MUSICTEXAS PLATTERS CONTINUED FROM P.54MICKY & THEMOTORCARSNaive (SmithEntertainment)With their fourthalbum, Micky & theMotorcars can hardlyclaim naivete, but theyhaven’t progressedmuch either. As long as the local quintet ledby Micky and Gary Braun remains in the sametown and works the same sound as fellowBraun brothers Willy and Cody of RecklessKelly, it’s unlikely to emerge from under thelatter’s shadow, and production from Codyand RK guitarist David Abeyta likely doesn’thelp. At its best, the group approachesReckless’ rocking roots, but Micky’s vocalstoo often lack any real feeling, as with theparadoxically lifeless “Everything I’ve Got”or unconvincing jilted spite of the innocuoustitle track. Slower tracks “Don’t Be Sad”and, especially, “Seeds” fare better, and“Bloodshot” injects some needed fuel intothe veins behind Mickey Raphael’s harmonica,but Jon Dee Graham cover “Twilight” fadesin comparison. Familiar fare from a band thatshould know better by now.– Doug FreemanCRYSTALFLAVOLAAutomatic MonkeyUp from the<strong>Austin</strong> theatre scenebounces CrystalFlavola, a sevenpiecefronted by awardwinningactor turnedsinger-songwriter David Jones, and AutomaticMonkey is the band’s first full-length disc.With its taut vocals and pristine harmonies,Crystal Flavola betrays its theatrical background,but the band also possesses a folkrocktinge that lends it a frivolous air sharedwith <strong>The</strong>y Might Be Giants. Tunes such as“Dance,” with its herky-jerky rhythm, and thepoignant “Guitar and an Ashtray” are twogirlie actionexamples of the troupe’s deceptive abilityto present simple ideas with an abundanceof sound. Not everything works. On “LikeYesterday,” Jones’ vocals are too stiff tomatch the tune’s breezy organ riffs, and thepiano-based “Ruined” feels like an attempt atSondheim that never reaches the stars. To itscredit, Crystal Flavola is an honest attempt atsomething different. That the band succeedsas much as fails is nothing to scoff at.– Jim CaligiuriDR. ZOGGoing to the Zydeco(Zog)Over the course ofa decade or more,Dr. Zog’s bands havegone through severalmusical permutations,including blues, rockabilly,folk, and funk. A native of Port Arthur,a hotbed for the sounds of Louisiana justacross the border, the good doctor’s mostrecently taken to the good-time sounds ofGoing to the Zydeco, the accordionist’s fifthalbum. While his previous discs were morediverse, including some Latin rhythms, this isa nonstop party disc filled with driving beats,never-ending accordion riffs, and hearty calland-responsevocals. It’s not deep, just 30minutes of butt-shaking tunes with typicaltitles such as “Zog Frog,” “Funky Zydeco,” and“Mardi Gras Second Line.” <strong>The</strong> playing’s topnotch,and Zog’s occasional harmonica workstands out. If you’ve experienced him live,this is an accurate representation of the dusthe raises from the stage.CHRIS VAN LOANRebirth (CVL Music)“If this were jazz,it would be bebop; itwould be Coltrane,”boasts Chris Van Loanon the title track ofRebirth. Not quite.Denice Franke’s Gulf Coast Blue (Certain) comesby comparisons to Eliza Gilkyson and Nanci Griffithhonestly. Mark Hallman, the man behind Gilkyson’sstellar recordings, produced this CD, and Frankesang backup for Griffith, as well as Lyle Lovett andRobert Earl Keen. Her tenure as one-half of the folkduo Hudson & Franke polished her songwriting to ahigh gloss, reflected beautifully in Blue. With heavyweighthelp from the likes of Gilkyson, Rick Richards, SpencerStarnes, and Robert McEntee, Franke’s voice is dusty-sultry,and her songs of life on Galveston Island ring as bright asthe sun rising over the Gulf of Mexico. Shotgun Party’s selftitledrelease steps into the swing-trio wake, as if the HotClub of Cowtown rear-ended the Damnations. Slap-bass manChristopher Crepps most recently thumped for the BastardSons of Johnny Cash, but it’s the divine teaming of fiddlerKaty Rose Cox (ex-Uncle Fucker) and singer/guitarist/composerJenny Parrott that makes this roots-rock outfit crackle.Parrott reveals a marvelous feel for back-porch poetry in herlyrics; with good-humor titles like “Haunted House Bear,”– Jim Caligiuri<strong>The</strong> acoustic set overflows with humorlessphilosophical musings like a recitalof Chicken Soup for the Soul set to guitar.“Life Is Fleeting” and “This Is the Day”prove the Philly native earnest to a fault,and reading what sounds like a list ofnew year’s resolutions on “True to Me” hedeclares, “I resolve to be patient yet persistent,knowing that you get more fromlife when you flow with it than against it.”Accompanied solely by his own pluckingon all but two tracks, Van Loan offerssounds remarkably similar to the last, themold only broken on “<strong>The</strong> More I Learn,” aclichéd coffee-shop recitation on transcendentalmeditation. In the end, Rebirth israther lifeless.– Thomas FawcettYOUNG NICKGone EP(Dirty PoliticsEntertainment)With the souledout“Don’t Feel It”dropping ill communicationon rappers“spitting that nonsense,all violence,” Young Nick’s Gone EP,his first, crosses over to the local’s eclectictendencies. <strong>The</strong> Dirty Politic head honchospits (throughout) and spins his way throughseven of 11 bangers, fronted by the sweepingswagger of “Back to Hip Hop” and theplayground-stomping title cut. That’s wherethe uniformity ends. Shifting from cruiseto crawl, the intergalactic minimalism of“N*ggas” cuts out of L.A. to “Act Hood” forHouston, while Dresta’s bullish growl thattremors “<strong>The</strong> Madd Bomber” finds itselfin one corner opposite the Track Bangers’“Drop,” nodding to Swizz Beats with itsNew York bounce. It’s Nick’s way of flashinghis deep arsenal. On the mic he fills barsrelentlessly (“Needed You”), and the ATLsoaked“Dirty Politic Boys” gets Gone onanother laudable journey.– Chase Hoffberger“Devil Town,” and “Pickled Eggs,” they’ll appeal to Southern Cultureon the Skids fans. <strong>The</strong> information that Patty David appeared on StarSearch, the American Idol of the 1980s, isn’t as impressive as who shechallenged: powerhouse vocalist Linda Eder, still the best-kept secretamong American female vocalists. No surprise then that David’s recentCD, One Step Above the Blues, is a solid, well-constructed flight of popsoulfancy. All 10 songs showcase her heartfelt songwriting, heavy,with an unabashed love for 1980s blues-rock and jazzy 1990s loungenot far below the surface. It’s an appealing combination, bolstered bythe pure pleasure of David’s summery vocals (“You Stole My Heart,”“Faith in Love”).– Margaret MoserbonustracksBY MA RGARET MOS EROWLMORRISONPlaying WithMatchesNothing’s toosacred or eclecticfor Owl Morrison, aworldly gypsy traveling a silky-stringedplane and cleverly high-stepping JohnPhillip Sousa (“Washington PostMarch”), jigs around Sweden andIreland, and rides on the magic carpet(“Love You To”), while matching violinand viola with a variety of instrumentalists.Exercise caution when exposing toopen flame. HANS FRANK & THEAUSLANDERSGlambilly!Strip-clubrhythms to theMan in Black?Hans Frank’s takeon Johnny Cash,“Folsom PrisonRhumba,” is as wicked cool as theSkynyrd sneer of “Regular.” Frank’svoice swaggers and menaces like JimLauderdale on a bender over the toughTelecaster of ex-Ernest Tubb guitaristPete Mitchell. Pure rock-roots, not theother way around. ABI TAPIA<strong>The</strong> Beauty in theRuin (MoonHouse)Bittersweetis more than anundertone in AbiTapia’s latest CD,but that’s not theprevailing emotion here. Beauty weavesstrong Southern influences with an oldschool1970s country-folk sensibility,mastering the understatement in hersongs and avoiding cutesy-rootsy overkillwith intelligence and a fine tenor on thisturning-point recording. IZZY COXLove Letters Fromthe Electric Chair<strong>Austin</strong>’s got noshortage of bandswith a taste forthe macabre, sowelcome murder balladeer Izzy Cox tothe hot seat. She’s Texan and French-Canadian via California, a confluencethat shapes Love Letters’ electrifiedvoodoo-billy with a Crampsy twist ofSouthern cabaret and silent-moviepanache. It’s the anti-book of love, 50ways to grieve your lover. 56 T H E A U S T I N C H R O N I C L E AUGUST 1, <strong>2008</strong> a u s t i n c h r o n i c l e . c o m
LEAD STORY<strong>The</strong> European Union allows fruits and vegetablesto be sold only in prescribed sizesand colors (such as its 35 pages of regulationsgoverning 250 varieties of the apple,or rules that cucumbers must be straightand bananas curved). In June, British marketerTim Down complained that he wasforced to discard 5,000 kiwi fruit becausethey were 1 millimeter in diameter too smalland one-fourth ounce too light. (It is illegaleven to give them away, as that wouldundermine the market price.)“Improvements” in the EU system continue,according to a July Washington Post dispatchfrom Brussels: Despite 10 pages of standardson the onion and 19 amendments,the Dutch Ministry of Agriculture recentlyissued a report urging further refinements,using 29 pages and 43 photographs.BY CHUCK SHEPHERDThursthruSunwww.backspinrecords.netLEAST COMPETENT CRIMINALSFailure to Communicate: 1) <strong>The</strong> man whotried to rob the Cafe Treo in Salt Lake Cityin April likely told the employee to “fill” thebag, but when the employee reached overand earnestly started to “feel” the bag(according to police), the robber said,“You’ve gotta be kidding me,” and ran outof the store. 2) Another man who cameaway empty-handed had tried to rob aWalgreens in Port Richey, Fla., in July, handinga clerk what appeared to be a holdupnote, except that nothing was written on it.<strong>The</strong> clerk, sensing the forgetful robber’scluelessness, boldly dialed 911 right infront of him, causing the man to flee.CREME DE LA WEIRD“[A] person with a sneeze fetish can finderotic pleasure in those few seconds,”according to the ABC News Medical Unit, inan April report, when “the eyes close as thebody prepares to forcefully expel air,” but“experts are stumped as to why.” AnInternet “sneeze fetish forum” allows membersto wax rhapsodic (“She has the cutestsneeze ever”) and recall pleasurable experiences(such as the thrill of discovering thatone’s new college roommate has allergiesand will be sneezing frequently), and manyuse language and suggest visions thatmimic sexual behaviors.RECURRING THEMESRonald McDade, charged with raping ateenager in Lansdale, Pa., in January, petitionedto be allowed to submit a plastercast of his penis to the jury, to demonstratethat, since he is an “extremely large” man(according to his lawyer), he could not physicallyhave penetrated the girl without causinggenital injury (and no such injury wasfound). “News of the Weird” has reportedpreviously on rape defendants offering togive the jury either a photograph or a liveexhibition to make the same point.THINNING THE HERD1) An 18-year-old man was killed inMarch while riding in a shopping cart andholding onto an SUV racing down a WinterROY TOMPKINSArtist Michael Fernandes’ exhibit in Halifax, Nova Scotia, in June caused acommotion, because it was merely a banana on a gallery’s window sill, andFernandes had it priced at 2,500 Canadian dollars (down from his originalthought, 15,000 Canadian dollars). Actually, Fernandes changed bananasevery day (eating the old one), placing progressively greener ones out todemonstrate the banana’s transitoriness. “We [humans] are also temporal,but we live as if we are not,” he wrote. Despite the steep price, two collectorsplaced holds on the “work,” requiring the gallery’s co-owner Victoria Page toget assurance from callers: “It’s a banana; you understand that it’s a banana?”Park, Fla., street, when it hit a speed bump.2) A 13-year-old skateboarder was killed inMay at a railroad crossing in O’Fallon, Ill.,when (according to police) he was unsuccessfulin beating a train to the crossing. 3)An 18-year-old man was killed in June inBlaine, Wash., when the steamroller he wastaking for a joyride at a construction siteoverturned and fell on top of him.POLICE BLOTTER Police, including SWAT officers, werecalled to an apartment in Mesa, Ariz., inJune after neighbors reported a fightbetween a man and a woman that includedyelling and breaking things inside. When theyarrived, they found only a 21-year-old man,conducting the fight by himself, alternating ahigh-pitched voice with a low-pitched one. Hewas referred for a medical exam. Need for Speed: 1) Ontario’s recent lawagainst street-racing snared two noteworthydrivers in April: a 26-year-old man who wascited when he passed a marked police carwhile doing 178 kilometers per hour (110mph) and the driver of a garbage truck, racingat 112 kph (double the posted speedlimit). 2) A 3-year-old girl was seriouslyinjured in Huntsville, Ala., in May in a collisioncaused, said witnesses, by a speedingcontest between two men, both employeesof Comcast Corp., driving company vans.GOVERNMENT IN ACTION! In May, the school board in Barrie,Ontario, notified Children’s Aid Society tointervene with mother Colleen Leduc andher daughter Victoria, 11, because ofsuspected sexual abuse, angering theconscientious Leduc, who until that pointhad taken extraordinary measures to protectthe girl, who is autistic. Upon investigation,it was revealed that the suspicioncame from a teaching assistant who saidher psychic had told her that a girl with a“V” in her name was being abused by aman aged 23 to 26. Leduc now refusesto trust Victoria to public schoolsbecause, “<strong>The</strong>y might want to take out aOuija board or hold a seance.” <strong>The</strong> June transfer of a prisoner fromlockup to Britain’s Northampton CrownCourt, just across the street, required summoningthe closest prison van (57 milesaway) to come give him a ride. <strong>The</strong> prisoner(accused thief Mark Bailey) could notsimply be walked across the streetbecause officials feared that public, custodialexposure (a “perp walk”) would embarrasshim, in violation of his “human rights.”Visit Chuck Shepherd daily atwww.newsoftheweird.blogspot.com(or www.newsoftheweird.com).Send your Weird News to: Chuck Shepherd, PO Box18737, Tampa, FL 33679 or weirdnewstips@yahoo.com.©2004 UNIVERSAL PRESS SYNDICATEsearch for bands, browse by genre,listen to mp3s, comment on yourfavorite artists, view upcoming showsa u s t i n c h r o n i c l e . c o m AUGUST 1, <strong>2008</strong> T H E A U S T I N C H R O N I C L E 57