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piece to end <strong>the</strong> first half <strong>of</strong> <strong>the</strong> concert than Ticheli’s Wild Nights? This piece is truly unrestrained and<br />
highly emotional – a perfect musical expression <strong>of</strong> Emily Dickinson’s 1861 poem (publ. 1891):<br />
Wild Night! Wild Nights!<br />
Were I with <strong>the</strong>e,<br />
Wild Nights should be<br />
Our luxury!<br />
Rowing in Eden!<br />
Ah! <strong>the</strong> sea!<br />
Might I but moor<br />
To-‐night in Thee!<br />
3<br />
Futile <strong>the</strong> winds<br />
To a heart in port, -‐<br />
Done with <strong>the</strong> compass,<br />
Done with <strong>the</strong> chart.<br />
You are encouraged to learn more about this poem at:<br />
http://academic.brooklyn.cuny.edu/english/melani/cs6/wild.html<br />
http://savannah-‐schroll-‐guz.suite101.com/understanding-‐emily-‐dickinsons-‐wild-‐nights-‐a99747<br />
Demitri Kabalevsky’s opera Colas Breugnon is set in 16 th century France. Colas, a sculptor,<br />
experiences unrequited love, is a victim <strong>of</strong> falsehoods, lives during a plague that takes his wife, and endures<br />
<strong>the</strong> destruction <strong>of</strong> his work on order <strong>of</strong> his Duke. (That should be enough bad luck for today’s Friday <strong>the</strong><br />
13 th!) Of course, in <strong>the</strong> end, Colas manages to take some comfort by creating a befittingly embarrassing<br />
sculpture <strong>of</strong> <strong>the</strong> Duke. This stand-‐alone overture is famous among musicians, as at least three-‐quarters <strong>of</strong><br />
<strong>the</strong> measures fly by in 1 beat per measure!<br />
For more on this opera, visit <strong>the</strong> Boosey & Hawkes website at:<br />
http://www.boosey.com/pages/opera/moreDetails.asp?musicID=46910<br />
Dr. Paul Salerni’s Upstream/About Two Miles has been a favorite <strong>of</strong> those fortunate to play <strong>the</strong><br />
piece. The work combines jazz elements in homage to <strong>the</strong> late jazz trumpeter, Miles Davis – one <strong>of</strong> <strong>the</strong> two<br />
“Miles.” The o<strong>the</strong>r Miles refers to Dr. Salerni’s son <strong>of</strong> <strong>the</strong> same name! This is a boisterous piece that uses<br />
elements <strong>of</strong> minimalism and jazz rhythms and instruments.<br />
For more on Dr. Salerni, <strong>the</strong> NEH Distinguished Chair in <strong>the</strong> Humanities and Pr<strong>of</strong>essor <strong>of</strong> Music at<br />
Lehigh University, please visit his website at:<br />
http://www.paulsalerni.com/site/index.html<br />
Klaus Badelt’s music for Pirates <strong>of</strong> <strong>the</strong> Caribbean (Symphonic Suite) is a wonderful depiction <strong>of</strong><br />
<strong>the</strong> characters <strong>of</strong> <strong>the</strong> blockbuster action films. A typical film plot technique is to present conundrums from<br />
which a hero must escape. This music elicits such a positive emotional response, you might even expect<br />
some “Huzzahs!” from <strong>the</strong> audience at <strong>the</strong> end!<br />
http://www.urbandictionary.com/define.php?term=huzzah<br />
John Philip Sousa’s Stars and Stripes Forever is our country’s national march. And what an upbeat<br />
and positive way to end all worries associated with a Friday <strong>the</strong> 13 th! And what a pleasure to have senior<br />
music education major, Caitlin Worrich, conduct this final exciting and exhilarating work!<br />
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