Real-Time 3D-Audio for Digital Cinema - 2020 3D Media

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H i g h - r e s o l u t i o n v e r s i o n●●In-situ pre-hearing is all very nice. But we also needmore control in post-productionOffline application with GUI, orchestrating the CLAMnetworks– Allows many sources, B-Format editing of sources– Complex and changing 3D models, source directionality, useof Direct Sound●Video: virtual party
C o n c l u s i o n s●●●The technology already proved useful for digitalcinema productionsWe are working on high-quality IR's in real-time.Almost there.Towards new post-production tools for the mediaindustry, with (3D positioning)– Positions and room metadata as a central feature.
Page 1: Real-Time 3D-Audio for Digital Cine
Page 5: T h e r e a l - t i m e s y s t e m
Page 9 and 10: P a r t i t i o n e d C o n v o l u
Page 11 and 12: D e c o d i n g o p t i o n sBinaur
Page 13 and 14: T h e d e v i l i s i n t h e d e t
Page 15: S o l u t i o n d e t a i l : S e l

Real-Time 3D-Audio for Digital Cinema - 2020 3D Media

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