01.12.2012 Views

Here To Stay: The Gershwin Experience - MusicFest Vancouver

Here To Stay: The Gershwin Experience - MusicFest Vancouver

Here To Stay: The Gershwin Experience - MusicFest Vancouver

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Two-time Grammy Award winner and regional Emmy winner Sylvia McNair lays claim to a 25-year career in the<br />

musical realms of opera, oratorio, cabaret and musical theater. Her journey has taken her from the Metropolitan<br />

Opera to the Salzburg Festival, from the New York Philharmonic to the Rainbow Room, from the Ravinia Festival to<br />

<strong>The</strong> Plaza, from the pages of <strong>The</strong> New York Times and <strong>The</strong> Wall Street Journal to the London Times.<br />

In 2009 she sang Guenevere in the Ravinia Festival’s Camelot, the role of Desiree in Sondheim’s A Little Night Music<br />

with Central City Opera, and did a star turn in American Opera <strong>The</strong>ater’s production of Songspiel, 19 songs by Kurt<br />

Weill. As a regular guest soloist with nearly all of the major American and European orchestras and opera houses,<br />

Sylvia has collaborated with an array of today’s most prominent conductors including Seiji Ozawa, Kurt Masur,<br />

Leonard Slatkin, André Previn, Neville Marriner and the late Robert Shaw.<br />

She has produced over 70 recordings ranging from Mozart arias with Sir Neville Marriner to CDs with André Previn.<br />

She was thrilled to sing the Bach B-minor Mass with the Vienna Philharmonic for Pope John Paul II at <strong>The</strong> Vatican, to<br />

sing for Hillary Clinton, and to perform at <strong>The</strong> US Supreme Court by invitation from Justice Sandra Day O’Connor.<br />

Sylvia McNair earned a Masters degree with Distinction from the Indiana University School of Music, received honorary doctorates from Westminster<br />

College (1997) and Indiana University (1998), and the Ohio Governor’s Award for Outstanding Achievement in Arts and Entertainment (1999). She<br />

joined the prestigious voice faculty of the Jacobs School of Music at Indiana University in 2006. In 2007, Sylvia received <strong>The</strong> Gaudium Award from <strong>The</strong><br />

Breukelein Institute for “extraordinary and distinctive contributions to the arts and public life.”<br />

“This is definitely a star to watch.” (Anne Midgette, Washington Post) www.sylviamcnair.com<br />

Singer-dancer-choreographer Ryan VanDenBoom started performing at age three when he began taking dance<br />

lessons in his home state of Michigan. <strong>The</strong> following year he was introduced to tap. During his high school years he<br />

kept busy as a song and dance man in many musicals, including Singin’ in the Rain, where he recreated Gene Kelly’s<br />

original choreography. He was featured in the premiere of an original musical, A Shine On Your Shoes, written and<br />

directed by Leeds Bird with music direction/arrangements by Kevin Cole.<br />

A winner of numerous national dance competitions, he has danced at the L.A. Tap Festival. Ryan recently performed<br />

Morton Gould’s Tap Dance Concerto with Albany Symphony (NY) in the presence of the Gould Family. He is the only<br />

dancer performing the original choreography by legendary Broadway and Hollywood choreographer/dancer Danny<br />

Daniels. Mr. Daniels coached Ryan personally on this ground-breaking work with the assistance of tap dancing veteran<br />

Karl Warkentien.<br />

During his summers he has performed and choreographed for the Mac-Haydn <strong>The</strong>atre (NY) season with shows including Chicago, Mame, Anything<br />

Goes and Damn Yankees, to name a few. As a vocalist, Ryan worked with vocal coach and songwriting legend Hugh Martin (Have Yourself A Merry<br />

Little Christmas, etc.), who has coached many stars including Lena Horne, Ethel Waters and Judy Garland. Ryan VanDenBoom is a recent graduate of<br />

the Cap 21 Musical <strong>The</strong>atre program at New York University.<br />

Leslie Dala is the Music Director of the <strong>Vancouver</strong> Bach Choir, the Associate Conductor and Chorus Director<br />

with <strong>Vancouver</strong> Opera and the recently appointed Music Director of the <strong>Vancouver</strong> Academy of Music Symphony<br />

Orchestra. This summer he stepped down as Music Director of the Prince George Symphony, which he led for eight<br />

years, earning distinction as the longest serving conductor in the organization’s 40-year history. A member of the<br />

<strong>Vancouver</strong> Opera music staff since 1996, he opened their 2011 season with West Side Story. Previously, Leslie<br />

conducted Rigoletto and <strong>The</strong> Threepenny Opera, and he has assisted on over 50 mainstage productions and has<br />

adapted numerous works for the <strong>Vancouver</strong> Opera In Schools program.<br />

Leslie has been a member of the music staff at L’Opera National du Rhin, the Santa Fe Opera and the Canadian<br />

Opera Company and he has been a frequent guest conductor with the UBC Opera Ensemble. Recent performances<br />

include guest conducting engagements with Soundstreams Canada in <strong>To</strong>ronto at Koerner Concert Hall, the Thirteen<br />

Strings Chamber Orchestra of Ottawa, and Haydn’s Creation and Les Noces by Stravinsky and Orff’s Catulli Carmina<br />

with the <strong>Vancouver</strong> Bach Choir and the <strong>Vancouver</strong> Symphony Orchestra. In 2011, Leslie conducted Lillian Alling<br />

by John Estacio for the Banff Summer Festival, and the Opening Night Gala for <strong>MusicFest</strong> <strong>Vancouver</strong> with Sarah<br />

McLachlan and the <strong>Vancouver</strong> Symphony Orchestra. This summer he will conduct Puccini’s Suor Angelica for the COSI program in Sulmona, Italy and<br />

next season he will lead <strong>Vancouver</strong> Opera’s productions of La Boheme and <strong>The</strong> Magic Flute. 2013 marks Leslie’s debut with Pacific Opera Victoria in<br />

Britten’s comic masterpiece, Albert Herring.<br />

“<strong>The</strong> importance of the conductor as commanding general can’t be overstated: Dala performed with courage and theatrical panache, ending his<br />

inaugural year in triumph — and with an implicit promise of further excitement to come.” (David Gordon Duke, <strong>Vancouver</strong> Sun)

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!