ACDSee Pro 2 Mac User Guide

Ligh t E Q o p tio n sB r i g h te ns l i d e r s( to p )D r a g th e s lid e r s u p to in c r e a s e th e b r ig h te n in g in e a c h to n a l b a n d . T h e s lid e r s o n th e le f ta f f e c t d a r k to n e s . T h e s lid e r s o n th e r ig h t a f f e c t b r ig h t to n e s . M o v in g a s lid e r c h a n g e sth e a m o u n t o f b r ig h te n in g o n ly in th a t p a r tic u la r to n a l b a n d in th e im a g e .Y o u c a n a ls o ty p e a n u m b e r in to th e n u m b e r b o x e s a n d in c r e m e n t th e m s lo w ly to m a k ep r e c is e a d j u s tm e n ts .D a r k e ns l i d e r s( b o tto m )D r a g th e s lid e r s d o w n to in c r e a s e th e d a r k e n in g in e a c h to n a l b a n d . T h e s lid e r s o n th ele f t a f f e c t d a r k to n e s . T h e s lid e r s o n th e r ig h t a f f e c t b r ig h t to n e s . M o v in g a s lid e rc h a n g e s th e a m o u n t o f d a r k e n in g o n ly in th a t p a r tic u la r to n a l b a n d in th e im a g e .Y o u c a n a ls o ty p e a n u m b e r in to th e n u m b e r b o x e s a n d in c r e m e n t th e m s lo w ly to m a k ep r e c is e a d j u s tm e n ts .G r a p h# to n eb a n d sT h e g r a p h in d ic a te s th e a m o u n t o f b r ig h te n in g a n d d a r k e n in g a p p lie d th r o u g h o u t th e to n er a n g e o f th e im a g e . T h e p o r tio n o f th e g r a p h a b o v e th e h o r iz o n ta l a x is c o r r e s p o n d s tob r ig h te n in g , w h ile th e p o r tio n o f th e g r a p h b e lo w th e h o r iz o n ta l a x is c o r r e s p o n d s tod a r k e n in g . W h e n b o th b r ig h te n in g a n d d a r k e n in g a r e a p p lie d w ith in th e s a m e to n a l b a n d ,c o n tr a s t is in c r e a s e d . T h e a r e a b e tw e e n th e to p o f th e b r ig h te n in g g r a p h a n d th e b o tto mo f th e d a r k e n in g g r a p h in d ic a te s th e r e la tiv e in c r e a s e o f c o n tr a s t th r o u g h o u t th e to n er a n g e o f th e im a g e . Y o u c a n c lic k o n th e g r a p h o r o n th e im a g e a n d d r a g th e d o u b le -p o in te d a r r o w u p o r d o w n to b r ig h te n o r d a r k e n .D r a g th e s lid e r o n e a c h to n a l b a n d to a d j u s t a r e a s o f th e c u r v e . Y o u c a n c h o o s e tod is p la y 2 , 3 , 5 , 7 o r 9 to n e b a n d s lid e r s .A d va n ce dA d v a n c e d g iv e s y o u u ltim a te c o n tr o l o f th e b r ig h tn e s s a n d c o n tr a s t in a n im a g e . A d j u s tm e n t c u r v e s c a n b ec o n s tr u c te d u s in g f o u r s lid e r s , a n d y o u c a n m a n u a lly a d j u s t th e c u r v e s b y c lic k in g a n d d r a g g in g w ith in th eg r a p h a r e a o r o n th e im a g e its e lf .G ra p hT h e to p h a lf o f th e g r a p h c o r r e s p o n d s to b r ig h te n in g , a n d th e b o tto m h a lf c o r r e s p o n d s to d a r k e n in g . T o n ele v e ls o f th e s h a d o w s a r e r e p r e s e n te d o n th e le f t, m id to n e s in th e m id d le , a n d h ig h lig h ts o n th e r ig h t.T h e lig h t g r a y in th e g r a p h s h o w s th e a m o u n t o f b r ig h te n in g o r d a r k e n in g a p p lie d th r o u g h o u t th e im a g e .T h e d a r k g r a y a r e a s in th e g r a p h a r e s u g g e s te d b o u n d a r ie s f o r a d j u s tm e n t, a n d tu r n r e d to in d ic a te w h e r ey o u h a v e a d j u s te d f a r e n o u g h to c a u s e a lo s s in d e ta il. W h e n th e c u r s o r is o v e r th e im a g e , th e tw o v e r tic a ly e llo w lin e s c o r r e s p o n d to th e lo w e r a n d u p p e r b o u n d s o f th e to n e le v e l o f th e a r e a u n d e r th e c u r s o r a n din d ic a te th e c e n te r o f a d j u s tm e n t.