Alumni NewsJessica Aberle, BA ’01, is a doctoral student in architecturalhistory at the University <strong>of</strong> Virginia. She is winteringin Rome <strong>and</strong> Florence as a graduate assistant for acourse on “Renaissance Architecture on Site.”Belle Asante, BA ’98, is a doctoral c<strong>and</strong>idate in theGraduate School <strong>of</strong> Asian <strong>and</strong> African Area Studies atKyoto University in Japan. For four years she has beenconducting anthropological research on the traditionalbasketry <strong>of</strong> the Harari ethnic group in Ethiopia. Nextyear she expects to write a dissertation that will combineher interests in folk crafts, material culture preservation<strong>and</strong> cultural heritage policy. She writes that hercurrent path is a blend <strong>of</strong> her undergraduate Mizzouexperiences, which center on the department <strong>and</strong>Museum <strong>of</strong> <strong>Art</strong> <strong>and</strong> <strong>Archaeology</strong>.Jennifer Beisel, MA ’97, is an assistant pr<strong>of</strong>essor <strong>of</strong>public history at Stephen F. Austin State University.Scott de Brestian, MA ’97, PhD ’03, is the department’snew curator <strong>of</strong> visual resources. Last March hepresented the paper “Vascones <strong>and</strong> Visigoths: Creation<strong>and</strong> Transformation <strong>of</strong> Identity in Northern Spain” at thesixth biennial Shifting Frontiers in Late Antiquity conferenceat the University <strong>of</strong> Illinois at Urbana-Champaign.In May he spoke on “Resistance or Romanization? ACase Study in Northern Spain” at the annual meeting <strong>of</strong>the Association <strong>of</strong> Ancient Historians.In fall 2005, Matthew Hannon, BA ’03, began the graduateprogram in l<strong>and</strong>scape architecture at the University<strong>of</strong> Illinois at Urbana-Champaign.J. Frederich Hanson passed away in June 2004. Hewas a graduate student in the department for severalyears around 1970 <strong>and</strong> served for a longer period as theart, archaeology <strong>and</strong> music librarian in Ellis Library.Katie Hart, BA ’03, is working at Searl <strong>and</strong> Associates,an architecture firm in Chicago. She was a finalist forthe American Institute <strong>of</strong> Architects–Chicago “Rethink,Recycle, Redesign” competition. She has been acceptedto Archeworks, a post-graduate design school wherestudents work in multidisciplinary teams with nonpr<strong>of</strong>itpartners to create design solutions for social concerns.Hart is part <strong>of</strong> a team that is designing products forstroke survivors to improve their work <strong>and</strong> home lives.Elizabeth Moore Hunt, MA ’96, PhD ’04, expects topublish her dissertation, Illuminating the Borders <strong>of</strong>Northern French <strong>and</strong> Flemish Manuscripts, in theStudies in Medieval <strong>History</strong> <strong>and</strong> Culture series.In March Katharine Hunvald, PhD ’04, spoke about“Breaching a Seventh-Century <strong>Art</strong>istic Frontier: TheWarnebertus Reliquary” at the Shifting Frontiers in LateAntiquity conference at the University <strong>of</strong> Illinois.After graduating from MU, Annie Kampinen, BA ’02,held internships in archaeology <strong>and</strong> architectural historywith the Missouri <strong>Department</strong> <strong>of</strong> Transportation. Sheworked in city planning <strong>and</strong> historical preservation forthe city <strong>of</strong> Minneapolis <strong>and</strong> now is working for a privatecompany specializing in preservation, archival research<strong>and</strong> context studies.Tara Kempen, BA ’03 has entered the graduate archaeology/anthropologyprogram at Iowa State University in Ames.Benton Kidd, PhD ’03, is associate curator <strong>of</strong> ancientart in MU’s Museum <strong>of</strong> <strong>Art</strong> <strong>and</strong> <strong>Archaeology</strong>.Elizabeth Kramer, MA ’99, completed a doctorate atthe University <strong>of</strong> Manchester in Engl<strong>and</strong>. In July shebegan a research appointment at the <strong>Art</strong>s <strong>and</strong>Humanities Research Council Research Centre forTextile Conservation <strong>and</strong> Textile Studies. She is workingon a book, The Material Culture <strong>of</strong> Mania, which looksat Japan mania textiles as a way to evaluate how histories<strong>and</strong> theories <strong>of</strong> consumption <strong>and</strong> material cultureinform us on the phenomenon <strong>of</strong> mania.Julia Menes, MA ’04, is in her first year <strong>of</strong> doctoral workat Ohio State University. She reports that all is going wellbut the quarter system takes some getting used to.Frankie Morris, PhD ’82, published <strong>Art</strong>ist <strong>of</strong>Wonderl<strong>and</strong>: The Life, Political Cartoons, <strong>and</strong>Illustrations <strong>of</strong> Tenniel with the University <strong>of</strong> VirginiaPress. This definitive study <strong>of</strong> Sir John Tenniel’s life <strong>and</strong>work gives an unprecedented view <strong>of</strong> the cartoonistwho mythologized the world for generations <strong>of</strong> Britons.Kathleen Morris, BA ’81, is director <strong>of</strong> exhibitions <strong>and</strong>collections <strong>and</strong> curator <strong>of</strong> decorative arts at the Sterling<strong>and</strong> Francine Clark <strong>Art</strong> Institute, Williamstown, Mass.Previously she was associate director for exhibitions <strong>and</strong>collections management <strong>and</strong> curator <strong>of</strong> European sculpture,decorative arts <strong>and</strong> prints at the Virginia Museum<strong>of</strong> Fine <strong>Art</strong>s. She received a doctorate from theUniversity <strong>of</strong> Virginia in 2005 <strong>and</strong> wrote a dissertationthat dealt with contemporary sources on the life <strong>and</strong> art<strong>of</strong> Gian Lorenzo Bernini.After graduating from MU, Julia Di PierdomenicoMoser, BA ’83, continued her studies in the pharmacyschool at the University <strong>of</strong> Missouri-Kansas City. She<strong>and</strong> her husb<strong>and</strong>, Hershel, live in Salem, Mo., <strong>and</strong> operatetheir own pharmacy. She has been to Italy severaltimes since graduation <strong>and</strong> recalls fondly her courses inRenaissance art with Norman L<strong>and</strong>.A splendid photograph <strong>of</strong> a solitary sycamore leaf takenby Scott Myers, MA ’97, was featured on the 2005 commemorativeposter for the Columbia Festival <strong>of</strong> the <strong>Art</strong>s.James Newhard, BA ’94, is an assistant pr<strong>of</strong>essor inthe <strong>Department</strong> <strong>of</strong> Classics, German, Italian, Japanese<strong>and</strong> Russian, as well as the director <strong>of</strong> the new interdisciplinaryprogram in archaeology at the College <strong>of</strong>6
Charleston. Since 2003 he has coordinated the GöksuArchaeological Project, a multidisciplinary investigation<strong>of</strong> the upper Göksu river valley in southern Turkey.Danielle Parks, MA ’91, PhD ’99, recently had her master’sthesis published by the Cyprus Numismatic Societyas The Roman Coinage <strong>of</strong> Cyprus (Nicosia, 2004).Breanne Robertson, BA ’03, completed a master’s inAmerican art history at the University <strong>of</strong> Texas at Austin.After an internship at the Smithsonian American <strong>Art</strong>Museum, she enrolled in the doctoral program at theUniversity <strong>of</strong> Maryl<strong>and</strong>-College Park. She plans to writea dissertation on the role spiritualism played in the work<strong>of</strong> early 20th-century American artist Marsden Hartley.Thomas Spencer, BA ’91, prepared an exhibition onSaint-Quentin de Troyes, du prieuré au pèlerinage, whichopened in June. This year he is teaching early Christian<strong>and</strong> early medieval architecture at the universities <strong>of</strong>Reims <strong>and</strong> Troyes. He is collaborating on a new <strong>of</strong>ficialatlas <strong>of</strong> monuments in the Champagne region. His recentarticle on Saint-Quentin appeared in the journal La Croix.Philip Montague Smith died in December after a long illness.He was a graduate student in art history in the 1980s.Joe Stumpf, PhD ’03, spent summer 2004 in Aqaba,Jordan <strong>and</strong> finished his section <strong>of</strong> the Roman excavationreport. He teaches at Montgomery College outsideWashington, D.C.Billur Tekkök, PhD ’96, is associate pr<strong>of</strong>essor <strong>and</strong> head<strong>of</strong> the new Program in Culture Heritage <strong>and</strong>Conservation <strong>of</strong> Ancient Sites at Baskent University inAnkara. Last summer she worked with pottery from theGranicus survey in northwest Turkey <strong>and</strong> the VillaMaxentius Project outside Rome.Gary Walters, BA ’02, began law school in fall 2005 atCreighton University in Omaha, Neb.Yang Wang, BA ’04, entered the graduate program inart history at Ohio State University, where she is studyingthe visual culture <strong>of</strong> contemporary China.Emeriti FacultyWilliam Biers continued his peripatetic lifestyle withtrips to both coasts <strong>and</strong> additional visits to Chicago.Some <strong>of</strong> the trips were for business, including a lecturetour for the Archaeological Institute <strong>of</strong> America toWinnipeg, Manitoba, Lincoln, Neb., <strong>and</strong> Kansas City,<strong>and</strong> lectures at Texas Tech in Lubbock. Winter semesterhe reprised his phenomenally popular trademark coursein ancient technology. Most <strong>of</strong> the 60 participants camefrom outside the College <strong>of</strong> <strong>Art</strong>s <strong>and</strong> Science.Early spring found Patricia Crown in Los Angeles,where she was conducting research at theHuntington <strong>Art</strong> Collections, Library <strong>and</strong> Gardens, <strong>and</strong>visiting the Getty Museum. Crown spent a day at theLos Angeles County Museum <strong>of</strong> <strong>Art</strong> with ClaudiaEinecke, PhD ’94, who is working as a curator on anexhibit <strong>of</strong> Renoir paintings. She lectured at MeramecState University on Pre-Raphaelite images <strong>of</strong>women’s work <strong>and</strong> attended a William Morris exhibition<strong>and</strong> symposium at Northwestern University. Lastsummer she worked at the Paul Mellon Centre forStudies in British <strong>Art</strong> in London. In January she lecturedat the University <strong>of</strong> Newcastle Upon Tyne in itsCultures <strong>of</strong> Childhood Research Institute. She presenteda paper at the annual meeting <strong>of</strong> the BritishSociety for 18th-Century Studies in Oxford.Howard Marshall continues his so-called retirement.He is busy researching <strong>and</strong> writing about Missourifiddle history <strong>and</strong> inching ahead on his work withOsmund Overby on the Missouri volume <strong>of</strong> theBuildings <strong>of</strong> the United States. Last December heconducted a Folk <strong>Art</strong>s Residency for home-schooledstudents in the Columbia area on the topic <strong>of</strong> “TheFiddle/Violin in Missouri Life.” The Missouri Folk <strong>Art</strong>sProgram <strong>and</strong> Missouri <strong>Art</strong>s Council sponsored theresidence. In February he presented a fiddle workshopfor orchestra string players at the University <strong>of</strong>Illinois-Springfield. Marshall’s most recent publication,“Irish Echoes in Outstate Missouri,” MissouriHistorical Review, fall 2005, investigates the legacy <strong>of</strong>Irish itinerant railroad workers <strong>and</strong> their fiddle musicin northern Missouri after the Civil War.Osmund Overby, with Howard Marshall, is givingmajor attention to Buildings <strong>of</strong> Missouri, a volume inthe Buildings <strong>of</strong> the United States series sponsoredby the Society <strong>of</strong> Architectural Historians. Thenational project has been reorganized recently, witha 2006 deadline for the Missouri manuscript leadingto publication next year. Overby has been lecturingmore than usual lately: on the Buildings <strong>of</strong> Missouriat the annual meeting <strong>of</strong> the Society <strong>of</strong> ArchitecturalHistorians in Vancouver; in Toronto at the annualgathering <strong>of</strong> American Pilgrims on the Camino deSantiago on the architecture along that historicroute; on St. Louis architecture at the annual meeting<strong>of</strong> the L<strong>and</strong>marks Association <strong>of</strong> St. Louis; <strong>and</strong>on the architecture <strong>of</strong> William Adair Bernoudy toboth the Mid-Missouri chapter <strong>of</strong> the AmericanInstitute <strong>of</strong> Architects <strong>and</strong> the Museum Associates<strong>of</strong> the Museum <strong>of</strong> <strong>Art</strong> <strong>and</strong> <strong>Archaeology</strong>.7