SBS (PDF - 93 KB) - Office for the Arts

GOVERNMENT SUPPORTBuilding a Strong Independent Production SectorSBS believes that Government funding is most appropriate when it results in a directrelationship between the production sector and audiences. In Australia, as in mostcountries, those audiences are primarily television audiences. Strengthening theeconomic position of independent producers should be a priority. Instead of fundingproject development and production through agencies that are one step removedfrom audiences SBS recommends a model which allows producers to engagedirectly with broadcasters and private investors. This would require higher licencefees from broadcasters and increased incentives for investment in the sector.Diversity and Cultural ValueThe Government’s cultural objectives for the film industry, of ensuring a ‘rich varietyof high quality film, television and other audio-visual productions’ and maintaining anemphasis on work that is ‘culturally significant’ are well served by the approach ofSBSi. SBSi has a commitment to commissioning a diversity of content, styles,perspectives and formats, all of which deliver on the SBS Charter.DIRECT FUNDINGDirect support is a crucial part of Government policy for film and television howeverthe existing arrangements have created considerable obstacles to the furtherdevelopment of the industry. SBS believes that direct funding should have as itsprimary objective the expansion of film, television and digital media offerings to theAustralian public.Issues facing broadcasters and producersThere are currently a range of obstacles in accessing direct funding which limit theeffectiveness of funding in the sustaining the industry. These include:Fragmentation of the domestic financing systemThe domestic financing system is highly fragmented. It comprises numerous fundingand production agencies at both State and Federal government level, each typicallycontributing no more than 15 - 60% of any production budget. Within one agencythere may be several programs relating to different stages of development.Domestic investors in SBSi productions include the Film Finance Corporation, theAustralian Film Commission, Film Australia, the NSW Film and Television office, FilmVictoria, Pacific Film and Television Commission, ScreenWest, Screen Tasmania,and the South Australian Film Corporation.No single funding organisation can effectively commission quality television drama ordocumentary of any scale. For the vast majority of production, a pre-sale is requiredto trigger agency funding. However, a pre-sale does not ensure agency funding.At the most basic level the need to put together multiple agency funding consumesinordinate amounts of independent producers’ time which should be spent on theproduction. This problem flows through the industry. Productive time is disabled andsquandered as key creative personnel try to keep themselves available for ‘blue chip’projects throughout the months of uncertainty resulting primarily from the fragmentedfunding process.9/15 11/8/06