take to the skyby miles brittonAlot’s changed for Deadboy & TheElephantmen since ANTIGRAVITY last talkedwith them a little over a year ago. Back then,frontman Dax Riggs and drummer Tess Brunet were NewOrleans’ best kept secret, unsigned and still a few months shyof recording their then unnamed debut. But once the hauntinggarage rock of We Are Night Sky hit the nation in February,there’s been no holding them back. Four-star reviews in RollingStone and Maxim, a tour opening up for Fat Possum labelmatethe Fiery Furnaces, a lengthy spot on NPR’s Weekend Edition,and gigs at everything from Sasquatch Fest to the upcomingLollapalooza. You would think that all that success would havegone to their head, but the local-band-done-good will still takethe time for us (or maybe we’re that big, hmmm). AG caughtup with Tess on the road, in a hotel somewhere in Vancouver.ANTIGRAVITY: So how’s the tour been going?Tess Brunet: Good, good. Tiring, but good. Musically, it’s beengoing really well. We’ve been playing with a lot of differentbands, and their audiences have been really receptive. Andthere’s been a pretty good crossover of fans from Dax’s oldbands [Acid Bath, Agents Of Oblivion], even though we soundquite different. So there’s sort of this permanent, built-in fanbase for whatever he does. But there’s a lot of people who likewhat he’s doing now that have no idea of his previous stuff, andmay not have necessarily even liked it.AG: You were on the road with Fiery Furnaces fora while. What was that like?TB: [Laughs] They’re kind of like librarians. You know, just kindof quiet. It took a long time to get to that point where wecould actually joke around. The last couple of shows of themonth tour, I felt like we were just getting to the point wherewe all could kind of open up. But it’s always such a weird thingfor bands that don’t know each other to be thrown together.I mean, you don’t know them, and all of a sudden you’rehaving to work together everyday for the next month. Andsometimes its works the opposite way, where you open upto people right away and then towards the end it gets weird.Someone in one band ends up getting pissed off at someonein the other band…AG: Really? It’s so funny, as an audience member,you never even think about all that Behind TheMusic-type stuff. You just assume all the bandsget along as one big happy family.TB: Matt and Eleanor were really nice, though. And JasonLowenstein from Sebadoh was on tour with them playing bass,and he’s super cool to be around. He just had one of thoseenergies and spirits that brought this calmness to everythingthat made life a lot easier for me on the road. Not to soundall hippie-dippy or anything.AG: You all have really blown up since the lasttime I interviewed you. I just recently heard thatspot they did about you on NPR…TB: Yeah, I got a lot of e-mails about that. And it was really kindof neat because it was all from people who had never heardus before, but, you know, listen to NPR every morning. Theywere really excited to learn about us.AG: And I read on your website that you’re goingto be on the Henry Rollins TV show?TB: Yeah, that’s airing in <strong>June</strong>, but we actually shot that abouta month ago.AG: I didn’t even know Rollins had a TV show. Sowas it like a talk show, like Rollins interviewing you?TB: Sort of, but he actually wasn’t there. He was on a spokenword tour in Amsterdam or somewhere. But I think they’regoing to edit it to look like he’s there. [Laughs]AG: So what’s next for you? Any thoughts yet ona new album?TB: We actually just started talking about that yesterday. Wehave this block of a month and 10 days off coming up afterBonnaroo, so that’s when were planning on concentratingon the new songs, working all that stuff out so we can startrecording the next album. We probably have enough materialfor two albums. Now it’s just a matter of picking the songs wereally want to focus on.AG: Any change in the sound?TB: No, it’s similar to We Are Night Sky. The way the songsare written, and the process and where the songs come from,that’s all the same. But we might add some different soundsto it. Though only change we’ve had recently is that we have abass player now for tour, Alex. He’s been with us for a coupleweeks.AG: That’s a fairly big change. Do you think hecould become a permanent member?TB: I’m not really sure. We’ve always discussed the possibilityof another member, but we’re just going to see how it goes onthis tour for whether or not we’ll have him on the next one.But I think probably so. It seems to be going pretty well.AG: And last question. Lollapalooza—are youpsyched? That’s something we’ve been dreamingabout playing since we were kids.TB: Ummm, to tell you the truth, I’m actually more excitedabout Bonnaroo for some reason. I don’t know why. Probablybecause I just recently heard about Bonnaroo, and it’s notsomething that has been around for that long. I’ve been toLollapalooza a couple of times when I was younger, and it’snot really a mixture of ages. It’s like the Warped Tour, just abunch of young, young kids. It’s not like Jazz Fest or something,where there’s everybody from babies to old people withwalking sticks. There’s something about that that’s really nice.Honestly, I’d play Jazz Fest over Lollapalooza any day.16_antigravity: your new orleans music and culture alternative
Ballzack is one of those personalities thatcould only be borne out of New Orleans.Like the city, Ballzack seems able to make sense of allthat is good and really bad through therapeutic doses of witand humor. His first two records touch on everything fromtransgendered Asians to schoolyard antics to hand jobs tosuburban malaise, but while the themes are always comedic, thestories are told through the guise of someone who is foreverself-mocking in his jibes. Hence, you can’t blame him when hesays, “Action figure porn, origami vibrator/I think she really likedme even though she made me pay her/I used to be a groupiefor Striper and Slayer/I know it sounds gay but my cousin’s evengayer.” When Ballzack is sticking it to someone else, he’s alsosticking it to himself.Ballzack is currently working on a third album that issomewhat a divergence from his past projects. Although surelyretaining the playfulness that is characteristic of his material,Ballzack plans to release a record in the fall that will consistentirely of bounce music. As he explains, the idea to make abounce record came from the recording of a song for a WTULcompilation disc. The track, “Wine Candy,” is a hodgepodgetribute to the lifestyle (and local products) of New Orleans laidover traditional bounce beats. The upcoming record promisesto build upon the lyrical and musical content of the single.ANTIGRAVITY was lucky enough to join Ballzack on his cabride home from the airport after he returned to New Orleansfrom an extended stay in New York. During the 20-minute tripto the Westbank, we talked about his new record while pausingintermittently to discuss prostitutes, record collecting and C-student governments.ANTIGRAVITY: So, you just got back from NYC.What were you doing up there?Ballzack: I had some meetings with some guys who were reallyinterested in what I’m doing, but my whole thing was, “I don’tcare how much money you’re going to throw at me, if you don’tunderstand what I’m doing and don’t really get my music, you’renot going to be the right people to put out this record.”AG: Did they at least show you a good time?BZ: Sure, they threw a bunch of money at me just to get me upthere to meet with them. They took me out, threw lots of drugsin my face, but I turned them down. You know, I don’t do drugs.Strippers. Prostitutes. Dildos. But the bottom line is I can makemore money independent, and I don’t care if you signed theBeatles, Steely Dan or Megadeth. I’m happy just to sell recordsto the people on my street. They just didn’t get it up there. Theyeven wanted me to go the Bloodhound Gang angle. Make me aclown and bullshit. Forget it.AG: So what’s the new record going to be like?BZ: The theme is going to be bounce music; New Orleansbounce music.AG: So it’s new original Ballzack material—onlybounce?BZ: Well, it’s as original as bounce music can be. There’s astandard bounce formula and we are trying to pay homage tothat formula but at the same time trying to break out of it anddo new things with it—just do bounce songs that no one hasdone before. Of course, there are the standard Triggerman Beatbounce songs, but we’re making space bounce songs and punkbounce songs … well, maybe not punk bounce songs.AG: Have you always been a fan of bounce music?BZ: Well, I’ve always been big on stuff like Manny Fresh andespecially earlier stuff like TT Tucker, DJ Jubilee and DJ Irv. Imean, in New Orleans you didn’t have to go far to hear themusic. Plus, my dad owned a store in the St. Thomas projectswhere he would hire DJs like TT Tucker and all those other guysto perform outside in the front of the store. That was back in the‘80s when that whole scene was really getting momentum. Thatmight have been the inception of my interest in the music—Idon’t know. But I remember always wanting to make a bouncerecord. There was some other stuff I needed to get out of mysystem first, but now the time is right.AG: Who are you working with during the makingof the album?BZ: Well, the album is being co-produced, recorded andengineered by Jay Yuenger. He helped me record “Wine Candy”for the WTUL compilation disc and it went over pretty well.We had a lot of fun doing it and we thought we would make awhole album that would pay homage to New Orleans rap. So,we did it.AG: How has the process been thus far? Has it beenchallenging to change gears from the content onthe previous two records to something different?BZ: Not really. We’ve been having fun with it. I’ve always feltthat you should make songs that you want to hear, and that’swhat I try to do. I always ask myself, “Wouldn’t it be cool forsomeone to make a song about pencil crack or making groceriesor whatever?” So, I just make them. That’s why there are goingto be different themes and variations on the record … I mean,I don’t think anyone has ever made a space bounce song ortalked about time machines over bounce beats. We just try todo something new. With this one, we just want people to enjoy itand have fun with it. But sure, I make the songs and then I listento them and love myself …AG: So, you’re a fan of your own work?BZ: Yes, I actually own every single one of my CDs. I am aBallzack album collector. Every copy I own of my own CDs isan autographed copy. And I will never run out of autographedcopies unless I run out of me.AG: Would you ever sell your collection?BZ: I would never part with my autographed copies. Well, maybeI would. I know a guy who sells them. I could find more.AG: Well, back to the new project—when this recordcomes out, do you plan to hit the road with it?BZ: No. I don’t want to tour. I don’t know why. I know I don’twant to tour any farther than the southeast. I mean, going out tosome place you’ve never heard of in some van to try to start afollowing just doesn’t do it for me. I mean, did BG have to tour?[Laughs] Probably not. I mean, he had followings in a lot of citiesbut it had nothing to do with touring. I’m lucky to have fans inother cities but it’s not because of touring—the power of theinternet, I guess.AG: It sounds like you’re really happy to be inNew Orleans. Do you have any reservations aboutstaying here?BZ: I love to be able to stay in New Orleans. Sure, it might getdestroyed but we’ve lived with that risk even before. It’s not muchdifferent, it’s just now we’re more aware of the consequencesand know what it actually looks like. So, I’m going to stick it out.I love the city and couldn’t go anywhere else. But I do wish NewOrleans would get its act together. It really seems like a city runby C students.AG: Maybe not even C …BZ: Yeah, not even C students—D students. It’s a bunch ofpeople educated in the same bad school system who end uprunning that same bad school system.AG: And when they get elected, they use the factthat they grew up here and were educated here asa selling point.BZ: Yeah, to say you grew up here is something to be proud ofbut not to say you’re educated here. I mean, that’s the truth. I waseducated here, but I wouldn’t rely on that to run for office. Still, Ireally hope they get their act together. When you go to anothercity, you realize how a city is really supposed to operate. It’s just amixture of incompetence and corruption. I hope they really careand just don’t say they do to get where they want to go.AG: Well, it looks like we’re here. Anything elseyou want to add?BZ: If anyone has a picture of Tom Foot, please send it to methrough my website or on MySpace. I can’t find a picture of TomFoot anywhere.AG: Will do.BZ: Oh yeah … pay the driver.antigravity: your new orleans music and culture alternative_17