15-Dionysos, Maenads & Satyrs

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As during the 6 th century (on the black figure vases), red figure satyrs continue to engage maenads playfully – e.g., the game of blaind-man’s bluff (left). <strong>Satyrs</strong> also continue to carry off maenads without any Indication of resistance. This coin is from the Island of Thasos, 465-450 BCE.
Red Figure satyrs and maenads continue to dance in celebration of the god, <strong>Dionysos</strong> – again, without any sign of tension.
Page 1 and 2: Satyrs and Maenads on the Attic Vas
Page 3 and 4: The theater at Delphi as it is now
Page 5 and 6: Right: a mask sits on top of an upe
Page 7 and 8: Comic actors, perhaps in a performa
Page 9 and 10: Theater of Dionysos at Athens Stone
Page 11 and 12: Chorus of Aged Satyrs
Page 13 and 14: A satyr-play about Dionysos and Ari
Page 15 and 16: Above: Oedipus and the Sphinx (500-
Page 17 and 18: Above (left), a satyr-citizen Above
Page 19 and 20: Satyr as warrior armed with phallos
Page 21 and 22: Satyrs are not only great mimics, b
Page 23 and 24: The Capture of Silenos
Page 25: Red figure satyrs approach maenads
Page 29 and 30: In the 6 th century, on the black f
Page 31 and 32: Maenads sometimes appear without th
Page 33 and 34: Right: satyrs accompany Dionysos in
Page 35 and 36: Satyr pursues maenad with amorous i
Page 37 and 38: … but, as in the vase representat
Page 39 and 40: … and in this instance, riding a
Page 42 and 43: Scenes from a cup by the Brygos Pai
Page 44 and 45: The horizontal tilt of the “thyrs
Page 46 and 47: On the Pig Painter’s krater (460-
Page 48 and 49: Finally, on this krater by the Meth
Page 50: The dismemberment of Pentheus by ma

15-Dionysos, Maenads & Satyrs

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