APPENDIX C - 1 Required Materials for Band Auditions Required ...

VIOLA: Foundation Studies for the Viola by Wolhfarht. Compiled by Merle J. Isaac and Ralph C. Lewis, published by Carl Fischer, Inc.Book II (From Opus 45, 74) Thirty Studies in Three Positions (02660).Eb Major Scale (Three octaves, eighth notes, slur 4 notes to a bow, no vibrato, quarter note = 72)e Melodic Minor Scale (Three octaves, detaché, quarter notes with vibrato, quarter note = 72)F Major Scale (One octave, four sixteenth notes per pitch, spiccato, quarter note = 84 - 92)Wolhfarht, Book II, #35, page 5, quarter note = 80.Identify and play a one-minute excerpt from your solo literature.CELLO: 170 Foundation Studies for the Violoncello by Alwin Schroeder, published by Carl Fischer, Inc. Volume I (02469).1. Eb Major Scale (Three octaves, eighth notes, slur 4 notes to a bow, no vibrato, quarter note = 72)2 e Melodic Minor Scale (Three octaves, detaché, quarter notes with vibrato, quarter note = 72)3. F Major Scale (One octave, four sixteenth notes per pitch, spiccato, quarter note = 84 - 92)4. Schroeder, Vol., 1, #71, p. 80, (first four lines, (12 m.), eighth note = 132)5. Identify and play a one-minute excerpt from your solo literature.BASS: Nuovo Metodo Per Contrabasso (New Method for Double Bass) by Isaia Bille, published by G. Ricordi, Milan, Italy. Bille 263 =Part III, Practical Course III. E. R. 263I. G Major Scale (Two octaves, eighth notes, slur 2 notes to a bow, no vibrato, quarter note = 72)2. e Melodic Minor Scale (Two octaves, detaché, quarter notes with vibrato, quarter note = 72)3. Bille 263, #19, p. 15 (quarter Note = 84)4. Bille 263, #8, p. 9 (quarter note = 60)5. Identify and play a one-minute excerpt from your solo literature.Revised: Gilstrap 2000APPENDIX C - 5MONTANA ALL-STATE BAND AUDITION MATERIALSET CSTUDENTS FROM SCHOOLS OF ALL SIZES SHOULD BE ENCOURAGED TO SUBMIT AUDITION RECORDINGS FOR THEMONTANA ALL-STATE BAND AND ORCHESTRA. ADMITTEDLY, SOME WILL NOT BE ABLE TO PLAY THE REQUIREDRANGES ON THE CHROMATIC SCALES OR TEMPO INDICATIONS ON EXCERPTS. IN THESE CASES STUDENTS AREASKED TO PLAY AS HIGH AS POSSIBLE OR AS CLOSE TO THE METRONOME MARKING AS POSSIBLE.All selections are composed by Himie Voxman and published by Rubank.FLUTE and PICCOLO: Selected Studies for Flute1. Chromatic scale: Low C to C4 using slurred sixteenth notes ascending and descending. (Quarter note = 72)2. Page 5: Beginning to first ending. (Quarter note = 108)3. Page 4: First four lines, no repeat. (Quarter note = 56)4. Page 50: First six lines plus one measure. (Dotted quarter note = 84)OBOE and ENGLISH HORN: Rubank Advanced Method for Oboe, Vol.11. Chromatic scale: Low B-flat (low B on English horn) to F3 using slurred sixteenth notes ascending and descending. (Quarternote = 80-92)2. Page 47: #10. (Quarter note = 80)3. Page 66: #2, take repeat, no ornamentation. (Quarter note = 72)4. Page 49: #16, no repeats, take D.C. (Eighth note = 172)BASSOON and CONTRA BASSOON: Rubank Advanced Method for Bassoon, Vol. 11. Page 15: #50. (Quarter note = 112-132)2. Page 44: #10, no repeats, take D.C.s (Eighth note = 120)3. Page 38: #25, first three lines. (Quarter note = 104)4. Page 45: #12, last four lines. (Quarter note = 96)5. Page 48: #19, no repeats. (Quarter note = 96)CLARINET (Soprano E-flat/B-flat): Rubank Advanced Method for Clarinet Method, Vol. 11. Chromatic scale: Low E to G4 using tongued legato eighth notes ascending and slurred eighth notes descending.(Quarter note = 132)2. Page 49: Last 21 measures. (Cut time half note = 96)3. Page 53: #15. (Dotted quarter note = 76)4. Page 31: Lines 3-6, top part, no repeats. (Quarter note = 112)64