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05-December-2013 - SA Jewish Report

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212 <strong>SA</strong> JEWISH REPORTTapestry News 6 <strong>December</strong> <strong>2013</strong> –- 17 08 January June 2012 2014Finally, Ilan’s dreams are beginning to pay off!REVIEWED BY ROBYN <strong>SA</strong>SSENThirty-three-year-old Ilan Godfreyhas followed his dreams to whereverthey have led. And it’s beginningto pay off. This year’s recipientof the prestigious Ernest Coleawards, he currently shows partsof his finished project at Wits ArtMuseum.“This represents a year’s work,”he told the <strong>SA</strong> <strong>Jewish</strong> <strong>Report</strong>,shortly after the opening of theexhibition. “My work has until thistime been self-funded and thisaward which is valued at R150 000,helps significantly towards bringingit to completion.“From diamonds to coal, platinumto asbestos and gold, andfracking, my project’s been aboutinvestigating society on the peripheryof this type of mining.”Redolent of David Goldblatt inhis compositional decision-makingand of Pieter Hugo in his fearlessness,Godfrey’s photographic voiceis fresh and individual.The exhibition is elegantly curatedand hung with a poetic senseof symmetry. “I always knew thatI would do art. My dad was a keenamateur photographer and themagic of a dark room, which I firstexperienced while at school atKing David, got me hooked.“After matric I wanted to seethe world. I saved my pennies,<strong>Jewish</strong>south african<strong>Report</strong>Thokozani Sikhakhae, security guard. East Rand Proprietary Mine, Johannesburg, 2011, by Ilan Godfrey.put together a portfolio and tookthe plunge, travelling everywhere,eventually settling in WestminsterUniversity, London, to do aBA Honours degree in photography,”which he later followed withTo our valuableadvertisers, thanksfor your supportover the past year.We look forwardto asuccessfulpartnershipin 2014.The managementand staff ofthe <strong>Jewish</strong> <strong>Report</strong>.a masters degree after winning ascholarship.“It examines cleavages betweensociety and environment,” saysGodfrey of his work. “It’s not aboutthe processes of mining, nor, itsArts Briefsproducts. That has been done wellby others.“The more I investigated thisproject, the deeper I was taken.”He speaks literally as well as figuratively,citing instances where heLevine and Field on atTheatre on the SquareTwo of South Africa’s top female singer/songwriters,Laurie Levine and Josie Field, return to the stageon <strong>December</strong> 8 at Auto and General Theatre on theSquare in Sandton, to perform together with theirtandem show “Side by Side”. According to a mediastatement, “the blues infused vocal-rock of Fieldconnects with the intimate folk, country styles ofLevine, to create a unique and intimate musicalexperience featuring their hit singles as well asselect covers”. These performances are acoustic,using a variety of instruments, including guitar, banjo,ukulele and more. All seats R120: call the theatre on(011) 883-8606 or 083-377-4969.Young Misha runner-upin <strong>2013</strong> ArtscapeSeventeen-year-old cellist Misha Favis fromJohannesburg was a runner-up in the <strong>2013</strong> ArtscapeNational Music Competition, recently. He receivedR2 500 and a bronze medal. After a week ofelimination rounds where 23 contestants fromaround <strong>SA</strong> came together to compete, 15-year-oldviolinist Francis Whitehead from Johannesburgwas declared the overall winner, receiving R25 000was offered the opportunity toclimb into an illegal inlet to a maverickmining operation.“I had no idea where it was going.But the project was also aboutreturning to South Africa,” he added.Eleven years ago, he left Johannesburgof his birth to seek hisfortune. He speaks of Meyerton’sBlack Reef, the phenomenon ofdirty coal, that of acid drainingand the reality that living in theshadow of a mine dump stuntschildren’s growth.He tells how his work highlightedthe discrepancies betweenracial groups and classes; of sexworkers who are the byproducts ofthe industry, of the asbestosis andsilicosis affecting people who livenearby.“Ironically, it brings us all together,”said Godfrey, whose workhas been recognised locally and internationallyby the Open SocietyInitiative for Southern Africa, theInternational Photography Award,Magenta Flash Forward Award andNikon Endframe.Legacy of the Mine is Godfrey’sfirst major travelling solo exhibition.It has travelled nationallyand Godfrey is hopeful that itmight have international legs. Hiswork has been published by Jacanain a publication retailing at R300.www.jacana.co.zaand a Gold Medal. Favis is currently studying at theYehudi Menuhin School of Musical Excellence inSurrey, UK. The National Youth Music Competitionis presented by Artscape in association with theCape Philharmonic Orchestra, the City of Cape Town,Rupert Music Foundation and Fine Music Radio.‘The artist is present’ inCape ArtWalkArtist Arlene Amaler-Raviv is one of the 80 artistsand 16 studios participating in this year’s CapeArtWalk, on <strong>December</strong> 6, an initiative spread acrossWoodstock, Observatory and Salt River. Accordingto their website, ArtWalk offers “a radical alternativeto the conventional model of viewing and buyingart; as open studios allow an immediate, intimateexperience of art-making” and the chance topurchase work without gallery or agent commission.Says Amaler-Raviv: “It is a unique way to experiencethe artist: The artist is present. The work spaceis active.” Visit www.artwalk.co.za for maps andfurther details.Cohen’s advocateappeals for ‘testimoniesof support’In an international appeal, Agnès Tricoire, theFrench advocate representing South African-bornartist Steven Cohen who was arrested during aperformance at the Trocadéro in Paris, in September,writes that while the trial, originally scheduledfor <strong>December</strong> 16, will be probably postponed,“in the meantime, it would be helpful to receivewritten testimonies of support of Cohen’s work.”She asks that interested parties e-mail her oncontact@agnestricoire-avocat.fr and she will sendthe attestation form to fill out by hand. “Thesetestimonies will be donated to the folder and do notimply a presence at the hearing.”

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