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Julia Straub (ed.) Paradoxes of Authenticity Studies on a Critical ...

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AUTHENTIC LIVES<br />

Posthumanist Panic Cinema: Defining a Genre<br />

Scott Loren | 159<br />

Violent Criminals and Noble Savages:<br />

The Filmic Representati<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> Football Hooliganism<br />

as a Quest for <str<strong>on</strong>g>Authenticity</str<strong>on</strong>g><br />

Uwe Mayer | 185<br />

Performative <str<strong>on</strong>g>Authenticity</str<strong>on</strong>g>: Identity C<strong>on</strong>structi<strong>on</strong>s am<strong>on</strong>g<br />

Asian Sec<strong>on</strong>d-Generati<strong>on</strong> Youths in Great Britain<br />

Sabine Nunius | 201<br />

AUTHENTICITY AND AUTHORSHIP<br />

“That is Real”: Oprah Winfrey and the<br />

‘James Frey C<strong>on</strong>troversy’<br />

Anna Iatsenko | 225<br />

Reclaiming “The Grandeur <str<strong>on</strong>g>of</str<strong>on</strong>g> Inspirati<strong>on</strong>”: <str<strong>on</strong>g>Authenticity</str<strong>on</strong>g>,<br />

Repetiti<strong>on</strong> and Parody in William Blake’s Milt<strong>on</strong><br />

Diane Piccitto | 243<br />

Coming Home: Bret East<strong>on</strong> Ellis’s Lunar Park, Authorship<br />

and Heidegger’s C<strong>on</strong>cept <str<strong>on</strong>g>of</str<strong>on</strong>g> <str<strong>on</strong>g>Authenticity</str<strong>on</strong>g><br />

<str<strong>on</strong>g>Julia</str<strong>on</strong>g> <str<strong>on</strong>g>Straub</str<strong>on</strong>g> | 263<br />

C<strong>on</strong>tributors | 281

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