Julia Straub (ed.) Paradoxes of Authenticity Studies on a Critical ...
Julia Straub (ed.) Paradoxes of Authenticity Studies on a Critical ...
Julia Straub (ed.) Paradoxes of Authenticity Studies on a Critical ...
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AUTHENTIC LIVES<br />
Posthumanist Panic Cinema: Defining a Genre<br />
Scott Loren | 159<br />
Violent Criminals and Noble Savages:<br />
The Filmic Representati<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> Football Hooliganism<br />
as a Quest for <str<strong>on</strong>g>Authenticity</str<strong>on</strong>g><br />
Uwe Mayer | 185<br />
Performative <str<strong>on</strong>g>Authenticity</str<strong>on</strong>g>: Identity C<strong>on</strong>structi<strong>on</strong>s am<strong>on</strong>g<br />
Asian Sec<strong>on</strong>d-Generati<strong>on</strong> Youths in Great Britain<br />
Sabine Nunius | 201<br />
AUTHENTICITY AND AUTHORSHIP<br />
“That is Real”: Oprah Winfrey and the<br />
‘James Frey C<strong>on</strong>troversy’<br />
Anna Iatsenko | 225<br />
Reclaiming “The Grandeur <str<strong>on</strong>g>of</str<strong>on</strong>g> Inspirati<strong>on</strong>”: <str<strong>on</strong>g>Authenticity</str<strong>on</strong>g>,<br />
Repetiti<strong>on</strong> and Parody in William Blake’s Milt<strong>on</strong><br />
Diane Piccitto | 243<br />
Coming Home: Bret East<strong>on</strong> Ellis’s Lunar Park, Authorship<br />
and Heidegger’s C<strong>on</strong>cept <str<strong>on</strong>g>of</str<strong>on</strong>g> <str<strong>on</strong>g>Authenticity</str<strong>on</strong>g><br />
<str<strong>on</strong>g>Julia</str<strong>on</strong>g> <str<strong>on</strong>g>Straub</str<strong>on</strong>g> | 263<br />
C<strong>on</strong>tributors | 281