The enigma of Vitruvian resonating vases and the relevance ... - CEC
The enigma of Vitruvian resonating vases and the relevance ... - CEC
The enigma of Vitruvian resonating vases and the relevance ... - CEC
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
<strong>The</strong> <strong>enigma</strong> <strong>of</strong> <strong>Vitruvian</strong> <strong>resonating</strong> <strong>vases</strong> <strong>and</strong> <strong>the</strong> <strong>relevance</strong> <strong>of</strong> <strong>the</strong> concept for today - Rob Godman<br />
Page 20 <strong>of</strong> 23<br />
What might happen if we listen to <strong>the</strong>se sounds under water? Or, what might happen<br />
if we are inside a solid, moving through <strong>the</strong> molecules <strong>and</strong> listening to how <strong>the</strong>y relate<br />
to each o<strong>the</strong>r? Solid is an imaginary exploration <strong>of</strong> <strong>the</strong> resonance <strong>of</strong> a piece <strong>of</strong> glass,<br />
heard from within, ra<strong>the</strong>r than outside in <strong>the</strong> air.<br />
Godman, Programme Note for ‘Solid’ 2002<br />
Again, a number <strong>of</strong> acoustic spaces were designed <strong>and</strong> superimposed with each o<strong>the</strong>r. Both inside <strong>the</strong> eye<br />
<strong>of</strong> silence <strong>and</strong> Solid are algorithmic works <strong>and</strong> use a series <strong>of</strong> permutation tables to constantly change <strong>the</strong><br />
order <strong>of</strong> how <strong>the</strong>se spaces are presented. This means <strong>the</strong> composition is likely to be noticeably different at<br />
different times <strong>of</strong> <strong>the</strong> day, week, month etc. Solid was derived from <strong>the</strong> sound <strong>of</strong> glass. By using granular<br />
syn<strong>the</strong>sis it was possible to extend tiny fragments <strong>of</strong> sound <strong>and</strong> allow <strong>the</strong>m to ride on <strong>the</strong> <strong>Vitruvian</strong><br />
resonances.<br />
metro 70000<br />
delay 7000<br />
coll songs<br />
p pulsed-chimes<br />
p chimesamps<br />
chimes<br />
1.04<br />
Solid<br />
p phase-changer p High-Grans<br />
high grans<br />
metro 190000<br />
coll one<br />
conv<br />
0.67<br />
comb_chimes<br />
metro 130000<br />
delay 11000 metro 170000 metro 110000 metro 130000 metro 230000<br />
None<br />
coll five<br />
p conv<br />
p amps1 p amps2<br />
granB<br />
coll two<br />
drones<br />
© Rob Godman June 2002<br />
revised version using quad soundcard 2003<br />
1.8<br />
granA<br />
p comb-chimes<br />
p amps3<br />
0.7<br />
-Signal levels-<br />
-Programme-<br />
coll three<br />
p granA<br />
p amps4<br />
0.87<br />
coll three<br />
p granB<br />
p amps5<br />
Quad Mix<br />
0.98<br />
coll four<br />
p drones<br />
p amps6<br />
1. Front left (floor)<br />
2. Front right (floor)<br />
3. Rear left<br />
4. Rear right<br />
open<br />
0.35<br />
dac~ 1 2 3 4<br />
test (for audio 4 instructions)<br />
information<br />
speakers<br />
-Control Panel-<br />
activate audio<br />
Kill current samples! (panic)<br />
0 0 49<br />
run time<br />
Master Volume<br />
0.93<br />
-Master-<br />
adstatus cpu<br />
adstatus info<br />
0<br />
0<br />
0<br />
0. 0. 0. 0.<br />
FIGURE 15 shows <strong>the</strong> Max/MSP patch used for operating Solid. <strong>The</strong> sub-patches [p pulsed-chimes]<br />
through to [p drones] (shown in green) contain a number <strong>of</strong> pre-processed sound files that are selected<br />
according to seven different permutation series. <strong>The</strong>se series are derived from English Change Ringing<br />
Patterns <strong>and</strong> are stored in <strong>the</strong> patch as [coll] objects. <strong>The</strong> variables for <strong>the</strong>se permutation series function as<br />
different sound files, no file (i.e. producing silence) <strong>and</strong> <strong>the</strong> ability to alter <strong>the</strong> phase <strong>of</strong> <strong>the</strong> signal.