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Yerba Buena Center for the Arts Announces New Programming for ...

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<strong>Yerba</strong> <strong>Buena</strong> <strong>Center</strong> <strong>for</strong> <strong>the</strong> <strong>Arts</strong> <strong>Announces</strong> <strong>New</strong> <strong>Programming</strong> <strong>for</strong> 2012-2013book Worried Noodles – <strong>the</strong> Empty Sleeve by artists as diverse as David Byrne, FranzFerdinand and TV On The Radio. www.davidshrigley.comOccupy Bay AreaSaturday, July 7-October 14, 2012/YBCA GalleriesAdmission <strong>for</strong> All Galleries: $10 adults; $8 students/seniors/teachers; FREE YBCAMembers, YBCA: YouBig Idea: EncounterSince <strong>the</strong> Occupy Movement took hold across <strong>the</strong> country in <strong>the</strong> fall of 2011, protesters inOakland and San Francisco have produced a substantial output of art and writing in support of<strong>the</strong> principles of economic fairness, equality and re<strong>for</strong>m. One of <strong>the</strong> legacies of <strong>the</strong> culture ofactivism in <strong>the</strong> Bay Area is this rich tradition of creating imagery in support of political and socialcauses. YBCA has curated an exhibition of political posters, and documentary photography andvideo stemming from <strong>the</strong> Occupy movement; and several projects by contemporary artists,representative of <strong>the</strong> spirit of Occupy.Additionally, to connect to earlier movements and provide a historical context <strong>for</strong> <strong>the</strong> project, <strong>the</strong>exhibition includes posters and photographs from o<strong>the</strong>r political struggles, including <strong>the</strong> BlackPan<strong>the</strong>r Party (1966-82), I-Hotel (1968–77); <strong>the</strong> ARC/AIDS Vigil (1985–95); <strong>the</strong> occupation ofAlcatraz (1969–71); <strong>the</strong> Free Speech Movement at UC Berkeley (1964–65); and <strong>the</strong> SanFrancisco State University protests, to gain an ethnic studies program (1968–69). While <strong>the</strong>seearlier movements certainly differ in ways from Occupy, <strong>the</strong>y all are <strong>the</strong> result of a deep desire<strong>for</strong> <strong>the</strong> representation and equal treatment of often underrepresented people.Nayland Blake: FREE!LOVE!TOOL!BOX!Friday, October 12, 2012-Sunday, January 27, 2013/YBCA GalleriesAdmission <strong>for</strong> All Galleries: $10 adults; $8 students/seniors/teachers; FREE YBCAMembers, YBCA: YouBig Idea: ReflectIn <strong>the</strong> 1990s, Nayland Blake was known <strong>for</strong> his pioneering work in per<strong>for</strong>mance art. Since <strong>the</strong>n,he has created an impressive body of work that includes conceptual video, sculpture,participatory per<strong>for</strong>mance, as well as self-deprecating cartoonish drawings. Blake was a major<strong>for</strong>ce in <strong>the</strong> San Francisco Bay Area art scene from 1984-1996. An avid AIDS activist, hepromoted an aes<strong>the</strong>tic that combined politics, biography, and queer practices such as cruisingand chance encounters.Blake’s most recent sculptures are created through spontaneous processes reminiscent of hisworking method during his early years in San Francisco, where materials are manipulated intosurprising and oftentimes amusing <strong>for</strong>ms that are in<strong>for</strong>mal, odd, and unpredictable. For hisupcoming solo exhibition at YBCA, Blake will create works onsite using memories from his lifeas a creative catalyst. An important reference and inspiration <strong>for</strong> this exhibition is a videotape by<strong>the</strong> late fashion designer Alexander McQueen titled The Bride Groom Stripped Bare (2002).While this video is not part of <strong>the</strong> exhibition, <strong>the</strong> deconstruction and reconstruction of <strong>the</strong> fabricwrapping and shaping is representative of mutability in art making. Blake’s work involves acertain amount of risk, coupled with a capacity to yield elegant works from found, banal, andabject materials. For one artwork in <strong>the</strong> exhibition, audience members are invited to DJ from <strong>the</strong>artist’s collection of over 3,000 LP albums.During his years in San Francisco, Blake taught at <strong>the</strong> San Francisco Art Institute, and servedon <strong>the</strong> board of <strong>Yerba</strong> <strong>Buena</strong> <strong>Center</strong> <strong>for</strong> <strong>the</strong> <strong>Arts</strong> and <strong>New</strong> Langton <strong>Arts</strong>. He also was a cocurator,with Larry Rinder, of a ground-breaking exhibition, In a Different Light (1995) at <strong>the</strong>3

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