Here - Society for Music Analysis

Destination, path, hesitation: issues of scale,structure and unity in György Kurtág's KafkaFragmentswhat we call a path is hesitation (Kafka Fragments, 3.6) "The closed circle is pure." (Kafka Fragments,3.7) The above texts come from adjacent movements of the Kafka Fragments and demonstrate tworeadings of the work’s structure. The hesitation of 3.6 could be that of the composer, unable tocreate a single, flowing work, instead stumbling as he starts each movement, leaving only a seriesfragments. ‘The closed circle is pure’ provides an altogether different interpretation: the work isunified, and moreover is a circle generated from the ever-changing direction of its movements.The Kafka Fragments represent the extremes of Kurtág’s treatment of scale. At an hour, this isKurtág’s longest work to date, yet it is split into 40 movements and scored for only violin andsoprano. From the shortest fragment at 14 seconds, to the longest at 7 minutes, the division of timeis an important factor, and is intrinsically linked to the idea of (dis-)continuity.The notion of fragment will be explored through an analysis of the work, with an exploration of itsintricate use of structure and scale as a starting point. The use of longer movements as 'keystones'holding the more fleeting fragments in place will be investigated, taking into account textual andthematic consistency. The degree to which Kurtág creates a unified whole with his idiosyncratic'fragment form' will be tested to provide some insight into this enigmatic piece.Martin ScheureggerUniversity of Yorkscheuregger@gmail.comA/V Requirements: flying cable for audio (3.5mm jack) connected to sound system. Flying VGA cableconnected to projector.