02.12.2012 Views

foucault-the_order_of_things1

foucault-the_order_of_things1

foucault-the_order_of_things1

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

speaking 123<br />

to <strong>the</strong>ir successors from generation to generation; and it is how allegorical<br />

discourse (so frequent in <strong>the</strong> most ancient literatures) comes into<br />

being, as well as <strong>the</strong> illusion that knowledge consists in understanding<br />

resemblances.<br />

But <strong>the</strong> history <strong>of</strong> a language endowed with a figurative writing soon<br />

comes to a halt. For it is hardly possible to achieve much progress in<br />

such a language. Its signs do not multiply with <strong>the</strong> meticulous analysis<br />

<strong>of</strong> representations but with <strong>the</strong> most distant analogies; so that it is <strong>the</strong><br />

imagination <strong>of</strong> <strong>the</strong> peoples using <strong>the</strong>m that is encouraged ra<strong>the</strong>r than<br />

<strong>the</strong>ir powers <strong>of</strong> reflection, <strong>the</strong>ir credulity ra<strong>the</strong>r than science. Moreover,<br />

knowledge necessitates two kinds <strong>of</strong> apprenticeship: first in words (as<br />

with all languages), <strong>the</strong>n with written signs that have no bearing upon<br />

<strong>the</strong> pronunciation <strong>of</strong> <strong>the</strong> words; a human life-span is not too long for<br />

this double education; and if one has had, in addition, <strong>the</strong> leisure to<br />

make some discovery, one has no signs at one’s disposal to hand it on.<br />

Inversely, since it bears no intrinsic relation to <strong>the</strong> word it represents, a<br />

transmitted sign always remains dubious: from one age to <strong>the</strong> next one<br />

can never be sure that <strong>the</strong> same sound resides in <strong>the</strong> same figure.<br />

Innovations are <strong>the</strong>refore impossible, and traditions compromised.<br />

With <strong>the</strong> result that <strong>the</strong> only concern <strong>of</strong> <strong>the</strong> learned is to maintain ‘a<br />

superstitious respect’ for <strong>the</strong> learning handed down by <strong>the</strong>ir ancestors<br />

and for <strong>the</strong> institutions preserving that heritage: ‘<strong>the</strong>y feel that any<br />

change in manners will bring change in <strong>the</strong> language, and that any<br />

change in <strong>the</strong> language will confound and annul all <strong>the</strong>ir knowledge’.<br />

87 When a people possesses nothing but a figurative form <strong>of</strong><br />

writing, its politics must exclude history, or at least all history o<strong>the</strong>r<br />

than pure and simple conservation. It is here, according to Volney, 88<br />

in this relation <strong>of</strong> space to language, that <strong>the</strong> essential difference<br />

between East and West is situated. As though <strong>the</strong> spatial arrangement <strong>of</strong><br />

<strong>the</strong> language prescribed <strong>the</strong> law <strong>of</strong> time; as though <strong>the</strong>ir particular<br />

language did not come to men via history, but that, inversely, <strong>the</strong>ir<br />

only means <strong>of</strong> access to history was via <strong>the</strong>ir system <strong>of</strong> signs. It is in this<br />

nexus <strong>of</strong> representation, words, and space (<strong>the</strong> words representing <strong>the</strong><br />

space <strong>of</strong> <strong>the</strong> representation, and in turn representing <strong>the</strong>mselves in<br />

time) that <strong>the</strong> destiny <strong>of</strong> peoples is silently formed.<br />

With alphabetic writing, in fact, <strong>the</strong> history <strong>of</strong> men is entirely<br />

changed. They transcribe in space, not <strong>the</strong>ir ideas but sounds, and from

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!