Grace Notes from a 40th JubileeBY IRENE BURGOAs composer and compassionate advocate,Father Tracy ministers through the joy of music.“Overfl owing” is the best wayto describe the crowd at theEucharistic liturgy and festivalcelebration in honor of theRev. T. Shawn Tracy, O.S.A., ’63 A&S onhis 40th anniversary of priestly ministry.Father Tracy has devoted more than 30 ofthose years to Campus Ministry at <strong>Villanova</strong><strong>University</strong>, and also serves as chaplainof the <strong>Villanova</strong> <strong>University</strong> <strong>Alumni</strong><strong>Association</strong> and its community servicecommittee. The evening Mass and receptiontook place on November 18, 2006,in the <strong>Villanova</strong> Room of the ConnellyCenter. After presiding at the Mass,Father Tracy greeted the crowd of morethan 400 well-wishers.At the reception, highlighted by asumptuous dessert buffet, several tablesdisplayed a photo montage depictingFather Tracy’s varied activities as a priest.He has delighted and inspired so manywith his music and has long been an advocatefor people with disabilities. Anothertable featured a display of the albums ofsacred music recorded by Father Tracy andhis group. In the entrance foyer was anexhibit of the history and recordings ofSanctuary, the sacred music ensemble at<strong>Villanova</strong> that he co-founded.By all accounts, it was quite an evening—anight of unexpected delights andsurprises, songs and stories, a special eveningfor Father Tracy and his friends thatrefl ected his four decades of ministry.then flourishing in New York State’s HudsonValley. Father Tracy started a similar groupat <strong>Villanova</strong> called He Shall Be Peace(HSBP). The group released three albumsof pastoral music: “He Shall Be Peace,”“The Seed” and “Sanctuary.” HSBP was theprecursor to the group that took the nameof Sanctuary in 1996.Sanctuary performs “ritual music forprayer and contemplation,” according toFather Tracy. The group has releasedthree albums: “Magnifi cat,” “Passion”and “Ancient Light.” A new CD to bereleased in April, “Sacred Earth,” featuresan ecologically sensitive repertoire.“Music is a way of life for me,” saysFather Tracy, who considers it to be one ofthe greatest pleasures and tools for helpingothers. “I brought this pastoral music spiritwhen I came to <strong>Villanova</strong> in 1975,” hesaid. Father Tracy shares a special bondwith Sanctuary by collaborating on itsmusic and songs. Attesting to the talent ofthis evolving group of musicians, and hisown expertise, is the fact that the first sixalbums were released by national Catholicmusic publishers—leading names likeNorth American Liturgy Resources, PastoralArts of America and Modern Liturgy(World Library). Sanctuary’s albums havebeen distributed worldwide, includingAsia and the Middle East.After the liturgy and buffet, Sanctuarygave a concert of its “old and new” music,including many selections from “SacredEarth.” Guests were riveted by the vibrant,festival music—the ballads, the soul-stirringgospel-like songs and some rousing rock andcountry-style ones designed to wake eventhe most complacent. The band played, thecrowd swayed and some even danced. It wastruly a good time. When the concert ended,guests crowded round to congratulate FatherTracy and the musicians.Prelude to a life in musicAfter his ordination as an Augustinian in1966, Father Tracy was assigned to St. Nicholasof Tolentine Parish in Bronx, N.Y.,where he taught theology and literature anddid parochial ministry work from 1967 to1975. While there, he and his friends formeda folk music group called THE 10:15. Theyreleased three albums: “THE 10:15,” “MakingTracks” and “Songs of the Father.” Hismusic took a new direction in the 1970swhen he was introduced to the HandicappedEncounter Christ (HEC) retreat program,At the celebration in his honor, held on November 18, 2006, the Rev. T. Shawn Tracy, O.S.A.,’63 A&S sang and performed some of the pastoral music he has written.JOHN WELSHWinter 2007 41
Father Tracy “has nourished and helped me to express my own spirituality andmusicianship in ways that are often mysterious, and always profoundly God-centered.”—Dan Mason ’78 A&SThe bonds of shared songsA lifelong proponent of pastoral music,Father Tracy has encouraged that sameinterest in many of his student protégés.Father Tracy had written with Dan Mason’78 A&S much of the music performed atthe reception. Father Tracy noted that“Dan is my creative partner in developingthis music.” Mason, who plays guitar,sings, writes and arranges music for Sanctuary,met Father Shawn (as he is affectionatelycalled) when Mason was a studentat <strong>Villanova</strong>. Mason has known himfor 30 of Father Tracy’s 40 years as anAugustinian friar and priest.As a student, Mason played guitar andsang at the 6 p.m. Sunday Mass in theSt. Thomas of <strong>Villanova</strong> Church on campus.Mason recalled that “I was honoredwhen Father invited me to play musicwith him and his friends from the Bronxwho were working on his fourth album.Over the years, his passion and respectfor sacred Scripture, people and musichave amazed me. I feel very gifted to haveworked with him on seven recordings(including the new release), hundreds ofliturgies, prayer services in churches,retreat houses and even on mountain tops.I thank God for the blessing of knowinghim, and I pray that we sing many moresongs together in the years to come.”Added Mason, Father Tracy “has beena friend to me, a counselor, a confidanteand a musical companion. He has nourishedand helped me to express my ownspirituality and musicianship in ways thatare often mysterious, and always profoundlyGod-centered. The music-prayerthat flows from and around Shawn hastouched untold numbers of people in theircelebrations and festivals of both joy andsorrow, offering them a glimpse of thepower of the love of God.”A supportive friendThroughout Father Tracy’s ministry, hehas been a staunch advocate and supporterof individuals with disabilities. In 1977, heinitiated the Philadelphia HEC program,sponsored by Campus Ministry, to offerpersons with physical disabilities theopportunity to participate in a religiousretreat. Often this is the only retreatdesigned to accommodate their needs,according to Father Tracy. In the Bronx,42 <strong>Villanova</strong> Magazinehe had attended such retreats, to whichparticipants from the Philadelphia areahad been invited. Since forming the Philadelphiachapter, Father Tracy has continuedto lead HEC retreats twice a year atthe Variety Club Campground in Worcester,Pa. Scores of <strong>Villanova</strong> students,alumni, faculty and staff have volunteeredat these retreats.At the festival celebration, Margie Kernickynoted that “Accessibility, compassionand inclusion are meaningful wordsto Father Shawn, the priest for whom weare gathered here to celebrate today.” Kernicky,who was born with cerebral palsy, isa volunteer for Campus Ministry and formore than a quarter-century has been anadvocate and activist for those with physicaldisabilities. “Father Shawn saw a needto have students become sensitized to theneeds of disabled persons here on campusand in our communities,” added Kernicky,who attended <strong>Villanova</strong>.For several years, Father Tracy hasoffered a one-credit weekend course at <strong>Villanova</strong>to teach students how to relate withpersons with disabilities. He also created ateam-taught course with Paula Michel-A Father Tracy DiscographyOver the last 40 years, the Rev. T.Shawn Tracy, O.S.A., ’63 A&S haswritten and produced ritual music forprayer and contemplation. The recordingsfor which he is responsible are:Performed by THE 10:15:“THE 10:15” 1968“Making Tracks” 1972“Songs of the Father” 1974Performed by He Shall Be Peace:“He Shall Be Peace” 1978“Seed” 1982“Sanctuary” 1986Performed by Sanctuary:“Magnificat” 1996“Passion” 2000“Ancient Light” 2003“Sacred Earth” April 2007For more information andto order recordings, visitsanctuary.villanova.edu.Or call 1-800-834-6250.Johnson, a former communication facultymember, on the challenges of those whoare disabled. In recent years, Father Tracyhas led three trips to Jerusalem for peoplewith disabilities, pairing the participantswith able-bodied partners for assistance.Kernicky, who took part in one of theexcursions, recalled that “This was a oncein-a-lifetimeexperience, giving the disabledpersons an opportunity to see whereJesus grew up, preached and was crucified.”Kernicky observed that “Father Shawnis indeed a visionary.” He also has beeninstrumental in having the <strong>Villanova</strong>School of Law provide its expertise to residentsof Inglis House on various topics suchas transportation and medical issues. InglisHouse provides a residence in Philadelphiafor individuals with severe disabilities.“I’m so grateful to God for having Shawnas my friend—a friend who has been verysupportive to me,” Kernicky added.Noted Michael Dolan ’99 A&S, “Perhapsthe greatest illustration of FatherShawn’s love for others is his devoted ministryto persons with disabilities.” Dolan,who is the director of communications forthe Province of St. Thomas of <strong>Villanova</strong>,is Father Tracy’s nephew.Dolan added, “While most of us avoidpeople and situations foreign to us, FatherShawn has embraced these ‘differences.’‘Life is too short to worry about differences’[he has said]. When we are on a sharedspiritual journey, no matter what faith ordenomination we might have, the ego disappears,hearts connect and life happens.”Well-tuned pastoral traditionThrough the years, Father Tracy hastutored <strong>Villanova</strong> student musiciansthrough Campus Ministry’s Liturgy Program.He began many of <strong>Villanova</strong>’s pastoralmusic traditions and established its studentpastoral music groups.It was not a formal program at first.“We gathered together students who weretalented, and we shared the music, performedand brought the music into theliturgy,” Father Tracy said. “We didn’t callit a program then, but it wasn’t long before<strong>Villanova</strong> students were writing and developingtheir own music for liturgical use oncampus.” This music was used for Massesduring Orientation, Parents’ Weekend andBaccalaureate; it was our own homespunmusic that we used, as well as newly