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Chapter 7. Attention, Dirigation, and the Newest ... - ElmerGates.com

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Origin <strong>and</strong> Development of <strong>the</strong> Art of Mind-Usinginto greater vividness. It would <strong>the</strong>n be more easily <strong>and</strong> accurately<strong>and</strong> <strong>com</strong>pletely introspected, with many details that wouldo<strong>the</strong>rwise escape notice. In this <strong>Newest</strong> Introspection <strong>the</strong>Awareness became a predominant factor <strong>the</strong> introspective act nowwitnessed but did not interfere with what it witnessed.There were three remarkable degrees of this <strong>Newest</strong>Introspection in which <strong>the</strong> dirigative effect was continued to <strong>the</strong>stage that was characterized by <strong>the</strong> “memorial image,” <strong>the</strong> “dreamimage,”<strong>and</strong> <strong>the</strong> “phasm” (phantasm).These were steps of great importance toward a more intimate<strong>and</strong> extensive knowledge of <strong>the</strong> mind, preparing <strong>the</strong> way forculminating discoveries. Gates had by now be<strong>com</strong>e anintrospective specialist (<strong>the</strong> description of him as a naturalpsychologist was a fitting one). He did this work with <strong>the</strong> utmostreligious seriousness, <strong>com</strong>bined with deeply joyous interest. Hedid it with an overflowing zeal <strong>and</strong> a purpose that recognized nolimitations— “just as well as I could <strong>and</strong> just as well as I knewhow.”In this respect he made ano<strong>the</strong>r psychologic discovery ofdeepest significance: that a disapproval (intellective, es<strong>the</strong>tic,emotive, moral, religious) with reference to <strong>the</strong> plans, motives, oracts bearing upon any line of original thinking, any qualms of[page 123]conscience or judgment or taste (justified or not), amounted to aninhibitive dirigation that diminished or prevented fur<strong>the</strong>r originalresults. Of this he had much direct proof. “A successfuldirigation,” he said, “must be one without disapprovals; hence itmust be based on that which is true, just, <strong>and</strong> desirable.” The planor purpose of dirigative effort must be changed until it does meet<strong>the</strong> approvals, he fur<strong>the</strong>r emphasized; <strong>and</strong> when every datum of<strong>the</strong> plan has been associatively integrated with an approval, <strong>and</strong>every datum dropped that does not get approval, <strong>the</strong>n dirigationwill successfully ac<strong>com</strong>plish its purpose according to <strong>the</strong> abilities<strong>and</strong> “Plane” of <strong>the</strong> person doing it. The method by which a newtruth is revealed is largely a moral achievement, <strong>the</strong> out<strong>com</strong>e oforganized aspiration or desire-prayer—not a verbal invocation to aBeing who grants it as a gift, but <strong>the</strong> direct effect of a natural <strong>and</strong>long interest that keeps <strong>the</strong> mind intended.Gates found he was getting experiences so uniquely personalthat any serious attempt to explain <strong>the</strong>m to o<strong>the</strong>rs was useless. Hewas able to find but two people who had sufficient repose <strong>and</strong>introspective ability to repeat his experiments, <strong>and</strong> <strong>the</strong>n only a fewof <strong>the</strong> experiments because of <strong>the</strong> great amount of time <strong>and</strong>practice required. Until <strong>the</strong> great utility of this line of workbecame known, few would ever have enough patience to attempt aElmer Gates <strong>and</strong> <strong>the</strong> Art of Mind-Using© 1971 Donald Edson Gates

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