28.11.2012 Views

Global Art And Politics Of Mobility: (Trans)Cultural Shifts in the ...

Global Art And Politics Of Mobility: (Trans)Cultural Shifts in the ...

Global Art And Politics Of Mobility: (Trans)Cultural Shifts in the ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Homi Bhabha’s words on <strong>the</strong> subjective dimension of<br />

cartographic relations. “We need to be aware as we draw our<br />

maps, sp<strong>in</strong> our globes, weave our narratives of 'home', carry<br />

with us <strong>the</strong> joy and burden of our histories, <strong>the</strong> bless<strong>in</strong>g and<br />

<strong>the</strong> curse of our communities, that we have to rema<strong>in</strong><br />

conscious of <strong>the</strong> ethical choice of our existence: to represent<br />

<strong>the</strong> 'o<strong>the</strong>r's' difference with<strong>in</strong> my own, to learn <strong>the</strong> proximity<br />

of alien personhood, to be unafraid to see <strong>the</strong> silver l<strong>in</strong><strong>in</strong>g <strong>in</strong><br />

<strong>the</strong> survivor's song, <strong>the</strong> dark cloud <strong>in</strong> my own an<strong>the</strong>m”<br />

(Bhabha:2001). It is <strong>in</strong> this sense that we attempt to<br />

problematize <strong>the</strong> cartographic function of <strong>the</strong> new<br />

<strong>in</strong>ternational contemporary art system and to question <strong>the</strong><br />

global figure of new contemporary and translocal artists and<br />

curators, because, as is obvious, <strong>the</strong>ir purpose is not<br />

exclusively to move transversally throughout <strong>the</strong> symbolic<br />

geography of global exhibition systems, but also to put <strong>in</strong>to<br />

circulation new means of reflection about <strong>the</strong> geography of art<br />

and global forms of representation of diversity.<br />

The follow<strong>in</strong>g questions <strong>the</strong>n arise: What type of<br />

cartography of transcultural relations does <strong>the</strong> <strong>in</strong>ternational<br />

contemporary art system provide? What are <strong>the</strong> operat<strong>in</strong>g<br />

politics of <strong>in</strong>- or exclusion? What is <strong>the</strong> role of <strong>the</strong> symbolic<br />

dimension of mobility put <strong>in</strong>to circulation by <strong>the</strong> agents<br />

partak<strong>in</strong>g <strong>in</strong> <strong>the</strong> global modern art exhibition processes? What<br />

substantiates <strong>the</strong> <strong>in</strong>ternational character of new global art?<br />

<strong>Global</strong> <strong>Art</strong> and <strong>the</strong> Aes<strong>the</strong>tic Absorption of Difference:<br />

Symbolic Violence, Hybridation and Periphery.<br />

The global contemporary art circuits are complex, as complex<br />

are <strong>the</strong> transcultural politics of representation and <strong>the</strong> mobility<br />

politics of cultural imag<strong>in</strong>aries. As we have earlier stated, <strong>the</strong><br />

complexity of <strong>the</strong> problem of globalization of diversity with<strong>in</strong><br />

<strong>the</strong> <strong>in</strong>ternational exhibition systems has presently ga<strong>in</strong>ed a<br />

geo-aes<strong>the</strong>tic dimension. <strong>And</strong> it is <strong>in</strong> this dimension that <strong>the</strong><br />

mechanisms of global circulation of art <strong>in</strong>tersect with <strong>the</strong> geopolitical<br />

negotiations of subjectivity. Therefore, <strong>the</strong> geo-

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!