1710f Music History: Introduction - University of Western Ontario
1710f Music History: Introduction - University of Western Ontario
1710f Music History: Introduction - University of Western Ontario
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
F 23M 26W 28F 30*TutorialDecemberM 3*TermPaper DueW 5TBAPart V: Approaches to <strong>Music</strong>ologyApproaching Beethoven’s NinthW&T, 96: “The First Performance <strong>of</strong> Beethoven’s NinthSymphony,” 282-84.<strong>Music</strong>ology in the Postmodern WorldW&T, 168: “Postmodernist Paradigms,” 515-23, and “FeministPerspectives,” 523-30; Adrienne Rich, “The Ninth Symphony<strong>of</strong> Beethoven Understood as a Last Sexual Message.”Recovering the Sound <strong>of</strong> the PastRichard Taruskin, “The Limits <strong>of</strong> Authenticity: AContribution.”La Grange, Mahler, 232-37.Tutorial 5: Critiquing PostmodernismMargaret Bent, “Fact and Value in Contemporary <strong>Music</strong>alScholarship,” 1-7.Rosen, “<strong>Music</strong> à la Mode,” NYRB 41, no. 12 (1994)IntentionStanley Cavell, “A Matter <strong>of</strong> Meaning It,” 225-37.People and PoliticsW&T, 84: “Folk Song,” 255-57.Esteban Buch, Beethoven’s Ninth: A Political <strong>History</strong>, 93-108.Final ExamBeethoven, Symphony No. 9, mvts.1-4.
Change language