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Love and murder - Swedish Film Institute

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36<br />

HarBour oF Hope<br />

maGnus Gertten<br />

direcTor<br />

producTion info p. 43<br />

In the new country<br />

in the spring of 1945 a boat full of refugees l<strong>and</strong>ed in the harbour of malmö in southern sweden.<br />

more than 60 years later magnus Gertten set out to find some of the passengers, now spread<br />

around the world, for his documentary Harbour of Hope. TexT <strong>and</strong>ers dahlbom<br />

It all started off as a bet. Magnus Gertten’s<br />

father wanted his son’s next documentary<br />

to be about the war refugees who arrived<br />

by boat to Malmö in the spring of 1945. A contemporary<br />

newsreel shows the event <strong>and</strong><br />

some of the refugees themselves. Thinking<br />

that the Second World War had been done to<br />

death as a subject, his son held out against<br />

the idea. But finally he remarked, mostly as a<br />

joke: “OK, we’ll make the film if we can identify<br />

any of the people in the film.”<br />

Several years later, Harbour of Hope (Hoppets<br />

hamn, 2011) is a reality. The documentary<br />

paints an untypical portrait of the victims<br />

of the war. Gertten managed not only to identify<br />

some of the haggard faces that flicker<br />

past on the black <strong>and</strong> white archive footage,<br />

but also to track them down <strong>and</strong> let them<br />

speak of their memories of arriving in Sweden,<br />

the free country where their lives took a<br />

new <strong>and</strong> brighter turn.<br />

Teenager Joe had lost all his family in the<br />

war, but quickly found a friend in Stieg, a<br />

young boy from Malmö. Baby Ewa is carried<br />

ashore from the boat to spend her life wondering<br />

who her father was. And in South Africa<br />

Irene recalls how some 60 years previously<br />

her mother covered her eyes to protect<br />

her daughter from the horrors of the concentration<br />

camp. It’s a story full of fascinating<br />

life stories, tinged both with joy <strong>and</strong> sorrow.<br />

“As a documentary filmmaker, it’s moments<br />

like this that you live for, to get the

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