Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Overnight (2010) and the UK premiere of<br />
On Our Own (2012). Joined by Sarah Perks,<br />
Programme Director, Cornerhouse.<br />
Tuesday 9 October, 7pm<br />
Time Topographies: <strong>Liverpool</strong>, 2012<br />
(UK Premiere)<br />
120 mins / Cert: PG / + Q&A / Booking essential<br />
Mexican artist Amanda Gutierrez portrays<br />
the story of three immigrants of different<br />
nationality, age and gender living and<br />
working in <strong>Liverpool</strong> juxtaposed against<br />
images compiled mainly from the<br />
landscapes of the city. Supported by the<br />
European Media Art Residency Exchange<br />
Wednesday 10 October<br />
The Three Disappearances<br />
of Soad Hosni, 2011<br />
Directed by Rania Stephan / 75 mins / Cert: PG /<br />
£4/3 (Members & concs.)<br />
This haunting and beautifully formed<br />
documentary is a meditation on the life<br />
of Egyptian screen legend Soad Hosni,<br />
who starred in eighty-two feature films<br />
between 1959 and 1991.<br />
Wednesday 10 October, 8.15pm<br />
The Nine Muses, 2010<br />
Directed by John Akomfrah / 90 mins / Cert: PG /<br />
£4/3 (Members & concs.)<br />
Director John Akomfrah, perhaps best<br />
known for his work with the Black Audio<br />
Film Collective and groundbreaking<br />
Handsworth Songs, delivers a beguiling<br />
personal exploration of the UK’s<br />
immigrant experience from 1949 – 70.<br />
Wednesday 17 October<br />
Marina Abramovic:<br />
The Artist is Present, 2012<br />
Directed by Matthew Ackers / £5/4 (Members & concs.)<br />
‘But why is this art?’, is a question that<br />
performance artist Marina Abramovic has<br />
been hearing over and over for the past<br />
40 years as she uses her body to push<br />
boundaries of performance. Director<br />
Matthew Akers (LOCKDOWN, USA) profiles<br />
Abramovic as she prepares for her show<br />
The Artist is Present.<br />
Wednesday 24 October<br />
Preview: The Wildness, 2012<br />
Directed by Wu Tsang / 75 mins / Cert: 15 / + Q&A<br />
with artist and filmmaker Wu Tsang and Omar Kholeif /<br />
£5/4 (Members & concs.)<br />
The Wildness is a portrait of the Silver<br />
Platter, a historic, LGBT-friendly bar on the<br />
eastside of Los Angeles that has catered to<br />
the Latin immigrant community since 1963.<br />
The UK Premiere of The Wildness will be<br />
launched with a major screening and event<br />
in the Tanks at Tate Modern, London on<br />
Saturday 2 February 2013.<br />
Wednesday 31 October, 7pm<br />
Deep State, 2012<br />
Directed by Karen Mirza and Brad Butler /<br />
45 mins / Cert: 12A / + Q&A with the filmmakers<br />
will be chaired by Omar Kholeif / £4/3 (Members & concs.)<br />
Directed by Karen Mirza and Brad Butler<br />
Deep State is a new science fiction film<br />
that has been scripted in collaboration with<br />
author China Miéville. Deep State is commissioned<br />
by Film and Video Umbrella. Funded by Arts Council<br />
England and London Councils<br />
Wednesday 7 November<br />
The Creator, 2012<br />
Directed by Al & Al / 45 mins / + Q&A with AI & AI and<br />
producer/curator Bren O’Callaghan / Cert: 12A / The Box<br />
£4/3 (Members & concs.)<br />
The Creator explores the legendary myth<br />
of the father and maker of AI (Artificial<br />
Intelligence) machines, Alan Turing.<br />
Combining Lynchian nightmare with<br />
the prophetic themes of J.G. Ballard,<br />
The Creator takes you into the surreal<br />
dream world of the visionary scientist.<br />
Contains scenes of a sexual nature<br />
and optical effects. Commissioned and produced<br />
by Cornerhouse and Creative England (previously<br />
as Vision + Media). This screening forms part of<br />
Homotopia and Abandon Normal Devices.<br />
Wednesday 14 November<br />
Preview: I Remember and Teenage, 2012<br />
Directed By Matt Wolf / 140mins / + Q&A with<br />
artist and filmmaker Matt Wolf and Omar Kholeif /<br />
£4/3 (Members & concs.)<br />
The director of the Arthur Russell<br />
documentary Wild Combination, Matt<br />
Wolf returns to FACT to present previews<br />
of two new films never previously seen<br />
in the UK. I Remember (2012) is a 24-minute<br />
film inspired by Joe Brainard’s legendary<br />
memoir poem of the same name, followed<br />
by a preview of the much-anticipated<br />
film Teenage. This film also forms part of the<br />
programme for Homotopia Queer Arts Festival.<br />
Wednesday 21 November<br />
Two Years at Sea, 2011<br />
Directed by Ben Rivers / 88 mins /<br />
£4/3 (Members & concs.)<br />
A man called Jake lives alone in a<br />
ramshackle house in the middle of the<br />
forest. He goes for walks and takes naps<br />
in the misty fields and woods. Winner of<br />
a FIPRESCI Prize at the 2011 Venice Film<br />
Festival, Ben Rivers’ debut feature-length<br />
work, shot on 16mm film, extends his<br />
relationship with Jake, first encountered<br />
in his short This is My Land.<br />
Thursday 22 November, 6.30pm<br />
Open Eye Gallery<br />
Mark Morrisroe Super-8 Film Screening<br />
£5 / £4 concs.<br />
This special screening presents Mark<br />
Morrisroe’s rarely seen Super-8 films.<br />
The Laziest Girl in Town (1981), Hello from<br />
Bertha (1983) and Nymph-O-Maniac (1984)<br />
are underground home movies filled with<br />
thrift-store costumes, cheapo gore, trashy<br />
dialogue and gratuitous nudity, starring<br />
Morrisroe and his friends as performers.<br />
26 27<br />
Talks<br />
Friday 14 September, 10am – 4pm<br />
Tate <strong>Liverpool</strong><br />
Art, Criticism and the Forces of<br />
Globalisation: The Artist as Critic /<br />
The Critic as Artist<br />
Organised jointly by Winchester School<br />
of Art, Tate <strong>Liverpool</strong> and the Archives<br />
of Art Criticism at the University of<br />
Rennes, this conference investigates the<br />
historical and contemporary relations of<br />
art production and critical writing in the<br />
era of globalisation.<br />
Saturday 15 September, 12 – 1pm<br />
World Museum<br />
James Corner, Director of Field Operations<br />
walks through their exhibition on<br />
Everton Park with Laurie Peake,<br />
Programme Director, <strong>Liverpool</strong> <strong>Biennial</strong>.<br />
Saturday 15 September, 12pm<br />
Open Eye Gallery<br />
Sinta Tantra in Conversation<br />
Artist Sinta Tantra discusses her new<br />
commission Together Yet Forever Apart<br />
with Open Eye Curator Karen Newman.<br />
Saturday 15 September, 1 – 5pm<br />
the Bluecoat<br />
Artists in Conversation<br />
Participating artists in <strong>Liverpool</strong> <strong>Biennial</strong><br />
take part in a series of conversations<br />
talking to curators, writers and critics<br />
about their projects. Moderated by<br />
Kate Fowle, Director, Independent<br />
Curators International.<br />
Monday 17 September, 11am – 1.30pm<br />
FACT<br />
All Are Guests – Hong Kong<br />
Pamela Kember and Ying Kwok in<br />
conversation with City States artists<br />
Leung Mee-ping, Chow Chun-fai and<br />
CoLAB × SLOW.