Munich by Lusine BreitscheidelBack in 1937, there was a large exhibition of over 650 modern art pieces in Munich. They were mostly expressionist works, andthe overall exhibit was entitled ‘Degenerate Art’ (Entartete Kunst). At the same time, in Haus der deutschen Kunst (House ofGerman Art, which since 1945 has been called House of Art) an exhibition entitled ‘The Great German Art Exhibition’ took place,in the same city, showing artworks from officially approved German artists.The purpose of the ‘Degenerate Art’ exhibition (which showed the works of Kokoschka, Beckmann, Dix, Kandinsky, Chagall,and others) was an official condemnation of modern art. In the post-war period, modern art has been re-evaluated in Munich.Currently, in fact, the art trends in Munich reflect those in Germany more broadly, and are divided into two main categories: neoexpressionismand conceptualism.As of September 2010, there were 69 modern art exhibitions in Munich. It is a style which is increasingly being introduced tovarious corporate settings in the city as a result of art commercialization. Like elsewhere in the world, some of artists here pursuethe goal of quantity and make money with almost identical art works. Others do not focus on marketing their work, but ratherspend their time exploring their minds, asking questions and looking for creative solutions.Gabriele Koch, for example, focuses on photorealistic portrait painting as well as large format imagery works, in which she dramaticallydisplays problems in today’s society, or shares with us seemingly ordinary episodes from her life expressed through asurrealistic prism. Nani Boronat, who works both in painting and sculpture, passionately creates geometric abstract works withpop art elements. Rhea Silvia Will looks for contradictions between hard and soft forms, applying digitally enhanced techniquesto show transitions between elements of our environment. Andrea Altkuckatz, inspired by the contrast between urban and rurallife, presents considerable amount of humor in her paintings and photographs, e.g. a pink bathtub in a peaceful Bavarian landscape.Dr. Lusine Breitscheidel, neo-expressionist and conceptual artist, through energetic and dynamic works initiates dialogswith the viewers to address other important themes, such as challenges to online relationships.The increase in the acceptance of modern art has had many positive consequences in the city, and can be felt everywhere yougo. But there is one disadvantage to this trend; older works and styles tend to be overlooked in the fast-moving world of contemporaryart. The Alte-Pinakothek, one of the oldest art galleries in the world, boasts a famous collection of master paintings, andyet has comparatively few visitors, when contrasted to the thriving modern art scene. To truly appreciate the city, visitors wouldbe advised to appreciate both the old and the new art that can be found in Munich.110 <strong>ARTisSpectrum</strong>
Yokohama, Japan by Jun KimJapan has a culture of unique art projects springing up in local areas, and in cities, to stimulate the exchanges of culture andinteraction between different kinds of artists and art-lovers. It has been particularly noticeable recently, with a number of suchevents all around the country.One of the more remarkable events happened this past June, in Yokohama city, and was called “KAIR Exhibition: Kamiyamavs. Noge.”The host group was called “Hana * Hana” and they produced this exhibition, in the Noge area of Yokohama, to be the culminationof their “Kamiyama Artist in Residence.” This event started in about 1996, with the purpose of building up excitement for artin the community in Kamiyama-cho in Tokushima, Shikoku. It succeeded beyond expectation, and has since become one of thedefining elements of the city.Since its beginning, “Kamiyama Artist in Residence” has invited many artists, not only from Japan but also from all over theworld, to the area. The most recent Yokohama exhibition was a celebration of what they had achieved in that time.The most noteworthy thing about what has become a kind of institution is that it started out, originally, in one small country townin Japan. This is an indication of how art is everywhere in the country – you just need to look for it.The aim of the founders to bring cultural exchange to their tiny area has now borne fruit in the new culture that it has encouragedin other, often larger areas.111 <strong>ARTisSpectrum</strong>