01 02Kate DaviesKate Davies’s designs celebrate the colours and patterns of the scenery that surrounds her and her recentcollection was inspired by the history and landscape of the Shetland Islands.We met up with Kate in Edinburghto hear her thoughts on craft, inspiration, and why knitting a sweater is just like writing a poem.I suppose I’ve had a rather unconventional route into designing. I grew upin Lancashire and was taught to knit by my grandma and to sew by mymum. I think much of my aptitude for designing comes from thesewomen, who taught me to be resourceful and adaptable as well as to trustmy creative instincts. My grandma kitted out the whole family in herfavourite knitting patterns from Woman’s Weekly, and as a teenager, Ienjoyed spending Friday nights with my mum at local jumble sales, pickingup clothes which were later divided up and added to the mending pile formodification. I wasn’t so keen on stitching up my own school clothes, butI really enjoyed these jumble-sale customisations, which made me thinkabout how dressing oneself is always to some degree a creative act, andbegan a long-standing obsession with fashion and textiles.When I left home, I took a different professional route, and after threeUniversity degrees, became an academic, researching and teachingEighteenth Century History and Literature at the University of Sheffield,52
03 04and later the Universities of York and Newcastle. My work often took meto the U.S., w<strong>here</strong> I spent long periods working in some wonderfulresearch libraries. On one of these trips to Philadelphia, I becamefascinated by how textiles were central to the lives of a group ofeighteenth-century women writers whose letters I was reading. As well asexchanging poems and essays, these women spun, sewed, knitted, andswapped patterns for lace collars and embroidery. It was their enthusiasmfor textiles that inspired me to start knitting again. From the moment Itook up my needles I found it immensely enabling to create garments thatdidn’t exist in the world of mainstream fashion, and I particularly enjoyedthe way that knitting connected me to a place or to a moment, allowingme to bring an idea to life in a very material way.In this respect, as in many others, I find that designing is very similar towriting, an activity which I also enjoy. Essentially, you are giving free-reinto your creativity, but t<strong>here</strong> is a tremendous amount of hard work involvedas well. I feel that technical knowledge is just as important as artistry: in thesame way that its crucial to know about rhythm in order to write a goodpoem, I think its also desirable to have reasonable technical knowledge ofone’s craft in order to create a beautiful garment. For me, these things arehand in glove. I enjoy the nitty-gritty of figuring out a technicalconundrum, and the actual crafty process of making, just as much as anylightbulb moment of inspiration, and I think that the pleasure I find indesigning arises from this singular combination of creativity, process, anddiscipline.Designers are often asked the “w<strong>here</strong> do you find your inspiration”question, which I find a little odd. I think that if you are someone whoenjoys texture, pattern and colour, then the world is constantly alive withinspiration, whether you are on the streets of Kyoto or out in the ScottishHighlands. Because I live in Scotland, and because I love to be outdoors,the colours of this landscape and the textile traditions that have shaped itare endlessly inspiring to me. But inspiration is everyw<strong>here</strong>, and I thinkthat a hat or a sweater can be an opportunity to celebrate many beautifulthings that are often overlooked, from pavements to vegetables. I also thinkthat, while its important to take yourself seriously, its also crucial to retaina sense of humour. That way you are able to recognise when an idea isprobably a bad one, such as the time I attempted to knit a sweater inspiredby the curious texture of a rhino’s behind.katedaviesdesigns.com01. Kate.02. Blaithin Cardigan.03. Funchal Moebius - inspired by the mosiac pavements of Madeira.04. Nepal Wrap from the FOLK collection.53