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Academy Dance News 2005 - Latin and Ballroom Dancing on Maui

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Willy Bennett<br />

Shel Braidman<br />

Steve Castognola<br />

Pamela Cendana<br />

Scott & Allis<strong>on</strong> Crumpt<strong>on</strong><br />

Dan & Br<str<strong>on</strong>g>and</str<strong>on</strong>g>i Cunningham<br />

Cherry Domingo<br />

Kimberly Day<br />

Holly Davis<br />

June Delany<br />

Mike & Jeanne Doerr<br />

Daniel Eastman<br />

Sunya Echternach<br />

Gary Eckert<br />

Kitty Edwards<br />

Fames Furumizo<br />

Barbara Flowers<br />

Valerie Fukuda<br />

Michael Garaganza<br />

Rod Gemberling<br />

Andrea Giammattei<br />

Patrice Gooderm<strong>on</strong>t<br />

Dennis & Jenifer Goss<br />

Les Grimes<br />

Eddie Guerrero<br />

Erol Guney<br />

Terry Hans<br />

John Hew<br />

Julie Cliare Holmes<br />

Snady & Frank Hook<br />

Laura How<br />

Alice Inouye<br />

Annie & Phil Johns<strong>on</strong><br />

Cynthia Johns<strong>on</strong><br />

Kai Johns<strong>on</strong><br />

Francine Kamimoto<br />

B<strong>on</strong>nie Kanae<br />

Julie Katz<br />

Patricia Kelly<br />

Barbara Lauridsen<br />

Andreas Laurin<br />

Nancy & Mike Mateja<br />

Norm Matts<strong>on</strong><br />

Todd Meadows<br />

Terri Mister<br />

Will Moriales<br />

Kimberly Nguyen<br />

Lynann Nicely<br />

Brian & Rita O’C<strong>on</strong>nor<br />

Bea Okuda<br />

Kachina Palencia<br />

Milam Pender<br />

Tamara Perkins<br />

Rita Perry<br />

Carol Pratt<br />

Melissa Prince<br />

Charlie & Cheri Ridings<br />

Eric Roberts<br />

Andreas Romer<br />

Barbara Singer<br />

Steve Slater<br />

Keoki Sousa<br />

Gerald Stewart<br />

Art & Flossie Sumabat<br />

Etsuko Taomoto<br />

John Tattsuke<br />

Brian Thomas<br />

Shelley Ting<br />

Geneva & Gary Thornt<strong>on</strong><br />

Watsana Unadu<br />

Charles & Annie Yane<br />

Carol Yamamura<br />

Al Ynigez<br />

Janet Yokoyama<br />

BE PART OF THE MUSIC FOR THE<br />

NIGHT - Special Request from Rita<br />

If you have music that you<br />

think might be appropriate for <str<strong>on</strong>g>Ballroom</str<strong>on</strong>g><br />

& <str<strong>on</strong>g>Latin</str<strong>on</strong>g> dancing, please share it with Rita<br />

O’C<strong>on</strong>nor. She loves to update the music<br />

for the <str<strong>on</strong>g>Academy</str<strong>on</strong>g> classes as often as<br />

possible!<br />

For the third quarter, in<br />

particular, Rita is looking for<br />

HAWAIIAN music that might lend itself<br />

to ballroom <str<strong>on</strong>g>and</str<strong>on</strong>g>/or latin dancing; she<br />

would like to put a special collecti<strong>on</strong> of<br />

music together for the August “Luauthemed”<br />

dance.<br />

For future dance events <str<strong>on</strong>g>and</str<strong>on</strong>g><br />

classes, Rita would like to use the music<br />

YOU love to dance to – she can’t wait to<br />

make the new social dance mix “…For The<br />

Students <str<strong>on</strong>g>and</str<strong>on</strong>g> By The Students…” of the<br />

<str<strong>on</strong>g>Academy</str<strong>on</strong>g>!<br />

Not sure if a particular s<strong>on</strong>g is<br />

suitable for <str<strong>on</strong>g>Ballroom</str<strong>on</strong>g> or <str<strong>on</strong>g>Latin</str<strong>on</strong>g> dance (if<br />

any)? Rita would be glad to offer her<br />

insight!<br />

MUSIC TO DANCE BY<br />

There are many s<strong>on</strong>gs created <str<strong>on</strong>g>and</str<strong>on</strong>g> refashi<strong>on</strong>ed<br />

to fit <str<strong>on</strong>g>Ballroom</str<strong>on</strong>g> tempo. Even<br />

popular musicians sometimes have s<strong>on</strong>gs<br />

that are in appropriate rhythm & speed.<br />

While the East Coast Swing tempo is<br />

intertwined in our c<strong>on</strong>temporary music<br />

genre, Waltz is less prevalent. Below are<br />

a few suggesti<strong>on</strong>s for the Waltz & the<br />

East Coast Swing classes:<br />

FOXTROT: “I’ve Got You Under My<br />

Skin,” Frank Sinatra, “A Wink & A Smile,”<br />

9<br />

Harry C<strong>on</strong>nick, Jr. (Sleepless in Seattle<br />

Soundtrack), “Come Fly With Me,”<br />

Michael Buble.<br />

CHA-CHA: “Coraz<strong>on</strong> Espinado” – Santana,<br />

“Smooth” – Rob Thomas with Santana; “I<br />

Need To Know” – Marc Anth<strong>on</strong>y; “Cuban<br />

Pete” – Tito Puente, “Guantanamera” –<br />

Celia Cruz.<br />

DID YOU KNOW…?<br />

Your DONATIONS to the<br />

Aloha <str<strong>on</strong>g>Ballroom</str<strong>on</strong>g> <str<strong>on</strong>g>Dance</str<strong>on</strong>g> <str<strong>on</strong>g>Academy</str<strong>on</strong>g>’s<br />

“ALOHA FUND” are<br />

TAX-DEDUCTIBLE?<br />

See Kihei Chapter Treasurer, Marty-<br />

Jean Bender for more informati<strong>on</strong>!<br />

EARN $5.00 TOWARD YOUR NEXT<br />

ACADEMY DANCE CLASSES!<br />

Are you excited about <str<strong>on</strong>g>Latin</str<strong>on</strong>g> &<br />

<str<strong>on</strong>g>Ballroom</str<strong>on</strong>g> dance? D<strong>on</strong>’t you just want to<br />

tell every<strong>on</strong>e about this great class<br />

you’re taking <strong>on</strong> Wednesday nights at the<br />

Aloha <str<strong>on</strong>g>Ballroom</str<strong>on</strong>g> <str<strong>on</strong>g>Dance</str<strong>on</strong>g> <str<strong>on</strong>g>Academy</str<strong>on</strong>g>? Be<br />

rewarded for your efforts with the<br />

<str<strong>on</strong>g>Academy</str<strong>on</strong>g>’s Referral Program!<br />

The <str<strong>on</strong>g>Academy</str<strong>on</strong>g> is offering a<br />

“Referral Discount:”<br />

Current <str<strong>on</strong>g>Academy</str<strong>on</strong>g> students who<br />

refer an individual/solo man, who, in turn,<br />

registers as an <str<strong>on</strong>g>Academy</str<strong>on</strong>g> Student, will<br />

receive a $5.00 discount coup<strong>on</strong> good<br />

toward the next quarter’s group classes<br />

if the solo man indicates so in the<br />

“Referred by” secti<strong>on</strong> of the Registrati<strong>on</strong><br />

Form.<br />

A “current student,” might be a<br />

woman, a man or a dance couple (who<br />

refers an individual/solo man). The<br />

Referee will receive the discount coup<strong>on</strong><br />

when the individual/solo man registers as<br />

an <str<strong>on</strong>g>Academy</str<strong>on</strong>g> student. Only <strong>on</strong>e (1) pers<strong>on</strong><br />

will receive the coup<strong>on</strong>. The Referee’s<br />

name must be listed <strong>on</strong> the individual/solo<br />

man’s Registrati<strong>on</strong> Form to be eligible.<br />

BALLROOM DANCE PROTOCOL<br />

To experienced dancers, the<br />

following guidelines of <str<strong>on</strong>g>Ballroom</str<strong>on</strong>g> dance<br />

protocol <str<strong>on</strong>g>and</str<strong>on</strong>g> etiquette are usually well<br />

known, but not often discussed. Also<br />

following these guidelines sets a good<br />

example for other dancers. For new<br />

dancers, it's good to know what's what to<br />

help avoid embarrassing, awkward, or

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