Literature· B. Webber, James Orrock, R.I.: painter, connoisseur, collector, 2 vols. (1903)· Edward Morris, ‘James Orrock, dentist, artist, patron, collector, dealer, curator,connoisseur, forger, propag<strong>and</strong>ist'. Visual Culture in Britain, 6:2 (2005), pp.8498.Duveen BrothersArt dealers. Founded by Henry Duveen (18541919) <strong>and</strong> his brother, Joseph Joel (18431908), in 1871, in Oxford Street London, they were initially dealers in furniture <strong>and</strong> objects ofvirtu. The family were originally from Meppel in Holl<strong>and</strong> <strong>and</strong> were sent to Engl<strong>and</strong> by theirmother to sell Delftware. The two brothers were so successful that they opened a new shop at21 Old Bond Street <strong>and</strong> Henry established premises in New York, winning clients such asJohn Pierpont Morgan, Benjamin Altman <strong>and</strong> Henry Clay Frick. Both Henry <strong>and</strong> Joseph Joelwere dealers in Chinese porcelains. Joseph Joel’s son Joseph (18691939) joined the firm in1887, becoming President of the firm (190939), <strong>and</strong> being raised to the Peerage as LordDuveen of Millbank. He was the most flamboyant <strong>and</strong> successful member of the family <strong>and</strong>dealt mostly in Old Master paintings.Literature· Meryle Secrest, Duveen: a life in art, New York 2004.· S N Behrman, Duveen, London 1952;· James Henry Duveen, Collections <strong>and</strong> Recollections. A century <strong>and</strong> a half of artdeals, London 1935.James Henry DuveenArt dealer <strong>and</strong> author. James Henry Duveen (b.1873), known as Jack, or Jacques, was thecousin of Joseph Duveen (Lord Duveen of Millbank). He ran the family’s <strong>Liverpool</strong> gallerybefore moving to 38 Dover Street in London in 1906 <strong>and</strong> then to 9 Old Bond Street in 1908.He initiated a lawsuit for sl<strong>and</strong>er against his cousin Joseph in 1910, when the latter tried to
compromise a number of sales to clients Sir William Bennett <strong>and</strong> William Lever. James Henrywas author of Collections <strong>and</strong> Recollections. A century <strong>and</strong> a half of art deals, London 1935.Literature· Meryle Secrest, Duveen: a life in art, New York 2004.Edgar GorerArt dealer. S. Gorer & Son was founded by Solomon Lewis Gorer (18401907), <strong>and</strong> hadpremises at 170 New Bond Street, London. The company's agent in New York was thejeweller Dreicer & Co., at 560 Fifth Avenue. It was in the h<strong>and</strong>s of Solomon's son, EdgarEzekiel Gorer (18721915), that 'Gorer', as it became known, became an international dealerin Chinese art, particularly Chinese ceramics, boasting major clients in Britain <strong>and</strong> across theAtlantic. Edgar Gorer was ambitious <strong>and</strong> gained a reputation for buying up importantcollections, such as that formed by Richard Bennett, Sir William Bennett, George R. Davies<strong>and</strong> Alfred Trapnell, <strong>and</strong> promoting them through exhibition <strong>and</strong> privately printed catalogues,often with colour plates. Gerald Reitlinger, in his 'Economics of Taste', aptly described Goreras being 'the meteoric rival of the Duveens'. He entered into two lawsuits as a result of hishigh profile activities, one with William Hesketh Lever over the purchase of the RichardBennett Collection <strong>and</strong> Duveen over a Kangxi vase, which Gorer had offered to Frick butwhich Duveen had claimed was a fake. The latter lawsuit was never heard in court. On theday of its announcement, 7th May 1915, Gorer was crossing the Atlantic on the Lusitaniawhich was torpedoed <strong>and</strong> he lost his life. He was 43. Edgar Gorer married Rachel AliceCohen (18731954) in 1902 <strong>and</strong> lived in some elegance at 45 Netherhall Gardens in SouthHampstead. Their three sons were the writer <strong>and</strong> social anthropologist, Geoffrey Gorer,geneticist, Peter Gorer <strong>and</strong> the horticulturalist, Richard Gorer.Edgar Gorer's publications include: (with J.F. Blacker),'Chinese Porcelain <strong>and</strong> Hardstones', 2volumes, London 1911 (this was a limited edition of 1000) <strong>and</strong> catalogues of exhibitions ofcollections including Alfred Trapnell (S. Gorer, 1906), Sir William Henry Bennett (Edgar Gorer& Sir William Henry Bennett, 1910), Richard Bennett (Edgar Gorer, 1911) <strong>and</strong> George R.Davies (G.R. Davies <strong>and</strong> Gorer, 1913). He also published 'A catalogue of rare specimens ofMing <strong>and</strong> early KangHe porcelain' (S. Gorer, 1907) <strong>and</strong> 'Old Chinese Porcelain', (EdgarGorer, 1910).Literature· Christian Jorg, 'Chinese Ceramics in the Collection of the Rijksmuseum Amsterdam:The Ming <strong>and</strong> Qing Dynasties', Amsterdam 1997, pp.16, 19.· Oliver Impey, Lever as a Collector of Chinese Porcelain, in 'Art <strong>and</strong> Business inEdwardian Engl<strong>and</strong>: The Making of the Lady Lever Art Gallery', Journal of the Historyof Collections, vol.4, no.2, 1992, pp.227238.· Gerald Reitlinger, 'The Economics of Taste: The rise <strong>and</strong> fall of objets d’art pricessince 1750, London 1963', vol.2, pp.213215.· Website: www.rmslusitania.info.· Jeremy MacClancy, 'Geoffrey Gorer (190585)', Dictionary of <strong>National</strong> Biography,2004.