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Religion and Identity in James Joyce's A Portrait of the Artist as a ...

Religion and Identity in James Joyce's A Portrait of the Artist as a ...

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<strong>Religion</strong> <strong>and</strong> <strong>Identity</strong> <strong>in</strong> <strong>James</strong> Joyce’s A <strong>Portrait</strong> <strong>of</strong> <strong>the</strong> <strong>Artist</strong> <strong>as</strong> a Young Man 57scepticism about <strong>the</strong> religious life, until he is accused <strong>of</strong> writ<strong>in</strong>g a heretical essay(59).Dur<strong>in</strong>g a trip to Cork, Stephen is mortified by his perception <strong>of</strong> his fa<strong>the</strong>r’sweaknesses <strong>and</strong> sickened by <strong>the</strong> urg<strong>in</strong>gs <strong>of</strong> his own flesh. He feels that he h<strong>as</strong> “puthimself beyond <strong>the</strong> limits <strong>of</strong> reality” (70). He repeats his name over <strong>and</strong> over aga<strong>in</strong>,<strong>as</strong> if <strong>in</strong> a desperate attempt to keep hold <strong>of</strong> <strong>the</strong> identity which now eludes him, hisidentity <strong>as</strong> an <strong>in</strong>nocent child: “He had been lost or had w<strong>and</strong>ered out <strong>of</strong> existencefor he no longer existed” (70).Academic success becomes a means to construct a new identity. Prize moneyprovides a means to alleviate his family’s poverty, to transcend <strong>the</strong> sordid reality <strong>of</strong>his <strong>in</strong>ner <strong>and</strong> outer existence “by rules <strong>of</strong> conduct <strong>and</strong> active <strong>in</strong>terests <strong>and</strong> new filialrelations” (74). However, <strong>the</strong> prize money is soon spent <strong>and</strong> Stephen perceives <strong>the</strong>futility <strong>of</strong> his efforts. Aga<strong>in</strong> a brief moment <strong>of</strong> triumph h<strong>as</strong> been succeeded by a fall.Stephen rema<strong>in</strong>s isolated from his family by his <strong>in</strong>ner turmoil. Physical desirealienates Stephen from <strong>the</strong> life around him <strong>and</strong> from <strong>the</strong> rules <strong>of</strong> <strong>the</strong> religion whichhad helped shape his earlier identity.Stephen, who had once conceived <strong>of</strong> love <strong>in</strong> spiritual terms <strong>as</strong> a “holyencounter” <strong>in</strong> which he would lose his weakness, timidity <strong>and</strong> <strong>in</strong>experience (75), nowseeks transcendence through s<strong>in</strong>. In <strong>the</strong> arms <strong>of</strong> a prostitute, Stephen is recreated<strong>as</strong> “strong <strong>and</strong> fearless <strong>and</strong> sure <strong>of</strong> himself” (77). Once aga<strong>in</strong>, however, <strong>the</strong> moment<strong>of</strong> epiphany, <strong>of</strong> transcendent awareness, is succeeded by cold reality. Brief moments<strong>of</strong> ardour with prostitutes are succeeded only by a cont<strong>in</strong>ued awareness <strong>of</strong> <strong>the</strong>squalor <strong>of</strong> his existence <strong>and</strong> “a cold <strong>in</strong>different knowledge <strong>of</strong> himself” (78-79).Conscious that his every s<strong>in</strong> multiplies his guilt <strong>and</strong> that he faces eternal damnation,Stephen is unable to repent. However, he reta<strong>in</strong>s <strong>the</strong> shell <strong>of</strong> his former identity,cont<strong>in</strong>u<strong>in</strong>g <strong>in</strong> his prefecture <strong>of</strong> <strong>the</strong> sodality <strong>of</strong> <strong>the</strong> Blessed Virg<strong>in</strong> Mary at college.

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