Love and murder - Swedish Film Institute
Love and murder - Swedish Film Institute
Love and murder - Swedish Film Institute
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36<br />
HarBour oF Hope<br />
maGnus Gertten<br />
direcTor<br />
producTion info p. 43<br />
In the new country<br />
in the spring of 1945 a boat full of refugees l<strong>and</strong>ed in the harbour of malmö in southern sweden.<br />
more than 60 years later magnus Gertten set out to find some of the passengers, now spread<br />
around the world, for his documentary Harbour of Hope. TexT <strong>and</strong>ers dahlbom<br />
It all started off as a bet. Magnus Gertten’s<br />
father wanted his son’s next documentary<br />
to be about the war refugees who arrived<br />
by boat to Malmö in the spring of 1945. A contemporary<br />
newsreel shows the event <strong>and</strong><br />
some of the refugees themselves. Thinking<br />
that the Second World War had been done to<br />
death as a subject, his son held out against<br />
the idea. But finally he remarked, mostly as a<br />
joke: “OK, we’ll make the film if we can identify<br />
any of the people in the film.”<br />
Several years later, Harbour of Hope (Hoppets<br />
hamn, 2011) is a reality. The documentary<br />
paints an untypical portrait of the victims<br />
of the war. Gertten managed not only to identify<br />
some of the haggard faces that flicker<br />
past on the black <strong>and</strong> white archive footage,<br />
but also to track them down <strong>and</strong> let them<br />
speak of their memories of arriving in Sweden,<br />
the free country where their lives took a<br />
new <strong>and</strong> brighter turn.<br />
Teenager Joe had lost all his family in the<br />
war, but quickly found a friend in Stieg, a<br />
young boy from Malmö. Baby Ewa is carried<br />
ashore from the boat to spend her life wondering<br />
who her father was. And in South Africa<br />
Irene recalls how some 60 years previously<br />
her mother covered her eyes to protect<br />
her daughter from the horrors of the concentration<br />
camp. It’s a story full of fascinating<br />
life stories, tinged both with joy <strong>and</strong> sorrow.<br />
“As a documentary filmmaker, it’s moments<br />
like this that you live for, to get the