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The Influence of Symbolic Play on Early Literacy Development

The Influence of Symbolic Play on Early Literacy Development

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APERA C<strong>on</strong>ference 200628 – 30 November 2006 H<strong>on</strong>g K<strong>on</strong>gsitting in <strong>on</strong>e place for a period <str<strong>on</strong>g>of</str<strong>on</strong>g> time doing school work, being coached in appropriatelistening behaviours, and engaging in questi<strong>on</strong>-answer routines with adults including beingprobed to expand factual accounts or to recognize their c<strong>on</strong>tradicti<strong>on</strong>s, and being posed withquesti<strong>on</strong>s that not <strong>on</strong>ly asked for answers but also those that are used as reminders orunderlined as adult’s statement. Mr Shamsuddin’s almost daily routine <str<strong>on</strong>g>of</str<strong>on</strong>g> teaching thechildren to recite Quranic texts adds to the ‘c<strong>on</strong>verging’ nature <str<strong>on</strong>g>of</str<strong>on</strong>g> the children’s learning.Bey<strong>on</strong>d these, however, both parents use every available opportunity for the children to learnthrough real-world activities such as shopping in a supermarket, holiday trips abroad orduring play such as symbolic play.<str<strong>on</strong>g>The</str<strong>on</strong>g> children have a room they call the “Orange Room” where toys such as plastic foodobjects, cash registers and puzzles, as well as other things like scarves and mats are stored.<str<strong>on</strong>g>The</str<strong>on</strong>g>se toys and materials serve as props and the room becomes the stage where they play outtheir symbolic play together. Although this room is where they c<strong>on</strong>verge to explore symbolicplay, the influences they derive for their play comes in the form <str<strong>on</strong>g>of</str<strong>on</strong>g> the abundant traditi<strong>on</strong>al aswell as n<strong>on</strong>-traditi<strong>on</strong>al literacy materials in other parts <str<strong>on</strong>g>of</str<strong>on</strong>g> the house. On the left <str<strong>on</strong>g>of</str<strong>on</strong>g> the OrangeRoom is the girls’ bedroom which c<strong>on</strong>tains several shelves <str<strong>on</strong>g>of</str<strong>on</strong>g> reading materials shared by thethree siblings. <str<strong>on</strong>g>The</str<strong>on</strong>g> books are suitable for readers <str<strong>on</strong>g>of</str<strong>on</strong>g> a range <str<strong>on</strong>g>of</str<strong>on</strong>g> abilities: books for beginnerssuch as “Now I can say these words”, Ladybird series suitable for kindergartners and RoaldDahl’s books suitable for skilled young readers. <str<strong>on</strong>g>The</str<strong>on</strong>g> study room <strong>on</strong> the right <str<strong>on</strong>g>of</str<strong>on</strong>g> the OrangeRoom c<strong>on</strong>tains writing materials for the children to draw and write notes to each other.<str<strong>on</strong>g>The</str<strong>on</strong>g> living room is where the family stores numerous VCDs and DVDs <str<strong>on</strong>g>of</str<strong>on</strong>g> movies such asJK Rowling’s Harry Potter series, Lem<strong>on</strong>y Snicket’s A Series <str<strong>on</strong>g>of</str<strong>on</strong>g> Unfortunate Events, RoaldDahl’s Charlie and the Chocolate Factory as well as CS Lewis’ <str<strong>on</strong>g>The</str<strong>on</strong>g> Chr<strong>on</strong>icles <str<strong>on</strong>g>of</str<strong>on</strong>g> Narnia:<str<strong>on</strong>g>The</str<strong>on</strong>g> Li<strong>on</strong>, the Witch and the Wardrobe. <str<strong>on</strong>g>The</str<strong>on</strong>g> family would watch the movies together and thechildren as well as the parents can <str<strong>on</strong>g>of</str<strong>on</strong>g>ten be heard discussing the story-line and mouthing outthe dialogues to their favorite scenes.In Naila’s family, the n<strong>on</strong>-traditi<strong>on</strong>al sources <str<strong>on</strong>g>of</str<strong>on</strong>g> literacy such as movies arecomplementary to traditi<strong>on</strong>al sources <str<strong>on</strong>g>of</str<strong>on</strong>g> literacy such as books. Watching movie-adaptati<strong>on</strong>s<str<strong>on</strong>g>of</str<strong>on</strong>g> books inspire and motivate the children as well as the parents to explore the novels itself.This interplay <str<strong>on</strong>g>of</str<strong>on</strong>g> influence is also inherent in the children’s symbolic play where both moviesand books become rich sources <str<strong>on</strong>g>of</str<strong>on</strong>g> inspirati<strong>on</strong> for the children to tap <strong>on</strong> while engaging inplay. Below is a summary <str<strong>on</strong>g>of</str<strong>on</strong>g> the four symbolic play episodes that will be discussed here.Table 1: A summary <str<strong>on</strong>g>of</str<strong>on</strong>g> the four symbolic play episodes in chr<strong>on</strong>ological orderEpisode 1 (13min) Participants (age at play) Role(s) <str<strong>on</strong>g>Play</str<strong>on</strong>g>edHarry Potter movies:(a) Sorcerer’s St<strong>on</strong>e- fighting the Troll(b) Chamber <str<strong>on</strong>g>of</str<strong>on</strong>g> Secrets- Harry escapingfrom evil uncle- Harry and R<strong>on</strong>going to HogwartsSufiah (7);Naila (5;1);Izwan (2;1);Mdm Normah (34)Harry Potter; R<strong>on</strong> Weasley;<str<strong>on</strong>g>The</str<strong>on</strong>g> Weasley family;Vern<strong>on</strong> Dursley; Hermi<strong>on</strong>e;Troll; Pr<str<strong>on</strong>g>of</str<strong>on</strong>g>essor McG<strong>on</strong>agall;Argus Filch; Pr<str<strong>on</strong>g>of</str<strong>on</strong>g>essor Snape;Pr<str<strong>on</strong>g>of</str<strong>on</strong>g>essor DumbledoreProps/Materials Language Use Interacti<strong>on</strong> Patternsstools as cars;Dialogue re-produced in Mainly re-producti<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> dialogue,chopsticks as wands; fluent English are full <str<strong>on</strong>g>of</str<strong>on</strong>g> laced with questi<strong>on</strong>s by Naila4

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