29.11.2012 Views

6 2 - Dominican University

6 2 - Dominican University

6 2 - Dominican University

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

While the experience officially<br />

begins in the classroom with<br />

assigned readings and lectures,<br />

the real learning takes place<br />

during the five-day excursion<br />

down historic Highway 61 from<br />

Memphis to the Mississippi<br />

Delta. From the moment the<br />

dozen or so students exit the<br />

Memphis airport, they are<br />

immersed in a carefully scripted<br />

journey weaving culture, history,<br />

legend and mystery into an<br />

unforgettable educational<br />

adventure entitled “Down at the<br />

Crossroads: The Musical and<br />

Racial Heritage of Memphis and<br />

the Mississippi Delta.”<br />

During the five-day excursion, Professor Monti and<br />

her students visit “Sunshine” Sonny Payne who hosts<br />

the blues radio program King Biscuit Time on KFFA<br />

radio in Helena, Arkansas.<br />

Since 2004, Janice Monti, PhD,<br />

professor of sociology and<br />

department chair of sociology<br />

and criminology, has led the<br />

course, which integrates themes<br />

of race, civil rights and the<br />

musical legacy of the South. It’s<br />

education steeped in experience.<br />

“Most students are crazy about<br />

music, yet most are unfamiliar<br />

with the African-American<br />

heritage that is the backbone of<br />

American popular music,” she says.<br />

The first stop on the trip is the<br />

National Civil Rights Museum<br />

located at the Lorraine Motel in<br />

Memphis where Martin Luther<br />

King Jr. was assassinated. “It’s one<br />

of the most wonderful museums<br />

and it sets the tone for the<br />

rest of the trip,” Monti says.<br />

“Experience is one of the best<br />

ways for students to get the<br />

concepts and information<br />

presented in the classroom.<br />

While they have heard about<br />

Martin Luther King Jr. and the<br />

civil rights movement, in order<br />

to fully understand race and civil<br />

rights in our country you need<br />

to connect to the musical<br />

heritage of the South. When you<br />

look at the history of blues and<br />

gospel music you are talking<br />

about the very themes that<br />

underscore the racial legacy of<br />

the United States.”<br />

Following the<br />

National<br />

Civil Rights<br />

Museum is an<br />

orchestrated<br />

sequence of<br />

visits to the<br />

Stax Museum<br />

of American<br />

Soul Music<br />

and the<br />

Soulsville<br />

neighborhood<br />

of Memphis;<br />

and a<br />

journey down<br />

Highway 61 to the Mississippi<br />

Delta, using the life and times of<br />

historic blues musician Robert<br />

Johnson – whose life and<br />

untimely death were shrouded<br />

in mystery – as a metaphor for<br />

the experience. A certified<br />

ethnographer leads the trip<br />

alongside Professor Monti.<br />

In Money, MS, the group visits<br />

the important sites linked to the<br />

birth of the civil rights movement<br />

such as the Bryant Grocery Store<br />

where Emmet Till reportedly<br />

whistled at a young girl, leading<br />

to his murder, and Tallahatchie<br />

River where his body was<br />

discovered. The students spend<br />

the night in sharecropper shacks<br />

and travel to former cotton<br />

plantations, gravesites, and the<br />

legendary crossroads where<br />

Robert Johnson allegedly sold<br />

his soul to the devil in exchange<br />

for extraordinary musical talent.<br />

For sophomore Jeremy Porter,<br />

the trip was especially profound<br />

since his family roots extend to<br />

Memphis and Clarksdale, MS.<br />

“My grandfather worked in the<br />

cotton fields of Clarksdale, and<br />

staying in the shacks was very<br />

emotional because I thought<br />

possibly my family could have<br />

lived in those same shacks,”<br />

Porter recalls. “It was hard<br />

because it wasn’t a livable<br />

place in my eyes.”<br />

“The historical and racial<br />

memory for the students is quite<br />

profound,” Monti says. “While<br />

they know vaguely about that<br />

history, what they hadn’t<br />

realized is that the Delta<br />

counties of Mississippi rank the<br />

lowest in health, education and<br />

quality of life issues, and are<br />

among the poorest in the United<br />

States. At this point of the<br />

course, we confront that legacy<br />

and the reasons why it is still the<br />

case today. In total, it is a<br />

revelation to the students<br />

because we don’t visit the typical<br />

tourist destinations.”<br />

“Seeing the way people live was<br />

amazing,” says Cecilia Tobias<br />

’10. “It is America’s third-world<br />

country and it’s right below our<br />

feet. I had never been down south<br />

before and having the ability to<br />

immerse yourself in an area you’re<br />

not familiar with was important<br />

because now I have an idea of<br />

what people are living through.”<br />

“I believe we may be the only<br />

school to offer a course such as<br />

this for credit,” Monti concludes.<br />

“There are many profound<br />

unintended consequences for<br />

students because it really<br />

expands their view of the world.<br />

It is quite powerful.”<br />

FEATURE<br />

BLUES AND THE SPIRIT II<br />

SYMPOSIUM<br />

A sold-out crowd of music and<br />

history scholars and fans<br />

attended the Blues and the<br />

Spirit II Symposium on Chicago<br />

Blues and Gospel Music, June<br />

9-10 on the <strong>Dominican</strong><br />

campus. The event,<br />

commemorating the<br />

centennial of Howlin’ Wolf’s<br />

birth, as well as the 40th<br />

anniversary of Living Blues<br />

magazine, included keynote<br />

addresses by Chuck D,<br />

co-founder of seminal rap<br />

group Public Enemy and one<br />

of Rolling Stone magazine’s<br />

“50 Most Important Performers<br />

in Rock & Roll History”; award<br />

presentations to Barry Dolins,<br />

deputy director of the Mayor’s<br />

Office of Special Events and<br />

the catalyst for Chicago’s blues<br />

and gospel festivals, and<br />

Howlin’ Wolf’s daughters,<br />

Bettye Kelly and Barbra Marks;<br />

and a thrilling pro jam<br />

featuring the surviving<br />

sidemen of legendary blues<br />

musicians Muddy Waters,<br />

Willie Dixon and Howlin’ Wolf,<br />

and renowned musicians from<br />

the current Chicago blues<br />

scene. The symposium<br />

concluded with a pro jam with<br />

some of the original Howlin’<br />

Wolf sidemen and an afterparty<br />

at Rosa’s Lounge.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!