get more<br />

information on the<br />

activies, ALL ONLY<br />

AT SUBANG JAYA<br />

BRANCH @ Subang<br />

Parade. department<br />

store that is located<br />

in downtown and<br />

always have 150,000<br />

people coming<br />

everyday.<br />

<strong>Yamaha</strong>’s Biggest musical instrument shop in<br />

Singapore that offers widest range of merchandise<br />

BEATSPOT Plaza Singapura is Singapore's popular<br />

one-stop musical instrument shop with emphasis<br />

on <strong>Yamaha</strong> guitars, guitar accessories, <strong>Yamaha</strong><br />

digital drum sets and <strong>Yamaha</strong> music production<br />

equipment for the needs of local as well as visiting<br />

touring musicians and aspiring music enthusiasts<br />

around the region.<br />

The shop is located on the<br />

6th level of Plaza Singapura<br />

Shopping Mall right in the<br />

heart of Orchard Road -<br />

Singapore's most busiest<br />

shopping district, which<br />

enjoys tremendous traffic<br />

with its direct linkage to<br />

Mass Rapid Transit.<br />

Jay Tay, Dept Head<br />

BEATSPOT Store BSM Vol.04<br />

BSM Vol.04 2009 19 BEATSPOT<br />

I feel .. WOW ! Working in<br />

such a beautiful instrument<br />

shop right in the heart of<br />

shopping district with such a<br />

wide range of instruments! It's<br />

a one-stop music shop for all!<br />

Randy Tan, Staff<br />

EVENT REPORT / BEATSPOT in The Curve<br />

Large crowd at The Curve BEATSPOT by showcasing<br />

his talent and teaching his guitar skills & techniques.<br />

His Malaysian fans were thrilled to take pictures with<br />

him & get his signature at the end of the clinic.<br />

Since we are the first BEATSPOT with school, it's a<br />

great opportunities and exposure for all our students<br />

to understand and learn more on other instruments.<br />

It can be very helpful to their music education<br />

knowledge. While we mention about learning, it's<br />

very important to seek for a well trained sales<br />

person for explanation like what we have only at<br />

BEATSPOT. by Ricky Loh (Branch Head)<br />

BEATSPOT is a HEAVEN for music lovers who<br />

are looking for musical<br />

instrument. This<br />

concept will create<br />

more enjoyment and<br />

comfort to music for<br />

varieties of culture.<br />

by Shahreza<br />

Moostafa, Staff<br />

Gave an interesting Drum<br />

Clinic to some 50 drum<br />

students & enthusiasts at<br />

The Curve, BEATSPOT<br />

Showroom.<br />

(<strong>Yamaha</strong> Drum Endorsee)<br />

Its exciting to meet new<br />

customers everyday and help<br />

them with their needs. Here,<br />

at BEATSPOT, we have the<br />

most widest range of<br />

instruments to choose from<br />

which encourage every<br />

individuals to fall for music!<br />

Hector Taghoy, Staff

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