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The enigma of Vitruvian resonating vases and the relevance ... - CEC

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<strong>The</strong> <strong>enigma</strong> <strong>of</strong> <strong>Vitruvian</strong> <strong>resonating</strong> <strong>vases</strong> <strong>and</strong> <strong>the</strong> <strong>relevance</strong> <strong>of</strong> <strong>the</strong> concept for today - Rob Godman<br />

Page 20 <strong>of</strong> 23<br />

What might happen if we listen to <strong>the</strong>se sounds under water? Or, what might happen<br />

if we are inside a solid, moving through <strong>the</strong> molecules <strong>and</strong> listening to how <strong>the</strong>y relate<br />

to each o<strong>the</strong>r? Solid is an imaginary exploration <strong>of</strong> <strong>the</strong> resonance <strong>of</strong> a piece <strong>of</strong> glass,<br />

heard from within, ra<strong>the</strong>r than outside in <strong>the</strong> air.<br />

Godman, Programme Note for ‘Solid’ 2002<br />

Again, a number <strong>of</strong> acoustic spaces were designed <strong>and</strong> superimposed with each o<strong>the</strong>r. Both inside <strong>the</strong> eye<br />

<strong>of</strong> silence <strong>and</strong> Solid are algorithmic works <strong>and</strong> use a series <strong>of</strong> permutation tables to constantly change <strong>the</strong><br />

order <strong>of</strong> how <strong>the</strong>se spaces are presented. This means <strong>the</strong> composition is likely to be noticeably different at<br />

different times <strong>of</strong> <strong>the</strong> day, week, month etc. Solid was derived from <strong>the</strong> sound <strong>of</strong> glass. By using granular<br />

syn<strong>the</strong>sis it was possible to extend tiny fragments <strong>of</strong> sound <strong>and</strong> allow <strong>the</strong>m to ride on <strong>the</strong> <strong>Vitruvian</strong><br />

resonances.<br />

metro 70000<br />

delay 7000<br />

coll songs<br />

p pulsed-chimes<br />

p chimesamps<br />

chimes<br />

1.04<br />

Solid<br />

p phase-changer p High-Grans<br />

high grans<br />

metro 190000<br />

coll one<br />

conv<br />

0.67<br />

comb_chimes<br />

metro 130000<br />

delay 11000 metro 170000 metro 110000 metro 130000 metro 230000<br />

None<br />

coll five<br />

p conv<br />

p amps1 p amps2<br />

granB<br />

coll two<br />

drones<br />

© Rob Godman June 2002<br />

revised version using quad soundcard 2003<br />

1.8<br />

granA<br />

p comb-chimes<br />

p amps3<br />

0.7<br />

-Signal levels-<br />

-Programme-<br />

coll three<br />

p granA<br />

p amps4<br />

0.87<br />

coll three<br />

p granB<br />

p amps5<br />

Quad Mix<br />

0.98<br />

coll four<br />

p drones<br />

p amps6<br />

1. Front left (floor)<br />

2. Front right (floor)<br />

3. Rear left<br />

4. Rear right<br />

open<br />

0.35<br />

dac~ 1 2 3 4<br />

test (for audio 4 instructions)<br />

information<br />

speakers<br />

-Control Panel-<br />

activate audio<br />

Kill current samples! (panic)<br />

0 0 49<br />

run time<br />

Master Volume<br />

0.93<br />

-Master-<br />

adstatus cpu<br />

adstatus info<br />

0<br />

0<br />

0<br />

0. 0. 0. 0.<br />

FIGURE 15 shows <strong>the</strong> Max/MSP patch used for operating Solid. <strong>The</strong> sub-patches [p pulsed-chimes]<br />

through to [p drones] (shown in green) contain a number <strong>of</strong> pre-processed sound files that are selected<br />

according to seven different permutation series. <strong>The</strong>se series are derived from English Change Ringing<br />

Patterns <strong>and</strong> are stored in <strong>the</strong> patch as [coll] objects. <strong>The</strong> variables for <strong>the</strong>se permutation series function as<br />

different sound files, no file (i.e. producing silence) <strong>and</strong> <strong>the</strong> ability to alter <strong>the</strong> phase <strong>of</strong> <strong>the</strong> signal.

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