With a contemporary presentation inscription - Peter Harrington
With a contemporary presentation inscription - Peter Harrington
With a contemporary presentation inscription - Peter Harrington
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<strong>Peter</strong> <strong>Harrington</strong><br />
3. ALBEE, Edward.<br />
6<br />
Who’s Afraid of Virginia Woolf. A Play.<br />
New York: Atheneum, 1962 [61790]<br />
Octavo. Original black cloth, titles to spine gilt,<br />
yellow endpapers, red top-stain. <strong>With</strong> the dust<br />
jacket. In a red quarter morocco slipcase and<br />
chemise. Spine rolled. An excellent copy in the<br />
lightly rubbed and nicked jacket with faint toning<br />
to the edges of the front panel.<br />
£4750<br />
Individual images of all items are on our website<br />
First edition, first impression. Inscribed by the<br />
author to the poet David Posner (1921–1985)<br />
on the front blank, “‘I’m afraid that’s always<br />
the case’, he said, ‘There’s always one who<br />
loves and one who lets himself be loved’. This<br />
copy of the play for David Posner, who is both<br />
a good person and a good poet – Thankfully,<br />
Edward Albee. Buffalo 4.1.63”. Also with a handwritten<br />
Christmas card from Albee to Posner.<br />
Contemporary <strong>presentation</strong> copies of this work<br />
are very scarce.<br />
www.peterharrington.co.uk Catalogue 76: Modern Literature<br />
4. AMIS, Kingsley.<br />
Lucky Jim A Novel.<br />
London: Victor Gollancz Ltd., 1953 [33827]<br />
Octavo. Original green boards, titles to spine in<br />
gold. <strong>With</strong> the dust jacket probably supplied from<br />
another copy. Housed in a quarter green morocco<br />
solander box made by The Chelsea Bindery. Some<br />
foxing to fore edge and terminal leaves, contents<br />
sporadically marked, spine a little dull. Very good<br />
in a rather marked dust jacket with a couple of<br />
tears to the rear panel and some minor loss at the<br />
tips.<br />
£9750<br />
<strong>With</strong> a <strong>contemporary</strong><br />
<strong>presentation</strong> <strong>inscription</strong><br />
First edition, first impression. Amis’s epochal<br />
first novel. <strong>With</strong> the author’s signed <strong>presentation</strong><br />
<strong>inscription</strong> to the front free endpaper, “Sincerest<br />
good wishes to James and Elsa from Kingsley<br />
‘these first-fruits’ January 1954”. The recipients<br />
were James (“Jo”) and Elsa Bartley, a couple<br />
with whom Amis was close friends during his<br />
time in Swansea. It was they who introduced<br />
Amis to the hard-partying Welsh bourgeoisie<br />
depicted in Amis’s second novel, That Uncertain<br />
Feeling. Presentation copies of Lucky Jim in first<br />
edition are very scarce. Only the dedication copy<br />
inscribed to Philip Larkin has appeared at auction<br />
in 35 years. This is the only other example we<br />
have handled.<br />
7