Bazin,.Andre.-.What.Is.Cinema. - fading aesthetics

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WHAT IS CINEMA?by ANDRE BAZINessays selected and translatedby HUGH GRAYUNIVERSITY OF CALIFORNIA PRESSBerkeley, Los Angeles, and London
Page 3: WHAT IS CINEMA?
Page 7 and 8: FOREWORDby Jean RenDirIN THE DAYS w
Page 9: CONTENTSIntroduction 1The Ontology
Page 12 and 13: What Is Cinema?Andre Bazin was born
Page 14 and 15: What Is Cinema?lished, did not exis
Page 16 and 17: What Is Cinema?concept of Bazin's c
Page 18 and 19: What Is Cinema?swer this question a
Page 20 and 21: Vhat Is Cinema?ary, namely, the pre
Page 22 and 23: What Is Cinema?The quarrel over rea
Page 24 and 25: What Is Cinema?actually "fe-present
Page 26 and 27: What Is Cinema?seen as an object an
Page 28 and 29: What Is Cinema?at best ingenious in
Page 30 and 31: What Is Cinema?ous stopping places,
Page 32 and 33: What Is Cinema?sourc.e of the cinem
Page 34 and 35: What Is Cinema?and the 1930's can b
Page 36 and 37: What Is Cinema?image, is born essen
Page 38 and 39: But. these examples suffice to reve
Page 40 and 41: W hat Is Cinema?Our intention is ce
Page 42 and 43: What Is Cinema?actor is always dete
Page 44 and 45: W hal Is Cinema?ph~tography. Jean R
Page 46 and 47: What Is Cinema?attitude on the part
Page 48 and 49: 1WIuU Is Cinema?of -the basic aim o
Page 50 and 51: IW hat I s Cinema?~plastic composit
Page 52 and 53: What Is Cinema?children's literatur
Page 54 and 55:
What Is Cinema? 1morality (the fabl
Page 56 and 57:
two objects, say the star and a tig
Page 58 and 59:
'" In the same way, apparently, Rin
Page 60 and 61:
What Is Cinema?If one forced onesel
Page 62 and 63:
52.~'~JWhat Is Cinema?th~ play, i
Page 64 and 65:
What Is Cinema?the poetic atmospher
Page 66 and 67:
What Is Cinema?evolution is in no s
Page 68 and 69:
W hat Is Cinema?1one of the masterp
Page 70 and 71:
JWhat Is Cinema?,"tum, is but a bre
Page 72 and 73:
What Is Cinema?film-makers continue
Page 74 and 75:
What Is Cinema?most logically along
Page 76 and 77:
What Is Cinema?and- catering to a r
Page 78 and 79:
What Is Cinema?proper to it is requ
Page 80 and 81:
What Is Cinema?is· capable of effe
Page 82 and 83:
jW hat Is Cinema?sufficiently well-
Page 84 and 85:
~VhatIs Cinema?but simply that in t
Page 86 and 87:
"THEATER AND CINEMAPart OneWHILE CR
Page 88 and 89:
What Is Cinema?,Little Foxes, lock,
Page 90 and 91:
1IV hat Is Cinema?think of a burles
Page 92 and 93:
What Is Cinema?ater, we must conced
Page 94 and 95:
What Is Cinema? 1probability eclips
Page 96 and 97:
What Is Cinema?miming of the cast f
Page 98 and 99:
What Is Cinema?Henry V that the fil
Page 100 and 101:
f~rest. So really his tree still de
Page 102 and 103:
What Is Cinema?be the glass of milk
Page 104 and 105:
,of "canned Utheater, whether it is
Page 106 and 107:
in bad faith-or considered inexplic
Page 108 and 109:
,;i'What Is Cinema?theater Moliere
Page 110 and 111:
. These views shed a new light on t
Page 112 and 113:
,W hat Is Cinema?formance. The thea
Page 114 and 115:
What Is Cinema?its nature and funct
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,other than the human ~ou\. Enclose
Page 118 and 119:
,The Screen and the Realism of Spac
Page 120 and 121:
~YhatIs Cinema?pockmarks on Bishop
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those things which "make theater Hb
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I pass through them unseen, reJOlcm
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of form. If the cinema is a major a
Page 128 and 129:
,the place abandoned long ago by th
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1What Is Cinema?Shakespeare-the mos
Page 132 and 133:
trag~dy. There. the handicap we suf
Page 134 and 135:
What Is Cinema?come to the cinema o
Page 136 and 137:
First embarrassed, then irritated b
Page 138 and 139:
What Is Cinema?wall and as he talke
Page 140 and 141:
the revenge and give it its effecti
Page 142 and 143:
What Is Cinema?form of aesthetic ab
Page 144 and 145:
What Is Cinema?accidental could hap
Page 146 and 147:
So, probably for the first time, th
Page 148 and 149:
T~e technique of Bressonts directio
Page 150 and 151:
eality, a "cold aesthetic fact." It
Page 152 and 153:
What Is Cinema?tween fidelity and c
Page 154 and 155:
CHARLIE CHAPLINCharlie is a Mythica
Page 156 and 157:
Jt'hat Is Cinema?stops every time h
Page 158 and 159:
What Is Cinema?furthermore supremel
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which we are plunged and which, for
Page 162 and 163:
What Is Cinema?the stairway. Subjec
Page 164 and 165:
CINEMA AND EXPLORATIONIN HIS little
Page 166 and 167:
What Is Cinema?expedi~ions their st
Page 168 and 169:
Antarct~c. Here is a film so lavish
Page 170 and 171:
another kind of reporting, where th
Page 172 and 173:
What Is Cinema?never fe~l truly sat
Page 174 and 175:
PAINTING AND CINEMAFILMS ABOUT pain
Page 176 and 177:
W hat Is Cinema?oriented ~o to spea
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painting. Th~nks to the cinema and
Page 181:
NOTES
Page 184 and 185:
What Is Cinema?led ear.ly viewers o
Page 186 and 187:
What Is Cinema?p. 134, Ii •••
Page 189 and 190:
INDEXAdventurer, Tht, 146 if.Afriqu
Page 191 and 192:
Hugo, Victor, 53, 132Hytier, Jean,
Page 193:
Thevcnot, Jean, 154Thomas Garner, 6
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