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The Asian Classics Input Project (ACIP): Past ... - Buddhism.org

The Asian Classics Input Project (ACIP): Past ... - Buddhism.org

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database; we have not yet attempted to relate the seals to particular institutions fromwhich the texts were obtained. Some title pages have multiple stamps; these will berepresented by numbers separated by commas.)B:RDO GCOD(Brief title of the work as it appears by tradition in a small box on the end of thewoodblock.)A:SH'AKYA THUB PA(Author of the work, only as reported in the colophon to the particular title. If thename of the author has been identified by other means it will be included in braces, forfuture verification.)Y:SHING PHAG(Year of publication or composition, only as reported in the colophon to the particulartitle. If either year has been identified by other means it will be included in braces, forfuture verification. This applies as well to attempted correspondence to the Westernyear.)F:XYL(Format of the book. Current options are XYL [xylograph], MS [handwrittenmanuscript], or TYP [metal typography].)M:T(Material used, meaning apparent source of paper. Current options are T (Tibet), R(Russia), I (India), or C (China). <strong>The</strong> decision of the apparent source of paper will besomewhat inexact by nature, and will be made by the Tibetan input operators andRussian experts on site.)H:W,Y(Hue of paper. <strong>The</strong> first letter refers to the color of the paper, which in almost everycase will be white or off-white, both indicated by W. Works on black paper do exist atthe Library and will be indicated by B. <strong>The</strong> letter following the comma gives the colorof the traditional dye smeared on the side of the volume, which can aid in theidentification of the source of a text. Current options are original White, or elsecolored Red or Yellow.)

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