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An IntroductIon to A FormAt - ARRI CSC

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F R O M T H E F I E L DThis is but a small selection of some of the most successfulproductions captured on Super 16 film from all over theworld.Germany - MercedesUSA - Sex and the CityCinema<strong>to</strong>grapher Thomas S<strong>to</strong>kowski measuring the light level for the MercedesMonopos<strong>to</strong> classic car. Copyright Mercedes-Benz & GutsyPicture by Craig Blankenhorn, Courtesy of HBO.Initially an acclaimed hit in the United States, Sex and theCity now airs internationally in over a dozen countries fromEurope <strong>to</strong> Asia. The show follows four fashionable womenas they navigate relationships and define what being single<strong>to</strong>day means. Known for its glamorous look, Sex and theCity shot Super 16, often on location <strong>to</strong> showcase New YorkCity’s street life, hip bars, restaurants and clubs.“W likd <strong>to</strong> kp cm moving w it w pprop, d strivd for strong compositions d bful lighting.Sup 16 d dvcd <strong>to</strong> point w w d widy of l d cc our displ, d lw d low profil md for f pc,” says Direc<strong>to</strong>rMichael Spiller. Spiller began on the series as direc<strong>to</strong>r of pho<strong>to</strong>graphythe first four seasons before going on <strong>to</strong> direct. “Wof w shooting in b or d d <strong>to</strong> in d out of w d two loc dy.W you v six p <strong>to</strong> shoot d wlls don't mov,ving nic trim cm pck cly lpd ccomplish. W w fd <strong>to</strong> vid, w found l 16mm high-spd s<strong>to</strong>cks lly ld up, d w d rich im most ppl just md w shot on 35 mm.”DaimlerChrysler is currently building nine large brandcenters worldwide, containing a car dealership, museums,retail s<strong>to</strong>res and event spaces. DaimlerChrysler UK wantedan image film for the UK center, <strong>to</strong> be known as Mercedes-Benz World at Brooklands. They brought 27 unique classicMercedes cars in<strong>to</strong> a studio near Stuttgart in Germany, andrecorded au<strong>to</strong>mobile his<strong>to</strong>ry on Super 16 film.Because of scheduling difficulties, one car had <strong>to</strong> be sho<strong>to</strong>n its own up front. Even though the project was scheduled<strong>to</strong> be shot on video, cinema<strong>to</strong>grapher Thomas S<strong>to</strong>kowskiand Direc<strong>to</strong>r Paul O'Brien convinced DaimlerChrysler <strong>to</strong>shoot this car on Super 16. Paul O'Brien: “y y lvd lovd sult. Thom d v film chniq lik vbl spd,spd mps d smll l, d , in combtion with rich film look, convincd m <strong>to</strong> shoot ll cin Sup 16. f d x d dpth you only with film, it w bful d worth vy c.Plus y lik fct y c purp this f; v will go in<strong>to</strong> Mcd chiv d y cf it <strong>to</strong> wv vid or dl im dd willb dd in f. This is his<strong>to</strong>ricl ml d w ldy in discussions with Mcd on for thisf.”

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