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FROM MEDICI TO BOURBON - Newport Mansions

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Having given evidence, in the final renovations to his city residence, of a taste<br />

for soundly grounded period style rooms, Cornelius Vanderbilt II was perhaps seen by<br />

Allard as receptive to the acquisition of a true period room for his, and R.M. Hunt’s,<br />

final project, the 1893-1895 erection of a neo-Renaissance Genoese palazzo-inspired<br />

summer villa in <strong>Newport</strong> known as ‘The Breakers’ (Fig. 17.). Allard had charge<br />

again of the reception rooms, which in a conscious attempt to re-establish the<br />

seniority, in all matters, of Cornelius as head of the House of Vanderbilt, endowed the<br />

structure with civic-scaled Third Republic French interiors reminiscent of the Paris<br />

Opera and Hôtel de Ville. A few pieces were acquired on a Renaissance or Italian<br />

theme such as a circa 1530 Burgundian chimneypiece formerly in the Frédéric Spitzer<br />

collection 157 and a pair of roman Baroque armchairs with Borghese-Barberini arms<br />

and a circa 1780 Valadier and Asprucci console (Fig. 18.) from the Paolo Borghese<br />

sale in Paris. 158 Overall the furnishings were made by the firm’s Paris workshops<br />

after Renaissance models illustrated in Havard, 159 a novelty being however that<br />

several suites were platinum rather than gold-leafed, surpassing Alva’s gilt rather than<br />

silver seat furniture.<br />

In this heady atmosphere, Jules Allard proposed a complete Louis XVI period<br />

room (Fig. 19.) from his stock that was, as recorded by the family, commissioned by<br />

Marie Antoinette as a gift to her goddaughter Mademoiselle de St. Aulaire. 160 This<br />

157 Acquired with its pendant at the Spitzer sale by the Paris antiquities dealer Heilbronner and sold via<br />

Allard to the Vanderbilts; the pendant was sold by Allard to W.W. Astor for the hall of Cliveden in<br />

1895.<br />

158 Galerie Georges Petit, Paris, 2-3 July, 1891.<br />

159 Henry Havard, Dictionaire de l’ameublement, E. Rouveyre et G. Blond, Paris, 1884, p. 635, fig.<br />

439. A Renaissance ‘chaire à vertugadin, à la gênoise, XVIIe siècle’ engraved by Goutzwiller.<br />

160 Archives of the Preservation Society of <strong>Newport</strong> County, handwritten note (without date) in the<br />

hand of Countess Laszlo Széchényi.<br />

42

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