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VIL feb 09 GRID.indd - Tubac Villager

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ART, HISTORY AND THE FOODS OF COLONIAL TUBAC<br />

by Shaw Kinsley<br />

Th ese three topics will come eloquently<br />

together when the <strong>Tubac</strong> Historical Society<br />

holds its March 18, 20<strong>09</strong> program at the<br />

<strong>Tubac</strong> Center of the Arts at 10:00 am.<br />

Jesús García, an education specialist at<br />

the Arizona-Sonoran Desert Museum,<br />

will present a program entitled, “Foods of<br />

Colonial <strong>Tubac</strong> : Tantalizing Touch and<br />

Taste,” that explores the ecological tapestry<br />

that made up colonial <strong>Tubac</strong>. What better<br />

way to ponder local ecology than to eat its<br />

riches?<br />

Jesús will introduce us to several of the Native<br />

American groups of the Sonoran Desert<br />

region including the Seri, the Yaqui, and the<br />

Tohono O’odham, describe their traditional<br />

homelands, and tell us how they employed<br />

the area’s natural resources and how the<br />

Europeans used and adapted these techniques<br />

to survive. Jesús is the principal investigator<br />

on a talented team of researchers working to<br />

by Shaw Kinsley<br />

<strong>Tubac</strong> has long attracted excellent people, and with excellent<br />

people come excellent collections. I had the pleasure of<br />

looking through a collection of books recently, and found<br />

one that tells a remarkable story. Th e book is Th e Voyages<br />

and Travels of Sir John Mandeville, Knight : wherein is set<br />

down the way to the Holy Land, and to Jerusalem : as also<br />

to the lands of the great Kahn and of Prester John : to India<br />

and diverse other countries : together with many and strange<br />

marvels therein. Th is book, which was purportedly written in<br />

1357, is “one of the most popular and widely circulated books<br />

produced<br />

re-establish the historic mission orchards at<br />

Tumacácori National Historic Park, and he’ll<br />

describe what is happening with the Kino<br />

Heritage Fruit Trees Project. Th is ambitious<br />

project seeks to identify fruit trees from the<br />

Spanish Mission Era by examining Father<br />

Kino’s own accounts, Forty-niner documents<br />

and journals, and the work of contemporary<br />

local ethnobotanists and horticulturalists to<br />

trace the legacy of these fruit trees. So far,<br />

research indicates that the trees included<br />

peach, quince, pear, apple, pecan, walnut,<br />

fi g, and pomegranate. Together, they made<br />

up a portion of the mission community’s<br />

agricultural livelihood that also depended<br />

upon grape vineyards, grain fi elds, vegetable<br />

and pharmacy gardens, as well as livestock.<br />

Th e program will run about 90 minutes and<br />

is hands-on. Participants will experience the<br />

tastes of the actual foods enjoyed by historic<br />

<strong>Tubac</strong>ans and Native Americans alike. Your<br />

appetite is sure to be whetted, and you might<br />

like to have a bite of lunch in one of the area<br />

restaurants after the program.<br />

Jesús Manuel García was born and raised<br />

in Magdalena de Kino, Sonora, México.<br />

He completed a degree in Elementary<br />

Education, (Escuela Normal del Estado)<br />

in Hermosillo, Sonora, and then moved to<br />

Tucson and graduated from the University of<br />

Arizona with a Bachelor degree in Ecology<br />

and Evolutionary Biology, with a minor<br />

in cultural Anthropology. Jesús has been<br />

associated with the Arizona-Sonoran Desert<br />

Museum since 1991. Currently, in his role<br />

as an education specialist, he teaches natural<br />

history programs to the Hispanic community<br />

of the Tucson area schools as well as in<br />

the border region of the state of Sonora,<br />

Mexico. Jesús has many interests including<br />

conservation biology, cultural ecology,<br />

languages, music, gardening, and art.<br />

Th is program is free to members of the <strong>Tubac</strong><br />

anywhere in Europe before the advent of printing and one of<br />

the few such books to have had an almost continuous afterlife<br />

in print,” according to Th e Dictionary of Literary Biography.<br />

Presented as the author’s own travel experiences of thirtyfi<br />

ve years, in which he claims to have set out from St. Albans<br />

in 1322 and to have visited the Middle East and Palestine,<br />

continuing on to India, Tibet, China, Java, and Sumatra, the<br />

work was actually compiled from a number of written sources<br />

in what scholars believe to be a monastic library in Liège,<br />

Belgium.<br />

Mandeville’s book is made up of two parts:<br />

the fi rst is a guide to the Holy Land and<br />

describes a number of routes to it. Some<br />

scholars suggest that the book was merely<br />

propaganda to inspire a new crusade to<br />

retake the Holy Land, but others feel it was<br />

one of the earliest examples of the travel<br />

genre, one so detailed in description that<br />

readers couldn’t get enough of it, in spite<br />

of the fact that the author was extremely<br />

economical with the truth. Mandeville talks<br />

at length of saints and relics in Part I and<br />

includes Biblical stories along with stories<br />

that are decidedly secular. Th e second part<br />

of the book takes the reader to the Far<br />

East where the author’s imagination has<br />

full rein. Here he writes of ‘men whose<br />

heads do grow beneath their shoulders,’<br />

of men whose feet are used to shield them<br />

from the sun, of men with horns, and men<br />

with the heads of dogs. He describes the<br />

Speaker Jesús García Speaks at the TCA March 18<br />

Historical Society. Non-members will be<br />

charged $5 to attend. Reservations are a<br />

must because space is limited, so call the<br />

Society today at (520) 398 – 2020 to<br />

secure your place.<br />

empire of Prester John (reportedly a descendant of one of the<br />

Th ree Magi, Prester John was said to preside over a Christian<br />

realm full of riches and strange creatures. His kingdom<br />

contained such marvels as the Gates of Alexander and the<br />

Fountain of Youth, and even bordered the Earthly Paradise)<br />

in preposterously fabulous terms. His imaginative narrative<br />

inspired artists and illustrators to make images to compliment<br />

the text, and the combination of text and image likely account<br />

for the book’s uncanny popularity.<br />

Although there are 31 surviving early manuscripts of the<br />

work in French, the earliest of which was made in 1371, more<br />

than 300 other manuscripts exist in Latin, English, Czech,<br />

Danish, Dutch, German, Irish, and Spanish. Printed versions<br />

date from 1496 and run all the way down to the 20th century.<br />

Th e copy I saw in <strong>Tubac</strong> was produced in London in 1677,<br />

and research showed this to be an extremely rare edition: only<br />

three examples are known in Britain and the only one known<br />

in the United Sates is held by the Huntington Library in San<br />

Marino, California.<br />

If you are interested in learning more about Mandeville,<br />

his book, and the various controversies that have raged<br />

through the centuries, this Wikipedia entry on the Internet<br />

at http://en.wikipedia.org/wiki/John_Mandeville might be<br />

interesting. I was both delighted and amazed to fi nd such<br />

an extraordinary book in our little village. But I shouldn’t<br />

have been, for <strong>Tubac</strong> has long attracted excellent people, and<br />

excellent people have excellent collections.<br />

Writer and archivist Shaw Kinsley can be contacted at mailto:<br />

sdk878@earthlink.<br />

From the University of Texas Press: A searing documentary of the largest single transnational migration in history.<br />

Words by<br />

Charles Bowden<br />

Photographs by<br />

Julián Cardona<br />

Exodus<br />

11.75 x 9.5 in.<br />

295 pp., 115 duotones<br />

in four sections<br />

ISBN: 978-0-292-71814-2<br />

$50.00, hardcover<br />

with dust jacket

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