No. 4 - September 2012 - Communications and Development ...
No. 4 - September 2012 - Communications and Development ...
No. 4 - September 2012 - Communications and Development ...
- No tags were found...
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Photo: Deborah Marshall.Macmillan Brown Pacific Artist in Residence Victor Rodger.City’s quakesprovideinspirationfor artist inresidenceExploring the personalaftershocks of theChristchurch earthquakes<strong>and</strong> racial issues inCanterbury are two projectsthat UC’s latest Pacific Artistin Residence hopes to bring tothe stage after his tenure.Christchurch born playwright <strong>and</strong>scriptwriter Victor Rodger, who has writtenfive plays since 1998 <strong>and</strong> has worked as awriter for Shortl<strong>and</strong> Street since 2000, saidhe wanted to confront issues he sawduring the quakes.“I am writing a piece about the quakeseither for film or the stage calledAftershocks. I have been really moved bywhat has happened to my hometown. Ihave friends <strong>and</strong> family on both the east<strong>and</strong> west sides of the city who have beenaffected in different ways,” he said.“The city now more than ever really is adivide of east <strong>and</strong> west. There has alwaysbeen two halves to the city but now,physically, that’s much more pronounced.Aftershocks will really explore that east <strong>and</strong>west divide <strong>and</strong> follows four families’experiences after the quakes. They are allinspired by different things people havegone through.”The second project Mr Rodger will writeis a piece called, Can all read <strong>and</strong> write? Thescript is inspired by an incident two yearsago in Christchurch when a group of largelyPacific Isl<strong>and</strong> students were awarded abusiness development award.“The guy presenting the awards wastrying to be funny <strong>and</strong> said to the crowd,‘I assure you they can all read <strong>and</strong> write.’Coming from Christchurch I wanted todevelop a piece inspired by that incidentbecause, for me, the thinking behind thatstatement is very Christchurch from myexperience of growing up here. That sort ofthing would never happen in Auckl<strong>and</strong>,”he said.Mr Rodger, who is of Samoan <strong>and</strong>Pakeha decent, said his work oftenreflected racial issues.“I grew up with a white mum <strong>and</strong>gr<strong>and</strong>parents so I didn’t start to embracemy Samoan side until my last year at highschool <strong>and</strong>, once I got it, it was a bit likethe matrix. A lot of my work deals withrace, racism <strong>and</strong> identity so I am reallyaware of stuff like that.”Mr Rodger was also the Ursula BethellCreative Writer in Residence at theUniversity of Canterbury in 2009 <strong>and</strong> aFulbright–Creative New Zeal<strong>and</strong> Writer inResidence at the University of Hawai’i in2006.“It is nice to be back <strong>and</strong> have thatfocus. One of the things I will try <strong>and</strong> dowhile I am here is get in front of as manyPacific Isl<strong>and</strong> students as possible <strong>and</strong> tellthem about what I do. I was the first writerof Pacific descent on Shortl<strong>and</strong> Street <strong>and</strong>I’m still the only one 12 years later. I amvery aware that the new generation are notfinding the bridge into the industry,”he said.8