2371 Paintings - Skinner

607 608607.Robert Henry Logan (American, 1874-1942)Still Life with Urn and VaseSigned “R.Logan” l.r., artist’s estate stamp on the reverse.Oil on canvas, 18 x 15 in. (45.7 x 38.1 cm), unframed.Condition: Good.$300-500608.Robert Henry Logan (American, 1874-1942)Lot of Two Beach ScenesSigned “Logan” l.r., both with artist’s estate stamp on the reverse,one with label affixed to the reverse.Oil on board, 7 x 9 in. (17.8 x 22.9 cm), framed.Condition: Minor surface grime.$700-900609.Robert Henry Logan (American, 1874-1942)Portrait of a Woman in WhiteUnsigned.Oil on canvas, 24 x 20 in. (61.0 x 50.8 cm), framed.Condition: Minor retouch, surface grime.$300-500609241

610610.Robert Henry Logan (American, 1874-1942)LandscapeUnsigned.Oil on canvas, 21 1/2 x 25 1/2 in. (54.6 x 64.8 cm), unframed.Condition: Surface grime.$300-500 611.Robert Henry Logan (American, 1874-1942)611Two Algerian WomenSigned “R.Logan” l.r., artist’s estate stamp on the reverse and onthe stretcher.Oil on canvas, 18 x 15 1/4 in. (45.7 x 38.7 cm), unframed.Condition: Abrasion l.c., mild surface grime.$300-500612.Robert Henry Logan (American, 1874-1942)Four Works on Paper: Quiet Street; Solomon Stained Glass;Ghost Scaring Children in Bed; and Woman in MedievalCostumeStreet signed “R. Logan” l.r., graphite and charcoal on paper,sight size 17 1/4 x 23 in. (43.8 x 58.4 cm); Solomon stamped “R.Logan” l.r., watercolor and pencil on paper, sight size 8 1/4 x 21/4 in. (21.0 x 5.5 cm); Ghost signed “R.H. Logan” l.l., ink andpencil on paper, sight size 5 x 7 in. (12.7 x 17.8 cm); Womansigned “R.H. Logan” l.c., identified by a label from the NewBritain Museum, New Britain, Connecticut, affixed to the reverse,pen and ink on paper, sight size 10 x 6 1/4 in. (25.4 x 15.9 cm);all framed.Condition: Street with subtle toning, rippling, not examined outof frames.$400-800612242

613615613.Robert Henry Logan (American, 1874-1942)Ponds and GreenerySigned “R.Logan” l.r., artist’s estate stamp on the reverse,identified on a label from Roger King Gallery of Fine Art,Newport, affixed to the reverse.Oil on panel, 7 x 9 in. (17.8 x 22.9 cm), framed.Condition: Minor scattered craquelure, surface grime.$300-500614.Robert Henry Logan (American, 1874-1942)Algerian StreetSigned “R. Logan” l.r.Oil on canvas, 18 1/4 x 15 in. (46.4 x 38.1 cm), unframed.Condition: Mild surface grime.$300-500615.Robert Henry Logan (American, 1874-1942)Barbizon TreesUnsigned, identified on a label from Roger King Gallery of FineArt, Newport, affixed to the reverse.Oil on board, 15 1/4 x 18 1/2 in. (38.7 x 47.0 cm), framed.Condition: Good.$700-900616.Robert Henry Logan (American, 1874-1942)Two Landscapes: Road to Hillside and Panoramic View ofBluffsHillside signed “R. Logan” l.r., artist’s estate stamp on the reverseand on the stretcher, Panorama unsigned.Oil on canvas, 15 x 18 in. (38.1 x 45.7 cm), unframed.Condition: Hillside with minor retouch and craquelure.$600-1,000614616243

617617.Walter Parson Shaw Griffin (Franco/American, 1861-1935)Trees on the RiverbankSigned “GRIFFIN” l.r.Pastel and wash on paper, sight size 8 1/4 x 10 3/4 in. (21.0 x27.3 cm), framed.Condition: Toning, mat burn, not examined out of frame.$300-500619.Henry George Keller (American, 1869-1949)The Matterhorn, TyrolSigned “HG Keller” l.r., identified on a label from WilliamMacbeth, Inc., New York, affixed to the reverse.Watercolor on paper/board, sight size 19 1/2 x 13 1/4 in. (49.5x 33.7 cm), framed.Condition: Toning, not examined out of frame.$800-1,200618.Hezekaiah Anthony Dyer (American, 1872-1943)Lake ComoSigned and inscribed “H.A. Dyer...Como” l.l.Gouache on paper/board, sight size 8 1/4 x 10 3/4 in. (21.0 x27.3 cm), framed.Condition: Toning, not examined out of frame.$300-500618619244

620.Conrad Selmyhr (Norwegian, 1877-1944)Mountain LakeSigned “Conrad Selmyhr” l.r.Oil on canvas, 12 1/4 x 18 1/4 in. (31.1 x 46.4 cm), framed.Condition: Patch reinforcement, craquelure.$300-500620621.Bernard Lamotte (Franco/American, 1903-1983)Along the SeineDedicated and signed “...Bernard Lamotte” l.r.Oil on canvas, 23 3/4 x 32 in. (60.3 x 81.3 cm), framed.Condition: Craquelure.$1,000-1,500621622.Attributed to Ilio Giannaccini (Italian, 1897-1968)A Walk at the City’s EdgeSigned “...Giannaccini Jr.” l.r.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.Condition: Lined, crease, surface grime.$600-800622245

623.Jules René Hervé (French, 1887-1981)ProcessionSigned “Jules R. Hervé” l.r. and on the reverse.Oil on canvas, 8 3/4 x 10 3/4 in. (22.2 x 27.3 cm), framed.Condition: Unobtrusive surface grime.$3,000-5,000624.Henry Miller (American, 1891-1980)623Parisian StreetSigned “Henry Miller” l.l.Ink and watercolor on paper/board, sight size 14 x 19 1/2 in.(35.6 x 49.5 cm), framed.Condition: Toning, not examined out of frame.$300-500625.Gabriel Spat (Franco/American, 1890-1967)Bois de Boulogne, ParisSigned and titled “Gabriel Spat...” l.l., identified on a label fromHarry F. Marks Galleries and Bookshop, New York, affixed to thereverse.Oil on canvas, 24 1/4 x 28 in. (61.6 x 71.1 cm), framed.Condition: Mild surface grime.$5,500-7,500624625246

626.André Gisson (American, 1921-2003)Parisian Street After the RainfallSigned “A. Gisson” l.r.Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed.Condition: Retouch, mild craquelure.$3,000-5,000626627.Antoine Blanchard (French, 1910-1988)Winter in ParisSigned “Antoine Blanchard” l.r.Oil on canvas, 23 1/4 x 35 1/2 in. (59.1 x 90.2 cm), framed.Condition: Good.$2,000-3,000627628.William Samuel Horton (American, 1865-1936)Twilight in WinterUnsigned, identified on a presentation plaque.Pastel on paper, sight size 17 1/2 x 23 1/2 in. (44.5 x 59.7 cm),framed.Condition: Subtle toning and rippling, not examined out offrame.$2,000-4,000628247

629629.John Joseph Enneking (American, 1841-1916)Boston Common, alternatively titled A View of Boston CommonLooking Down Charles St. from ‘Little Bldg.’ StudioUnsigned, identified on exhibition labels (see below) affixed tothe reverse.Oil on canvas, 12 3/4 x 15 1/2 in. (32.4 x 39.4 cm), framed.Condition: Retouch.Provenance: A private New England collection.Exhibitions: Painted Air: American Impressionism, OgunquitMuseum of American Art, August 14–October 15, 2000; John J.Enneking: A New England Impressionist, Cahoon Museum ofAmerican Art, June 24–August 30, 2003.$5,000-7,000630.Hendricks A. Hallett (American, 1847-1921)Winter EveningSigned “Hendricks A. Hallett” l.r., identified on two periodlabels, one from a Salmagundi Club Watercolor Exhibition,affixed to the reverse.Watercolor on paper, sight size 11 1/2 x 19 1/4 in. (29.2 x 48.9cm), framed.Condition: Toning, not examined out of frame.N.B. A mixed media view of Washington’s Headquarters atNewbury, New York, as well as Nettie J. Hallett’s autographbook, and administration notes from the estate of Hendricks A.Hallett accompany the lot.$800-1,200630248

631631.Arthur Clifton Goodwin (American, 1864-1929)Arlington Street Church in WinterSigned “A.C. Goodwin 1913” l.l., a pastel sketch on the reverse.Pastel on paper, sight size 28 x 23 1/2 in. (45.7 x 58.4 cm),framed.Condition: Toning, not examined out of frame.$8,000-12,000249

632632.Alex Tschernjawski (Yugoslavian/American, b. 1933)Lot of Two Views: Cityscape, Boston and BustlingStreet/ASNATBoston signed “A. Tschernjawski” l.r., oil on Masonite, 19 3/4 x32 in. (50.2 x 81.2 cm); Street signed and dated “A.Tschernjawski ‘93” l.l, titled on the reverse, oil on canvas, 12 x 16in. (30.5 x 40.6 cm), both framed.Condition: Street with patch reinforcement l.l., retouch, varnishinconsistencies, scattered craquelure with separation.Provenance: A private New England collection.$600-900634.Mario Rendina (American, 20th Century)Lot of Two City Views: Ruggles St., Boston and Quiet Street inBostonRuggles signed, titled and dated “Mario Rendina...’41” l.r., oil oncanvas; Quiet Street inscribed, dated and signed “Boston ‘45,Mario Rendina” l.r., artist inscribed on the stretcher, oil withpencil on canvas; both 24 x 20 in. (61.0 x 50.8 cm), framed.Condition: Extremely fine scattered craquelure, mild varnishinconsistencies and surface grime.$800-1,200633.Attributed to Caroline Speare Rohland (American, 1885-1965)Lot of Two Works on Paper: Performance in the Park andDay at the BeachUnsigned.Pastel and charcoal on paper, sizes to 18 1/4 x 25 in. (46.4 x63.5 cm), unframed.Condition: Toning, creases, tears/loses to edges, pinholepunctures.$300-500633634250

636635.Courtney Allen (American, 1896-1969)635The Frog Pond, Boston GardenSigned “COURTNEY ALLEN” l.r., identified on labels (seebelow) affixed to the reverse.Oil on board, 30 x 20 in. (76.2 x 50.8 cm), framed.Condition: Good.Provenance: A private New England collection.Exhibitions: Realism in 20th Century American Painting,Ogunquit Museum of American Art, August 18th–September30th, 1997.$1,500-3,000636.Karl Ernst Metzler (American, b. 1909)Quiet ConversationSigned “Metzler” l.r.Oil on Masonite, 11 1/2 x 15 in. (29.2 x 38.1 cm), framed.Condition: Retouch, scattered craquelure with alligatoring.Provenance: A private New England collection.$800-1,200637.Sarah Berman (American, 1895-1957)At the CafeSigned “Sarah Berman” l.r.Ink and wash with watercolor on paper/board, sight size 7 1/2 x6 3/4 in. (19.1 x 17.2 cm), framed.Condition: Toning, staining, possible foxing, not examined outof frame.$300-500637251

638638.Attributed to Ralston Carlton Thompson (American, 1904-1975)View of the Train Crossing the RiverSigned “R.C. Thomson [sic]” l.r.Oil on canvas, 23 x 27 1/2 in. (58.4 x 69.8 cm), framed.Condition: Strip-lined, mild surface grime.$400-600639.Elliot Orr (American, 1904-1997)City SceneSigned and dated “Elliot ORR 34” l.l.Oil on paper/board mounted onto Masonite, 6 1/2 x 11 3/4 in.(16.5 x 29.8 cm), framed.Condition: Retouch to scattered losses.640640.Ben Benn (American, 1884-1983)The Street, New York CitySigned and dated “Benn 48” l.l., identified in an inscription,probably in the artist’s hand, on the reverse, and on a label fromAcme Fine Art, Boston, affixed to the backing.Oil on canvas, 24 x 20 in. (61.0 x 50.8 cm), framed.Condition: Minor scattered retouch.$3,000-5,000Provenance: A private New England collection.$600-800639252

641 642641.Bella de Tirefort (American, 20th Century)Washington SquareSigned “DETirefort” l.l.Oil on canvasboard, 16 x 20 in. (40.6 x 50.8 cm), framed.Condition: Minor scattered retouch.$600-800642.Ethel Margolies (American, 20th Century)Paper MillSigned and dated “Ethel Margolies ‘57” l.r., titled on thestretcher.Oil on canvas, 20 x 16 in. (50.8 x 40.6 cm), framed.Condition: Retouch, varnish inconsistencies, craquelure.$400-600643.Helen Spang Pearce (American, 1895-1994)New York City - Tooking N.W., from Earle Hotel, GreenwichVillageSigned and dated “Pearce 1981” l.l., identified in an inscriptionon the reverse.Oil on canvasboard, 24 x 18 in. (61.0 x 45.7 cm), framed.Condition: Good.$1,500-2,000643253

644644.Jules René Hervé (French, 1887-1981)An Afternoon VisitorSigned “Jules R. Hervé” l.r.Oil on board, 8 1/2 x 10 3/4 in. (21.6 x 27.3 cm), framed.Condition: Minor retouch, mild surface grime.$1,800-2,200645.Marcel Arnaud (French, 1877-1956)646.Edmond-François Aman-Jean (French, 1860-1935)Head of a Woman, c. 1895Signed “Aman Jean” l.l., identified on a label from The Museumof Modern Art, New York, affixed to the reverse.Pastel on canvas, 23 3/4 x 19 1/2 in. (60.3 x 49.5 cm), framed.Condition: Not examined out of frame.Provenance: The sale of this work will benefit a university artmuseum.$700-900Still Life of FruitSigned “Marcel Arnaud” u.r.Oil on canvas, 15 3/4 x 20 1/4 in. (40.0 x 51.4 cm), framed.Condition: Light rubs to surface.$6,000-8,000645646254

647647.Alexandre Iacovleff (Russian/American, 1887-1938)Femme NueSigned with cipher l.r., identified on labels from Robert C. Vose,Boston, and Maxwell Galleries, San Francisco, affixed to thereverse.Gouache on paper, sight size 21 1/2 x 14 1/2 in. (54.6 x 36.8cm), framed.Condition: Subtle toning, not examined out of frame.Provenance: Given to The Art Institute of Boston, possibly bythe artist, then through auction, circa 1970, to the present owner.$10,000-15,000255

649648648.Eliza Draper Gardiner (American, 1871-1955)Girl in the GardenSigned “Eliza D. Gardiner” l.l.Watercolor with pencil, sight size 24 1/2 x 17 1/2 in. (62.2 x44.5 cm), framed.Condition: Toning, staining and/or foxing, fading, not examinedout of frame.$2,000-2,500649.American School, 19th/20th CenturyWoman in WhiteUnsigned.Oil on canvas, 17 x 10 in. (43.2 x 25.4 cm), unframed.Condition: Lined, retouch, extremely mild scattered craquelure,mild surface grime.$300-500650.American School, 19th/20th CenturyPortrait of a ChildUnsigned.Oil on panel, oval format, 12 x 9 in. (30.5 x 22.9 cm), framed.Condition: Good.$300-500650256

651651.Jessie Willcox Smith (American, 1863-1935)A Young Boy Sitting on a Garden WallSigned “Jessie Wilcox Smith” l.l., identified on a label affixed to the reverse, a labelfrom the Madison Gallery, Atlanta, affixed to the backing.Oil on canvas, 40 x 28 in. (101.6 x 71.1 cm), framed.Condition: Lined, retouch.N.B. Jessie Willcox Smith was one of the finest illustrators of America’s “GoldenAge of Illustration.” Smith first attended the School of Design for Women inPhiladelphia, and a year later, in 1885, she enrolled at the Pennsylvania Academy ofthe Fine Arts, where she studied with Thomas Eakins. Smith also studied withHoward Pyle at his school for illustration at the Drexel Institute. Smith’s careerfocused on illustrating scenes from childhood, and she was known for her ability toexpress the joy and innocence of that time. Her portraits, which successfully capturethe moods and body language of her young sitters, were commissioned as her fameas an illustrator grew.$22,000-28,000257

653652.Alfred Di Cesare (American, 1910-1993)652JeanieMonogram signature and dated “ADiCesare, -39-” u.r., inscribedon the reverse, identified on a label from the Vose Galleries ofBoston affixed to the backing.Oil on canvas, 24 x 18 in. (61.0 x 45.7 cm), framed.Condition: Retouch, varnish inconsistencies.$4,000-6,000653.Continental School, 20th CenturyStill Life with FlowersSigned “P. L. SZELEST” l.r.Oil on canvas, 32 x 25 1/2 in. (81.3 x 64.8 cm), framed.Condition: Abrasions, craquelure.$500-700654.Harry Willson Watrous (American, 1857-1940)Tro ‘im down, McClosky/Portrait of a WomanDedicated, signed and dated “To Mrs Carroll Beckwith. From...sincerely, Henry W Watrous/96” at the lower edge, titled u.l.Oil on board, 14 x 7 1/2 in. (35.6 x 19.1 cm), framed.Condition: Varnish inconsistencies.$700-900654258

655655.Abbott Fuller Graves (American, 1859-1936)On the DeckSigned “Abbott Graves” l.l.Oil on canvas, 24 x 20 in. (61.0 x 50.8 cm), framed.Condition: Retouch, fine scattered craquelure, surface grime.N.B. Boston School painter Abbott Fuller Graves was born inWeymouth, Massachusetts, and began his schooling at theMassachusetts Institute of Technology. In 1884 he traveled toParis and Italy, where he studied Impressionism with fellowBoston artist Edmund Tarbell. Graves returned to Boston toteach art with Childe Hassam at the Cowles Art School, howeverhe continued to travel back and forth to Paris, where he studiedat the Academie Julian. He is best known for his figuralcompositions set in bright and sunny landscapes. His works fusethe realism of his Boston School roots and the Impressionist stylethat he studied in his time abroad.$30,000-50,000259

656.Wilbur Dean Hamilton (American, 1864-1934)Seated Woman, in ProfileSigned and dated “Wilbur D Hamilton 1904” l.r.Oil on canvas, 36 1/2 x 29 in. (92.7 x 73.6 cm), framed.Condition: Lined, retouch, varnish inconsistencies,scattered craquelure.$6,000-8,000656657.Robert (Cozad) Henri (American, 1865-1929)Portrait of a Woman, Possibly Mrs. John C. NagelSigned “Robert Henri” l.l., inscribed on the reverse.Oil on canvas, 24 x 20 in. (61.0 x 50.8 cm), unstretched,in a Newcomb Macklin frame (under glass).Condition: Pinhole punctures at edges, small scatteredlosses, retouch, varnish inconsistencies, craquelure withseparating and alligatoring, light creases.$8,000-12,000657260