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A View from the Atlantic Sobey Art Award - Art Gallery of Nova Scotia

A View from the Atlantic Sobey Art Award - Art Gallery of Nova Scotia

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<strong>Art</strong>ist-in-Residence20TRAMPOLINE BRANDINGContact: Larry Bootland 902 405 4809Project: 7590WANS Fall Festival Ad RedClient: WInes <strong>of</strong> <strong>Nova</strong> <strong>Scotia</strong>HARRIS HOUSEFINE ARTPublication: AGNS JournalSize: 7.6” x 4.85”Insertion Date: August, 2009Photos/Logos: Hi resSigned Graphic <strong>Art</strong><strong>from</strong> <strong>the</strong> 19th & 20th CenturiesNOTE: All trapping is <strong>the</strong> responsibility <strong>of</strong> prepresswinesns.caSeptember 7 – OctOber 30celebrate our very own winesThis is world-class wine worth celebrating. So don’t miss your chanceto visit <strong>the</strong> vineyards, enjoy great food, and <strong>of</strong> course, taste <strong>the</strong> wines.Alongside <strong>the</strong> paintings, sculpture,and works on paper onview in a museum, artists are <strong>of</strong>tenworking right in <strong>the</strong> galleryspaces and studios. The AGNS<strong>of</strong>fers artists <strong>the</strong> opportunity touse its collection as inspirationor launching point for a projector specific artwork. Sometimesworking in conjunction withan exhibition, and o<strong>the</strong>r timesin concert with a single work <strong>of</strong>art, <strong>the</strong>se artists use <strong>the</strong> galleryas <strong>the</strong>ir laboratory, breathingnew life into <strong>the</strong> work on display.This kind <strong>of</strong> exchange with<strong>the</strong> collection and <strong>the</strong> <strong>Gallery</strong>’smembers is vital to <strong>the</strong> life <strong>of</strong>an art institution. Over <strong>the</strong> pastyear, <strong>the</strong> <strong>Gallery</strong> has hostedthree artists as part <strong>of</strong> thisprogram which provides artistswith a three-month residencyconnecting <strong>the</strong>m to works onview in <strong>the</strong> <strong>Gallery</strong>’s exhibitionsor permanent collection.The Louis and Marla Reznick<strong>Art</strong>ist in Residence Program isgenerously supported by <strong>the</strong>Toronto-based Reznick family.The studio space was endowedby Jack and Diane Smith.robotics, audio, music, and someinteractive components. Hisinstallations bring <strong>the</strong> viewerin to <strong>the</strong> world <strong>of</strong> play, in whichGraeme inhabits while creatinghis stop-motion animations.From 2004 - 2007 he createda large body <strong>of</strong> work entitledWoodrow. This 10 piece installationencompasses all aspects<strong>of</strong> his practice. All <strong>of</strong> his workis based on personal memoriesand life experience with amix <strong>of</strong> fantasy and surrealism.Currently Graeme is workingtowards ano<strong>the</strong>r 3 - 4 yearproject focusing on finding andrenewing his ties with a longlost friend <strong>from</strong> his childhood.Much like Woodrow Graeme willbe traveling and plans to taketemporary residence in Japan tocreate connections between hismemories and reality.October 2008 -January 2009In David Harper’s work, hispassion for <strong>the</strong> wild unites synergisticallywith a keen interestin technique. His sculptures,even those small in scale, haveweight and presence. His visionfor The Last to Win was huge,both l<strong>of</strong>ty and ambitious: afull-scale horse, crafted in <strong>the</strong>AGNS Education Centre <strong>Art</strong>istin-ResidenceStudio. AlthoughHarper’s desire to create a horse<strong>of</strong> this stature pre-dates <strong>the</strong>AGNS residency, <strong>the</strong> project appropriatelycoincided with <strong>the</strong>run <strong>of</strong> a Joe Fafard retrospectiveand gave Harper license fora larger scale. His exquisite,life-sized sculpture <strong>of</strong> a horse,The Last to Win, combined taxidermyand embroidery to greateffect. The Last to Win was seenin Calgary at Stride <strong>Gallery</strong>.Installation view <strong>of</strong> Ob-so-less-cents by Eleanor King, Sometimes Alwaysat <strong>the</strong> <strong>Art</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Nova</strong> <strong>Scotia</strong>.sculpture. Her work fuses foundmaterials in a playful way tocritique social behaviours, whileinvestigating consumer andtourist cultures. King’s work hasbeen showcased across Canada,as well as internationally. Moreover,she has participated in residencyprograms both in Canadaand <strong>the</strong> US. Eleanor teaches in<strong>the</strong> Media <strong>Art</strong>s department atNSCAD University and holds<strong>the</strong> position <strong>of</strong> Exhibitions Coordinatorat Anna Leonowens<strong>Gallery</strong>.also included carefully arrangedobsolete media, collections <strong>of</strong>old equipment, and audio-videoelements. The artist arranged<strong>the</strong>se components within <strong>the</strong>space to create an atmosphere<strong>of</strong> ordered clutter, with <strong>the</strong> hope<strong>of</strong> raising questions about <strong>the</strong>media objects we chose to consumeand discard. King views<strong>the</strong> recent trend toward environmentalismand conservationas a promising sign <strong>of</strong> an end tosociety’s wasteful mentality. Thisinstallation, although dealingwith somewhat grave environmentalconcerns, still managedto be playful, beautiful, and adelight to <strong>Gallery</strong> visitors.ProCess seParationsApril - June 2008C M Y KGraeme Patterson, whose workIncluding Works by:Hockey Organ was on view inArena, was <strong>the</strong> revived Program’sfirst <strong>Art</strong>ist-in-Residence.Ka<strong>the</strong> KollwitzJack LevineLuigi KasimirDuring that period he createdKasamatsu Shiroan ambitious sculpture andWilliam Auerbach-Levyaccompanying animation, TenLeopoldo MendezPoint Game based on DarrylLeonard BaskinSittler’s famous 1976 game.Joseph BudkoThis work joined <strong>the</strong> ArenaAs one <strong>of</strong> <strong>the</strong> featured artistsJohnny Friedlaendertour and was premiered at <strong>the</strong>in <strong>the</strong> current exhibition SometimesAlways, King’s presence atDavid Alfaro SiqueirosAGNS Western Branch’s installation<strong>of</strong> Arena and will be shownAnthony Thieme<strong>the</strong> AGNS as <strong>Art</strong>ist-in-ResidencePaul Herrmannwith that same exhibition at <strong>the</strong>over <strong>the</strong> summer was an appropriatefit. Her new installation, come artists-in-residence LisaAGNS will be pleased to wel-Terry HaassMuseum <strong>of</strong> Contemporary Canadian<strong>Art</strong> in Toronto. GraemeAnders ZornOb-soless-cents, was created specificallyfor Sometimes Always. Fall/Winter 2009/10. Look forLipton and Cathy Busby in <strong>the</strong>Patterson’s practice stems <strong>from</strong>Ka<strong>the</strong> Kollwitz, German 1887-1945a self-developed approach toVernis Mou & Etching, 1910In this piece, King fashioned a more about <strong>the</strong>se artists’ planscreating stop-motion animation. June - August 2009wondrous junk emporium <strong>from</strong> for <strong>the</strong>ir time at AGNS in <strong>the</strong>This “do-it-yourself” method Eleanor King is an interdisciplinaryartist who workssurplus objects creating, among next issue <strong>of</strong> your Journal. To(902) 532-7877is consistent in all facets <strong>of</strong> his238 St. Anthony St., Annapolis Royalo<strong>the</strong>r sensations, organic sculpturesin <strong>the</strong> form <strong>of</strong> stacked please checkout <strong>the</strong> website atapply to <strong>the</strong> residency program,production. Since graduating with site-specific installations<strong>Nova</strong> <strong>Scotia</strong>, PO Box 326 B0S 1A0 www.harrishouseart.com<strong>from</strong> NSCAD in 2002 his projects incorporating elements <strong>of</strong>discarded items. The installation www.artgallery<strong>of</strong>novascotia.cacan be described as sculptural audio, video, photography, andinstallations consisting <strong>of</strong> video,ART GALLERY OF NOVA SCOTIA FALL JOURNAL 2009 ART GALLERY OF NOVA SCOTIA FALL JOURNAL 2009 21

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