PROGRAMME - Centro Studi Opera Omnia Luigi Boccherini

• Michael Palmese (University of Miami, FL): Collective Tragedy: Polarity and Symmetry in «TheDeath of Klinghoffer»• Luis Velasco Pufleau (University of Salzburg, Division of Music and Dance Studies): «We Sing forthe Future»: Improvisation, Aesthetics and Ideology in Cornelius Cardew’s Political Works, fromScratch Orchestra to People’s Liberation MusicSATURDAY 16 NOVEMBERRoom 1 – Protest Music in Latin America(Chair: Marita Fornaro Bordolli, Universidad de la República, Uruguay)10.00-11.00• Mara Favoretto (University of Melbourne, AUS): Charly García: The Indomitable Allegoris• Santiago Niño Morales (Universidad Distrital ‘Francisco José de Caldas’, Colombia): Social Songsand Record Labels: Political Opposition and Music Industry in Latin America11.30-12.30• Dário Borim Jr. (University of Massachusetts Dartmouth, MA): Alegories and Ideologies in ‘O QueSerá’, by Chico Buarque de Hollanda, and «Dona Flor and Her Two Husbands», by Bruno Barreto• Erin Miller (California State University at Long Beach, CA): «En mi patria no hay justicia»: VioletaParra and the “Nueva Canción” MovementRoom 2 – Protest, Jazz and Blues(Chair: Massimiliano Sala, Centro Studi Opera Omnia Luigi Boccherini)10.00-11.00• Kara Stewart (University of Memphis, TN): Jazz as Rebellion: Jewish Musical Protest SurroundingWorld War ii• Iván Iglesias (Universidad de Valladolid): Jazz, Gender and Biopolitics in Franco’s Spain (1939-1959)11.30-13.00• Maya C. Gibson (University of Missouri, Columbia, MO): Lynching Photography and ‘Strange Fruit’• Antonio Caroccia (Conservatorio ‘U. Giordano’ di Foggia): I blues sociali come forma di protestamusicale nel xx secolo• Louisa Martin-Chevalier (Université Paris 8-EDESTA): Jazz in Soviet Union in the 1920s: AProtest Music?ef13.00 LunchRoom 1 – Protest Music in Italy, France and Germany(Chair: Roberto Illiano, Centro Studi Opera Omnia Luigi Boccherini)15.00-16.30• Giuseppe Sergi (Università di Pavia, Facoltà di Musicologia di Cremona): «E si chiama libertà»:Poetical, Musical and Sound Morphology of the Protest in the Music of Area• Valentina Bertolani (University of Calgary, AB): “Nueva canción chilena” and “Nuovo canzoniereitaliano”: An Investigation through Luigi Nono’s Archive• Vincent E. Rone (University of California at Santa Barbara, CA): «A Voice Cries Out in the Wilderness»:The French Organ School Responds to the Second Vatican Council of the Catholic Church