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Sri Lanka - Lifestyle and Travel

Sri Lanka - Lifestyle and Travel

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Clockwise from top left: Afather <strong>and</strong> son peer into thewater near Galle’s Dutch Fort;locals walk a wooden bridgeover the Kelani River; <strong>and</strong>Channa Perera, larger-thanlifeowner <strong>and</strong> MD of Rafter’sRetreatsauntering cows presents an intense cultural experience to old Asia h<strong>and</strong>s, letalone visitors new to this continent. It was here that I realised that the animalsin <strong>Sri</strong> <strong>Lanka</strong> looked happy, not something I could vouch for in many other Asi<strong>and</strong>estinations. This is a good sign – biodiversity may be threatened on this littleisl<strong>and</strong>, but domestic animals appear well-fed <strong>and</strong> in good health.Nature called again the following day, in the form of a vast <strong>and</strong> resplendentMangrove Lagoon in Dod<strong>and</strong>uwa. The lush vegetation <strong>and</strong> placid waters hereare a temporary or permanent home to many water birds, butterflies <strong>and</strong> watermonitors. Hundreds of cormorants nagged at each other on their favourite treesfor the best nesting site.Rowed on a makeshift wooden catamaran (amazingly the venue for an Englishcouple’s wedding two days before), I was taken to a 2250-year old Buddhist templeon Hermitage Isl<strong>and</strong> in which 19 monks reside, meditate <strong>and</strong> chant. Imposing,graphic, <strong>and</strong> rather disturbing paintingss <strong>and</strong> sculptures inside the templeportray vivid morality tales; one involving an infant being sliced up in retributionfor the sins of his parents. I saw from the visitor’s book that the isolated templeAyurvedic massage [involved] the masseur holdinga noose-like strap tied to the ceiling <strong>and</strong> massagingthe guest with his feet – a surprisingly pleasantsensation.receives only around three visitors a day, <strong>and</strong> after the mangy dogs <strong>and</strong> ravensstarted giving us stern ‘looks,’ I swiftly departed. A few days later, I was relieved tofind that our photos of the temple came out okay, as our driver had whispered to usthat pictures taken in the country’s largest Buddhist temple in K<strong>and</strong>y were oftendeveloped as blanks.Appetites whetted for all things natural, I took my leave of Galle <strong>and</strong> begun thelurching journey to Kithulgala, around 80 kilometres due east of Colombo, <strong>and</strong>arrived at Rafter’s Retreat just in time for lunch. The Retreat incorporates teneco-cabanas nestled in lush foliage overlooking the spectacular Kelani River,the setting for the film Bridge on the River Kwai (Thail<strong>and</strong>’s bamboo forestsTalangama Villa, inside <strong>and</strong>outhad already been cleared by themid-1950’s, making filming thereimpractical). The cabanas were builtby Rafter’s larger-than-life owner <strong>and</strong>Managing Director, former MerchantNavy seaman Channa Perera, whosegr<strong>and</strong>father was the governor ofthis region. Channa is now the proudowner of his gr<strong>and</strong>father’s expansive130-year old mansion in the grounds.Rafter’s Retreat is an ideal base foradventure <strong>and</strong> nature ecotourists; Ibecame the former, <strong>and</strong> gaily rafteddown the foamy, grade 2-3 whitewaterrapids of the Kingfisher- <strong>and</strong>Cormorant-infested Kelani River. Attimes gentle; perfect for slipping offthe raft <strong>and</strong> floating for a time downthe river on your lifejacket, followedby the gaze of local villagers engagedin their twice-daily sarong-clad washin the river; <strong>and</strong> at times mildlyferocious; the combination of franticrowing, exhilarating speed, <strong>and</strong>adrenaline-rush manoeuvres makingfor the perfect day out on the river.From Rafter’s Retreat we drove toseemingly-isolated Talangama Villa,which I was amazed to discoverwas only a 45-minute drive fromColombo. A retreat of a differentkind, the Villa offers a pleasingblend of <strong>Sri</strong> <strong>Lanka</strong>n hospitality <strong>and</strong>post-colonial aestheticism. On thebanks of the Talangama marshes – awallowing water buffalo’s wet dream60 61

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