actor 1<strong>01</strong> tech & diyFind more tools and DIY tips at <strong>backstage</strong>.com/techQUICK TIP |“Even if you and I decided, as actors, this and this and this, it doesn’t really matter if I have my own story and you have yourown story, as long as the story is vivid.” —VICTORIA CLARK, BACKSTAGE.COMH o w T o . . .Keep your hotelectronics coolIf you find yourself hitting thebeach or jetting off to the tropics thiswinter for work or pleasure, thereare a few things you have to keep inmind when it comes to your gear.[Thing of the Week]TrakdotLuggage TrackerBY REBECCASTRASSBERGHardwareWhatTrakdot Luggage TrackerWhyKeeps tabs on yourbelongings during travelWherewww.skymall.comHow Much$49.95For the traveling actor, casting director, producer, orwhatever your role in the industry may be, makingsure all your belongings arrive safely to their destinationcan cause anxiety. That’s why the Trakdot LuggageTracker is an essential companion for the industry professionalon the go. The small device is kept in your luggage,and the accompanying app on your phone lets you keeptrack of your bag—even when it’s packed tightly on aplane. The coolest part about Trakdot is that it shuts off,essentially entering “airplane mode” while you’re flying.The device has a sensor that tells it when an airplane isaccelerating. It can also tell when an airplane is decelerating,at which point it turns back on and alerts you—via textmessage or email—that your luggage has arrived safely;the app then alerts you when your bag is within 160 feet.Though the device costs $49.95 from SkyMall, it alsorequires an $8.99 activation fee and $12.99 annual servicefee—which, compared to replacing all of your belongings,sounds pretty reasonable!CHECK YOUR PHONE.Most smartphones these days have aninternal temperature monitor. If you haveto work in hot conditions, make sure youtake steps to protect your gadget—keep itout of direct sunlight, and check the temperatureregularly.BRING A TOWEL.If you find yourself on location on a hot day,you’ll want to keep a white towel on hand tocover your electronic gadgets when they’renot in use. The towel will absorb any condensationthat develops, and the white willdeflect excess heat.COOL TO THE CORE.It’s the internal heat that can push yourelectronics over the edge. Reduce thechance of overheating when it’s hot outby turning off the “live” viewfinder LCDscreen, and plugging in all equipment, ifpossible.CHILL OUT.Take a break now and then, and bring yourgadgets inside or into a cooler area. Givethem a little time to rest and cool down.JESSICA MARSHALLis a writer, actor, and digital producer in NewYork. Follow her on Twitter @jess_on_ice.T r a k D OT: C o u r t e sy G lo baT r ac L LC; S u n: S h u t t e rsto c k14 <strong>backstage</strong> <strong>01</strong>.<strong>23</strong>.14upstage News | actor 1<strong>01</strong> | center stage cover story | features | downstage casting | charts<strong>backstage</strong>.com
C O U R T ESY M I C H A E L M O S L E Y“I ’m so luckythis pilot seasonbecause I have a gig,” says Michael Mosley,who can be seen on USA’s upcoming “Sirens”(premiering March 6). “Anytime you get a gigit’s nice, but what’s really nice is not havingto tap dance. It’s always a huge, huge perk.”Mosley knows of what he speaks. A previousseries regular on the short-lived “Kidnapped”and “Pan Am,” he spoke to Backstage aboutpilot season survival tactics.a s t o l d t o ■ M a r k ■ P e i k e r tBe prepared for adifferent process.“There are so many tiers! If you’re just startingout, sometimes there’s not even a cameraon in the room—you’re doing a pre-readwith a casting assistant. Then they put youon tape. Then you get a callback with thecreative people. Then you have to come upwith a quote and all that business, and thenyou go and meet the studio and test with thewriters and the Vince Gilligans and MatthewWeiners. Then impress the studio that’sgonna produce it and the network putting itup. And each room gets colder and colder.”Create postauditionrituals.“Every audition, I walk out the door andthrow the sides away immediately. You didit, now go home. And to me, that’s kind of abaptism. If they call you, they call you. Andif they don’t, it’s fine. You have to keepyour head down and keep your eye onthe next gig and the next gig and liveyour life.”Michael Mosley has been through a pilot seasonor two—and he’s lived to tell you the taleF a s t e nYour•SeatB e l t sMake friends.“The casting director is gonna be your buddy.The first heart you win over is that castingdirector. In first meetings they’ll be the oneswho see your pitch for the character. Andthen as you get further up, they’ll be the onesreading with you in front of the network. Youhave to foster those relationships. There’s noenemy in the auditioning process. Everybodywants you to be the right person when youwalk in the room. We’re all just trying tomake a soup here and they’re trying to figureout the right ingredients for the soup.”Attitude iseverything.“I can’t stress it enough: Try to be cooland enjoy it, but respect it and be prepared.It’s a challenge because duringpilot season I’d be going in for a lawyer atnine, a junkie at noon, a Marine at one,and a part I’m not even right for at four.Four different characters, and you can’tgo home between. So you try to dresskind of like all these different thingsbecause you don’t want to leave it all upto their imagination and give them a reasonto talk themselves out of it.”Show the roomyou have ideas.“A lot of producers and creative types wantto see you be you. Throw something else outthere and show them where you would takethis part. A lot of them are launching showsfor the first time, so they’ve got a lot ridingon this, too, and they want you to be theirflight. It’s important to have confidence as faras who you think the person is. Take a stab atsomething different.”Just let it go.“If you don’t get the gig, it’s not about you.As long as you do your thing and do it passionatelyand with respect to the craft andthe project, you can make an impression thatcould pay dividends later. All of a sudden,this assistant who was really nice to you hasa writing deal and they bring you in. Youhave no idea how all this stuff is going to playout. And it will, as long as you keep your cooland have fun.”<strong>backstage</strong>.com upstage News | actor 1<strong>01</strong> | center stage cover story | features | downstage casting | CHARTS<strong>01</strong>.<strong>23</strong>.14 <strong>backstage</strong> 15