CONTEMPORARY UP-MARKET COMMERCIAL TRENDSLedig, Agnès: MARIE D'EN HAUT(Albin Michel, June 2012, 362 pages)Ø A love story interwoven with social issues.Ø An invigorating novel filled with both laughter and tears.Ø FEMME ACTUELLE magazine’s Reader’s Prize Grand Prix.Agnès Ledig’s first novel – a madcap romantic comedy featuring characters who have been hard hit bylife -- paints a novel portrait of contemporary society over a background of life on a farmOlivier, a grouchy cop, is new in town. When an investigation leads him to an isolated farm in themiddle of nowhere, the last thing he expects is to fall in love with the woman whose farm it is. Yet Olivier’susual boorishness melts away before Marie, an independent-minded, temperamental woman.Between hilarious verbal jousting and grotesque situations, the characters gradually learn to relax witheach other, overcoming their own fears and obstacles, and proving to be deeper than they seemed at first glance.The misanthropic policeman is an abandoned child who thinks he’s King Arthur; the solitary woman farmer – agifted child trying to find her father – writes haikus to overcome having been raped. Their mutual lucky charm isa farmer on the run who talks to his cows in iambic pentameter!A refreshing romantic comedy that queries society’s values: caring for your parents, becoming a parentyourself – whether you’re battered, lonely, misanthropic or homosexual.Born in 1972, Agnès Ledig is a midwife. She started writing after one of her three children died ofleukemia in order to find her way back to life’s simple pleasures. Her first novel, MARIE D'EN HAUT, hasalready enchanted readers in France. JUSTE AVANT LE BONHEUR, her new book, which came out earlier thisyear, has already been bought in several countries.Giraud, Brigitte: AVOIR UN CORPS(Stock, August 2013, 240 pages)Long-Listed for Goncourt Prize 2013Ø HAVING A BODY follows the trajectory of a girl growing into a woman, as told from the point of view ofher body, in all its modulations.As a child, she has to conform to the parameters laid down by her parents and by society as a whole,both of whom expect her to be a girl. As a teenager, she is an excited and apprehensive witness to her body’sevolving outline, its incarnation of female sexuality and its first steps towards seduction, inexorably drawntowards boys. Next comes passionate love, irresistible desire and a relationship experienced as delectablepleasure for the senses and consolation for all life’s shortcomings. Motherhood and living with a child aretremendous upheavals that produce a surge of energy but also of self-doubt and anxieties. In addition she has tomake room for work, to undergo a transition from the outside to the inside, and to cope with a new kind offormatting in a collective environment. Then the grieving process strips the body naked in this most extremesolitude.The narrator’s lucid insights are often funny and off-the-wall as she takes us on a journey through life,the adventures of an everyday existence with all its posturing and restraint, its seduction and sexuality, its workresponsibilities and motherhood, its exhilarations, bereavements and metamorphoses. A sensitive, intimate novelwhich reminds us that our minds and our bodies are constantly engaged in a close-knit yet enigmatic dialogue.Brigitte Giraud was born in Algeria and lives in Lyon. She has had seven books published by Stock,including L’AMOUR EST TRÈS SURESTIMÉ, winner of the 2007 Prix Goncourt for a novella, UNE ANNÉEÉTRANGÈRE (2009) and PAS D’INQUIÉTUDE (2011), which is currently being adapted for the small screenby France Télévision. She runs the “La forêt” list for éditions Stock.CONTEMPORARY UP-MARKET COMMERCIAL TRENDSFriedmann, Arnaud: LE TENNIS EST UN SPORT ROMANTIQUE(JC Lattes, September 2013, 250 pages)Ø A very contemporary coming-of-age novel, tender and softly cynical, served by cleverly writtencharacters.40Contact: Mrs <strong>Anastasia</strong> <strong>Lester</strong> ; Email:anastassia.lester@gmail.com
FICTIONIn June 1984, when Julian, age 5, is watching the Roland-Garros tennis finals on television and declareshis preference for Lendl, his mother reveals to him that Lendl’s rival, John McEnroe, is Julian’s real father. Theboy grows up in the shadow of his mythical heritage, religiously following his tennis hero and dreaming ofbecoming a tennis star himself one day. Alas, he soon realizes he didn’t inherit his father’s talent and findshimself the regular attendee of his local tennis club’s barbecue parties. The next twenty years drift away, alongwith Julian’s childhood dreams. Are we always our father’s son?Arnaud Friedmann was born in 1973 in Besançon where he studied literature and history. He haspreviously been published by Editions de La Boucle in Besançon.Lively, original, both crazy and true, deliciously surprising, Arnaud Friedman’s novel contains all theunpredictable rebounds and charming effects of a tennis ball. LE REPUBLICAIN LORRAINSalatko, Alexis: FOLLE DE DJANGO(Robert Laffont, August 2013, 276 pages)Ø A novel about the life of the master of the gypsy guitar.His music may be more than a fami- liar tune but the life of the greatest jazz guitarist, JeanReinhardt, better known as Django, is rather a mystery. Among the important influences that helped Djangostep into the light, Salatko has selected three guardian angels with names that could be symphonies – HeroicMaggie, Dramatic Jenny and Fantastic Dinah: three generations of women crazy about jazz and about Django,who believed in him, and walked alongside the king of swing down the path of a dazzling career.Alexis Salatko has written fifteen novels and biographies which received critical attention and wererewarded with numerous literary awards. Salatko also writes for TV and film.The Russian rights for several novels by Salatko are sold to AST.Loustalot, Arthur: LA RUCHE(JC Lattes, September 2013, 185 pages)Ø Astounding! Breathtaking! a dark and unsettling novel about family that dazzles.“At the kitchen table, the sisters are drinking beer and whiskey in a cloud of cigarette smoke. Thecurtains are drawn. Outside, the street is calm. Do you remember their fights? asks Claire. Yeah, we remember.Louise drops her cigarette butt in an empty beer can. But do you remember how it made us feel? Claire insists.What? The violence? says Marion. And what it left inside us? whispers Claire.”Since her husband left, Alice has sunk into the deepest, darkest hell. Marion, Claire and Louise, herthree adored daughters, have only their love to try and pull their mother out of her destructive, downward spiral.Will they be able to save her ?Arthur Loustalot is 24. He has previously published LÀ OÙ COMMENCE LE SECRET with JC Lattès.Bramly, Serge: ARRETE, ARRETE(Robert Laffont, August 2013, 112 pages)Ø Paris, The Champs-Elysées and true love.This short novel set in a poetic Paris is brimming with tension and emotion. Despite being only a fewmonths away from the end of his sentence, Vincent cuts his electronic bracelet and escapes. Walking up theChamps-Élysées his eyes meet those of an arousing woman. Through the service door, he enters a swingers clubhe used to be a regular in. In the reassuring half-light of this safe haven, he meets the gaze of a woman. Can itbe the same woman on the Champs-Élysées? He is sure of it but she swears that he is mistaken. They fall in lovefor real, either way.Serge Bramly is a well-heeled traveller, and the author of twenty novels, including LE PREMIERPRINCIPE - LE SECOND PRINCIPE (JC Lattès, Prix Interallié 2008).Obertone, Laurent: UTØYA(Ring, August 2013, 432 pages)Ø A well-documented novel about the massacre on the island of Utøya, in Norway in 2011.Ø A literary masterpiece!Contact: Mrs <strong>Anastasia</strong> <strong>Lester</strong> ; Email:anastassia.lester@free.fr 41
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- Page 4 and 5: BEST-SELLERS 2013Blandine Le Callet
- Page 6: HIGHLIGHT FALL 2013In India, the oc
- Page 10 and 11: HIGHLIGHT FALL 2013“It’s brilli
- Page 13 and 14: Aumey, Edem: EXPLICATION DE LA NUIT
- Page 15 and 16: FICTION“Jean-Philippe Blondel dé
- Page 17 and 18: FICTIONØ Revelations about the var
- Page 19 and 20: FICTION2007), QUI TOUCHE À MON COR
- Page 21 and 22: d’Ormesson, Jean: UN JOUR JE M’
- Page 23 and 24: FICTIONA man is investigating what
- Page 25 and 26: FICTIONopening the door to a whole
- Page 27 and 28: FICTIONHis father's funduq, the bal
- Page 29 and 30: FICTIONépique sont donc au rendez-
- Page 31 and 32: FICTIONØ Important themes, like th
- Page 33 and 34: FICTIONtake the veil. Forgetting he
- Page 35 and 36: Tuil, Karine: L’INVENTION DE NOS
- Page 37 and 38: Germain, Sylvie: PETITES SCÈNES CA
- Page 39: FICTIONA whirlwind romance ensues w
- Page 43 and 44: FICTIONYears later, another compute
- Page 45 and 46: FICTIONThis is a tale that explores
- Page 47 and 48: Meyer, Patrick-Olivier: LE MUSCLE E
- Page 49 and 50: Egémar, Béatrice: LE PRINTEMPS DE
- Page 51 and 52: FICTIONMax Gallo has always been at
- Page 53 and 54: FICTIONThis first volume covers the
- Page 55 and 56: FICTIONchange. Supported by those c
- Page 57 and 58: FICTIONJanine Boissard no longer ne
- Page 59 and 60: FICTIONBorn in Ukraine in 1967, Bor
- Page 61 and 62: FICTIONMeanwhile, as Ginette invest
- Page 63 and 64: FICTIONIris Baudry is a forensic ph
- Page 65 and 66: FICTIONin a sorry state, impossible
- Page 67 and 68: Rouau, Antoine: LE LIVRE ET L’EP
- Page 69 and 70: FICTIONThe High Kingdom is facing i
- Page 71 and 72: Audouin-Mamikonian, Sophie: INDIANA
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- Page 75 and 76: ALL TITLESPessan, Eric: MUETTE ....