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La_Barbara-2002-Voice is the original instrument.pdf

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c:/3cmr/21-1/030.3d ±5/6/2 ± 21:49 ± t&f/mpDownloaded By: [Swets Content D<strong>is</strong>tribution] At: 17:37 25 February 200848 Joan <strong>La</strong> <strong>Barbara</strong>Notes1. ``One of my closest friends, <strong>the</strong> painter Philip Guston, had just died; Frank O'Hara had died severalyears before. I saw <strong>the</strong> piece with Joan in front and <strong>the</strong>se two loudspeakers behind her. There <strong>is</strong>something kind of tombstoney about <strong>the</strong> look of loudspeakers. I thought of <strong>the</strong> piece as anexchange of <strong>the</strong> live voice with <strong>the</strong> dead ones ± a mixture of <strong>the</strong> living and <strong>the</strong> dead.'' MortonFeldman, speaking about <strong>the</strong> conception of Three <strong>Voice</strong>s in a New York Times interview, 7 April 1985.2. The <strong>original</strong> recordings for Three <strong>Voice</strong>s were done in February 1983 at <strong>the</strong> California Institute for<strong>the</strong> Arts, with George Brunner as sound engineer. The New Albion recordings (NA018) were donein Los Angeles in 1989 with Pamela Neal as recording engineer and composer-sound designerMichael Hoenig as my trusted producer.

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