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Download Event Program - School of Music - University of Arizona

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nPeking Opera: “Snow Forest” arranged by Larry LangPeking Opera has a history <strong>of</strong> over 300 years in China. It is not really opera associated solely with Beijing area, butis rather a special type <strong>of</strong> play with singing, dancing and dialogue known in Chinese as “Jing-Xi.” The music <strong>of</strong> Jing-Xi isvery special, different from all other Chinese traditional music and folk songs in the way that jazz is different fromother forms <strong>of</strong> American music.Inspired by the music <strong>of</strong> Jing-Xi, I made an arrangement <strong>of</strong> a tenor aria titled “Snow Forest”- “Da-Hu-Shang-Shan” 京 剧管 弦 乐 :《 林 海 雪 原 》for symphony orchestra, to expose American audiences for the first time to the beauty <strong>of</strong> this specialChinese music. A musical painting <strong>of</strong> a snowy forest in northeast China emerges in this music. Based on a story from 1948,a brave Chinese solder, in conflict with terrorists, eventually wins the battle.– Larry Lang“Sunset Flute & Drum” – traditionalSunset Flute & Drum is a masterwork <strong>of</strong> Chinese traditional music. It is elegant, graceful and lyrical, painting a landscape<strong>of</strong> a quiet night in spring, with the moon rising. A canoe on the river creates ripples, flowers bloom along the river banks,depicting a perfect breathtaking scene <strong>of</strong> southern China. The original music is composed for pipa solo, and will beperformed by an ensemble <strong>of</strong> pipa, guzheng, erhu and dizi in this concert.– Larry LangHeaven Earth Mankind (Symphony 1997), excerpts, by Tan DunCommissioned by the Hong Kong government to celebrate the reunification <strong>of</strong> Hong Kong with China on July 1, 1997,Tan’s 70-minute symphony is a dramatic montage that captures the panorama <strong>of</strong> human history and the longings <strong>of</strong> ourspirit. It joins the cultures <strong>of</strong> the East and West: reflecting the Chinese aesthetic <strong>of</strong> using celebratory music as a vehicle forspiritual contemplation while featuring lush Romantic harmonies and sweeping lines characteristic <strong>of</strong> Western music. Tanconspicuously adapts African rhythms and melodies known to audiences in the East and West, including the folk song“Jasmine Flower” (used by Puccini in Turandot) and Beethoven’s Ode to Joy. Taoist philosophy colors the Symphony throughits tripartite division <strong>of</strong> Heaven, Earth and Mankind. The work concludes with a hymn to universal freedom and peace, aspiritual descendant <strong>of</strong> Beethoven’s Ninth Symphony. The Symphony envisions a new world, one in which the arrogance<strong>of</strong> isolationism, colonialism and imperialism has finally yielded to a global community.– Mary Lou Humphrey- 8 -

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