FEB. 25 - MAR. 3, 2010 THEONTARION.CA6ARTS & CULTURE<strong>The</strong> <strong>Alleyway</strong> ProjectCS Galleries respondsto the lack of artspace downtown bycreating their ownZACK MACRAE“All these works are eventuallygoing to be stolen or destroyed,”said Miles Stemp, co-curator of arather experimental, rather cheeky<strong>project</strong> that will display (maybefor a very short time) the works often local artists in the downtownlocale.<strong>The</strong> <strong>Alleyway</strong> Project isthe latest CS Galleries efforthappening this Saturday, Feb. 27from 3-6pm. <strong>The</strong> <strong>project</strong> will takethe viewer out of the confinesof the white washed walls of atraditional gallery space and leavehim/her standing in an alleyway,map in hand, looking for worksthat may not be immediatelyapparent.With this <strong>project</strong>, CS Galleriesis extending its practice of mobileart space, promoting a newattitude toward the space that artis presented in.On Saturday, at 115 WoolwichSt, Stemp, along with co-curatorsAnthony Cooper and JamesGardner, will be handing outmaps that will guide viewers likea treasure map to ten uniqueoutdoor sites where work will bepresented.“I’ve always liked these old,forgotten, boarded up spaces …<strong>The</strong>se spaces were not beingused and we thought that theywere beautiful and forgotten,”said Stemp about the locationsof some of the exhibits. In trueD.I.Y. fashion, CS Galleries hasbeen prepping some of thesespaces by white washing the brickwalls of the alleyways to create adeconstructed version of a galleryspace.Sam Silversides, an artistsbeing featured in one of thesetemporary spaces, commented onthe implications of the <strong>project</strong>:“I see it as bringing updialogue between more formal ortraditional art and graffiti. It’s niceto kind of explode a traditionalreception place by taking formalthings outside on the wall whereyou might just normally see somenoodles’ graffiti tag.”Silversides has installed arather large text piece on the wallof a neglected courtyard nearthe Speed River walkway. Whenasked how he felt about theeventual destruction of his workGet a startearly.due to harsh outdoor elements,Silversides said, “It’s not reallytoo upsetting. I try not to be toosentimental about it. Because ofthe lack of space in the city, asan artist you kind of reach out towhat you can get.”With the outdoor galleryspaces, CS is commenting on theavailability of artist space in thecity. With the majority of studentgallery space in Guelph beingeither torn down or evacuated,CS pushes it one step further withthese guerilla galleries.By presenting work in theseotherwise overlooked areas of thecity, CS is redefining these spacesCourtesyand turning them into temporaryart space.Also, by showing workalongside graffiti, CS blurs thelines between art and vandalism,asking the viewer to define graffitiand to think about what makessomething graffiti and whatmakes another thing art.<strong>The</strong> maps will be handedout at 3pm in the CS Galleriesheadquarters where participantsare encouraged to mingle with theartists who will all be present totalk about and explore this uniqueshow.At Athabasca University, our transfer credits can help you expand your academic options. Just ask www.athabascau.ca/standout1-800-788-9041
THE ONTARION 161.6DIE ANTWOORD$O$If you came to the sameconclusion as last week’s SoundCheck review of Lil Wayne’sRebirth, you likely took to theinternet to fill the void. If so, it ishighly probable that you found DieAntwoord, whose YouTube videosmore than quadrupled in views overreading week and continue to growinto the millions.Little is actually known about thisstraight-faced, (arguably) sarcastic,group from South Africa; andwhat is known is mostly extractedfrom their viral videos: “Zef Side,”“Enter the Ninja” and “Take NoPrisoners (interview).” Regardlessif Die Antwoord is a more seriousversion of <strong>The</strong> Lonely Island or a“legit” group, they have a 16 trackalbum, a professionally producedmusic video for “Enter the Ninja,”and upcoming European and NorthAmerican tours. In addition, DieAntwoord (questionably) promotesprogeria awareness by featuring asurvivor of the rare genetic disordernamed Leon Botha in their videofor “Enter the Ninja.”Die Antwoord consists of Ninja(Watkin “Waddy” Jones), Yo-LandiVi$$er (who sports an Eminemin-the-front,party in the back typemullet) and DJ Hi-Tek (not to beconfused with DJ Hi-Tek from theCincinnati-Brooklyn duo, ReflectionEternal, with Talib Kweli). DJ Hi-Tek proudly makes “next level” beatson his PC computer, while Ninja andYo-Landi rap and sing. Ninja is theprimary rapper and alleged hubby toYo-Landi. Ninja is a man of many“self spoken” words, as displayed byhis many prison-style tattoos: “If youdon’t like funerals, don’t kick sandin a ninja’s face,” “How can a angel8reak [sic] my heart,” “pretty wise”and his “secret fairy forest” tattoo(which he unfortunately regrets).Ninja has been compared to satiristSasha Baron Cohen (Ali G) and forgood reason; if you believe that he isin fact acting. Like Cohen’s Borat/Brüno, Ninja has been criticized forportraying an unfair racist/violentstereotype of South African’s versionof “white trash.”<strong>The</strong>ir name, “Die Antwoord” isAfrikaans for “the answer,” but likein Douglas Adams’ novel, HitchHikers Guide to the Galaxy, thegroup still seems to be strugglingwith what exactly the question is.<strong>The</strong> group fuses Afrikaans/slangAfrikaans and English into their rapstyle, which has been coined by theband as “zef ” or “rap-rave.” <strong>The</strong>reis no literal translation of the word“zef,” but Ninja describes it as “<strong>The</strong>ultimate style … where we find ourfull flex … like in the video gameswhen you reach the next level.”On $O$, there is no onedominant sound, but Die Antwoordare generally at their best whenYo-Landi balances Ninja’s cruderaps with highly digital hooks (e.g.“Enter <strong>The</strong> Ninja”).Die Antwoord’s soon to bereleased, $O$ can be fully streamedat www.dieantwoord.com. But ifthat’s not enough zef rap for yourears, make sure to check out theirupcoming film, <strong>The</strong> Answer, whichthey say is like “…District 9, but justwith more rave and more rap.”Notable Tracks:“Enter <strong>The</strong> Ninja”, “Beat Boy”, “WatKyk Jy”Listeners may also enjoy:Major Lazer – Guns Don’t KillPeople… Lazers Do, Aqua –AquariumNext Sound Check:Girls - Album-Daniel WrightARTS & CULTURE7Featured artist:Ryan ParkEVERYTHING’S RIDICULOUSWHEN YOU THINK ABOUT ITRyan Park came over to my apartment this Sunday andwe had a little soup and a little conversation. He alsodressed up in my clothes and I photographed him inmy living room (pictured). This is part of an ongoing<strong>project</strong> that started while Park was living in Halifax thatresponded to the transient population there (much likeGuelph, there is always a ebbing flow of people movingin and out). Park wanted to create not just a portraitof this ever-changing population, but also a portrait ofhimself, and his relationships and interactions with thesepeople. With this work, entitled Medium, the decisionsare left up to the participants; which outfit Park will wearand where he stands. As he states, it is a way of playfullyacknowledging the influence between people, things, andself-definition as well as being a portrait of a particularcommunity, typology, and fashion file.<strong>The</strong> <strong>project</strong> originated from the fun of dressing up and alack of studio space. It is ever growing and changing andbecomes a litmus test for a community and a culture. AsPark ages and friends flow in and out, it becomes a verypoignant and beautiful, yet light hearted and humorouslook at a generation.Park describes his practice as idea based; he has a set ofrules which he adheres to in order to complete a task.Sometimes the idea comes before the task, sometimesthe task before the idea. Humour is an important aspectof Park’s work. Humour serves to alleviates the serioussubject matter that is underlying in his practice. Ifsomething is not funny, then it comes off as too selfimportant;one can still acknowledge the subject, but thehumour makes it less didactic.Relocation is a predominant theme in Park’s work.Whether it is moving studios, cities, or artwork, he hasan interest in responding to the transient nature of theworld, while coping with its dynamic character.Much like how Medium is about people moving around,Park’s fake rock piece (Untitled) is about transient artand the anxiety of making artwork and what will happento it. This piece emerged from the destruction of oldersculptures that were not working out. While he wasdestroying them, he realized the beauty of the rubble.As a way of recycling the work, he took the rubble andsanded the objects down to make them look like erodedriver rocks. <strong>The</strong>y are also very playful and funny objects.Yet their bright colours and outlandish mysticism, beliestheir true origin, riddled with the anxiety and stress thatcomes from making art and being an artist.-Miles StempTop and middle from Medium (series)Bottom Untitledall daycsa book fairVisit www.sundaycinema.ca for more info on these Central Student Association events7:00 pm 8:00 pm7:00 pm 9:30 pmdoorsPAPERBACKS99¢ - $6.99Books foreveryone:cookbooks,coffee tablebooks, healthbooks,how-tobooks, craft& gardeningbooks, kidsbooks & muchmuch more!Stock up for the holidays!courtyard saleThurs Feb 25 to Fri Feb 26uc courtyard | freeThurs 8 am to 11 pm | Fri 8 am to 5 pmdocurama Thurs Feb 25thornbrough 1200 | freeCo-presented with MacLaughlin LibraryAnother world is possible.sunday cinema Sun Feb 28war memorial hall$3 UoG stu | $5 generalFind your inner Wild Thing.docurama Wed Mar 4thornbrough 1307 | freeCo-presented with MacLaughlin LibraryBeware corporate America.live music Thurs Mar 11e-bar | 41 Quebec | $14 | $12 with food itemCo-presented with KYEO.A night-long set of incredible music.