<strong>Universal</strong> <strong>Film</strong><strong>Issue</strong> 8 - 2013‘Shooting CommencesTHE HOOLIGANFACTORY’London, 14 January, 2013 … Shooting hascommenced in London on football hooliganspoof THE HOOLIGAN FACTORY. NickNevern directs and has co-written the filmwith Michael Lindley, with Jason Maza takingthe lead role and producing alongsideAltitude <strong>Film</strong> Entertainment.British rising stars Tom Burke (soon to beseen in ONLY GOD FORGIVES and THE IN-VISIBLE WOMAN) and Josef Altin (“Game ofThrones”, EASTERN PROMISES) star alongsideMaza with a host of high-profile cameoappearances also confirmed including: LeoGregory (GREEN STREET), Tony Denham(THE FOOTBALL FACTORY), Dexter Fletcher(WILD BILL, LOCK, STOCK AND TWO SMOK-ING BARRELS), and famous reformed footballhooligan Cass Pennant.Danny (Jason Maza) wants somethingmore. Expelled from school and living in hisgrandfather’s flat, he longs to live up to theimage of his estranged father Danny Senior.Meanwhile legendary football hooliganBex (Nick Nevern) is about to be releasedfrom prison and is on a quest of his own,one of vengeance against his nemesis andrival firm leader Yeti. But when Danny andBex’s paths cross they embark on a journeyas old as hooliganism itself.Nevern has previously written, directed andstarred in TERRY, which he produced withMaza; he has also appeared in cult Britishfilms including THE SWEENEY and G.B.H.Maza’s acting credits include ANUVAHOODand SHIFTY with previous production creditsincluding DEMONS NEVER DIE and THEKNOT. For THE HOOLIGAN FACTORY theyare joined by several previous collaboratorsincluding Director Of Photography AliAssad (RISE OF THE FOOTSOLDIER) and ProductionDesigner Paul Burns (THE FOOT-BALL FACTORY). The Costume Designer isLisa Mitton (MY BROTHER THE DEVIL) andLewis Albrow (FAST GIRLS) is Editor.Derek Winner’s reviewof “Les MisérablesIn this brilliantly produced, visuallystunning, astonishinglylavish movie of the incrediblylong-running stage hit, a hugelyimpressive Hugh Jackman singshis big Aussie heart out as a saintlyFrench sinner, Jean Valjean, jailedfor donkey’s years after nicking aloaf of bread. Finally out of thathellhole on parole, he breaks hisdeal and starts a comfy new lifeas a rich factory owner, but someone’safter him and won’t stop tillhe’s back in jail.This is Jackman’s show, no doubtabout it, and he way outclassesa rather dull, one-note RussellCrowe both on the singing andacting fronts. Though, to be fair,stuck in a much less showy role,Russ gets on with it efficiently andis impressively grim as god-fearingJavert, the obsessed, doggedcopper forever on Jackman’s case.Not specially well cast thoughworking her little butt off, a worryinglyskinny, grungy Anne Hathawayalso stars as Jackman’s factoryworker Fantine, whose daughterCosette (a sweet-looking, tunefulAmanda Seyfried) he agrees tolook after as his own.Did I say this is a musical, well actuallyan opera, with only a handfulof spoken words throughout?It works brilliantly in the theatre ofcourse, but this is tricky to pull offon screen, and yet Tom Hooper,the director of The King’s Speech,manages it very nicely. They couldhave thought of providing somedialogue to break up the singingon screen. That would have providedsome much needed relieffrom the relentless singing andmade a much more enjoyablemovie, bit of course it would alsohave betrayed the purity of the visionof the stage show.The one really mega-hit tune, IDreamed a Dream, will have thewhole audience singing along -if we’re unlucky! - and it certainlyprovides Anne Hathaway’s bigmoment - and how she milks it!Much better is posh Brit actor EddieRedmayne, who pumps up thevolume on a regulation juvenilelead part with some sterling actingand surprises everybody withhis lovely singing voice as Marius,the boy who falls for Cosette.Meanwhile, Helena Bonham Carterand Sasha Baron Cohen try toraise some silly laughs as a greedymarried couple. Slack though thisis, it’s welcome comedy relief, forotherwise this is generally relentlesslydownbeat stuff. I thoughtmusicals were supposed to befun, but here it’s almost suicidallydepressing as the whole swatheof grim deaths afflicts almost theentire cast. Les Mis isn’t called TheGlums for nothing, that’s for sure.You’ll love this movie or hate it.With Oscar nominations for Best<strong>Film</strong>, Jackman and Hathaway, plusnine Bafta nominations, I guess alot of people are going to love it.Producing are Jason Maza and for Altitude,Will Clarke (THIS IS ENGLAND, ATTACK THEBLOCK), Andy Mayson (LET ME IN) and MikeRunagall (LAST PASSENGER). The Fyzz Facilityis co-financing the project. Think BigProductions and Marshall Leviten (Gingerand Rosa) are co-producing partners. NickNevern and Michael Lindley will be executiveproducers.39<strong>www</strong>.<strong>ufmag</strong>.org
<strong>Universal</strong> <strong>Film</strong>Derek Winner’s review of “Flight”CheerfulWeather ForThe WeddingReview by Derek Winner<strong>Issue</strong> 8 - 2013Denzel Washington’s a brilliant pilot,but a drug and booze-obsessed messupas a human being. Hung over andsleep-deprived, he arrives in a terriblestate for a passenger flight, chucksthree vodka miniatures in his OJ, andjoins his shocked co-pilot and smallcrew of stewardesses in the captain’sseat and takes off. Soon the flight’s indire danger, but Denzel turns the aircraftupside down and lands it in a field,saving almost all lives as only he could.But then the investigation into theplane’s malfunction starts to find himout and uncover the truth. Still, his oldairline pal Bruce Greenwood and a slicklawyer (Don Cheadle) might be able tokeep him out of jail...The first 45 minutes of this movie’s abit of a blast, with the crash brilliantlystaged, with a horrific realism that onlya Hollywood big budget can achieve.But then things get bogged down inendless, samey conversations and themovie only finally picks up again as thelegal inquiry starts at the climax. Thissimple, straightforward story is told atfar, far too long-winded a rate. Wholescenes and characters could be profitablycut out and a 138-minute runningtime easily cut to an effective 100 mins.Keeping the movie in the air, Denzelis generally very good, and especiallyexcellent at the sweaty hand-wringing,but he’s not at all convincing as adrunk or a drug-taker. It’s always hardto accept this actor as a bad, or desperatelyflawed guy, maybe just becausehe’s played so many heroes, but alsobecause he isn’t that good at it. JohnGoodman jollies the movie up enormouslyas Denzel’s drug provider, gettinga lot of laughs, while Greenwoodand Cheadle’s earnest, concerned turnshelp him out nicely too, but Nadine Velasquezis stuck in a thankless role asDenzel’s love interest, a fellow druggiewhom he befriends, a role that simplystops suddenly and seems pointlesslytacked on.This is an honourable, interesting, intelligentfilm, but Robert Zemeckis makesa real dull job of the direction and, as afrequent flier, I felt I’d prefer not to seethe highlight plane crash at all, thankyou very much. A case of too much realismbut despite all its words not enoughto say, the movie never soars or blowsyou away as it’s clearly supposed to. DWIt’s England one winter day betweenthe wars and a lovely, poshyoung woman is about to be married-- but something or rathersomebody from her past is goingto get in the way in this Downtonstyleromantic comedy drama. FelicityJones plays Dolly Thatcham,who’s sitting upstairs in a right oldstate at her comfortably-off family’scountry house. Downstairs with therest of the amusingly oddball family,her rich, handsome but boringfiancé Owen (James Norton) andher ex-lover Joseph (Luke Treadaway)are getting more and moresteamed up, while her constantlypained-looking mother Mrs Thatcham(Elizabeth McGovern) finallylooks ready to burst a boiler as itturns out Joseph’s old flame is stillburning bright for Dolly. This is fine,cosy old-style entertainment, warm,humorous and gentle but with justthe smallest touch of edge.With a very nice little script towork on, the actors are more orless perfect. Wholly credible asex-lovers and inhabitants of along-lost world, Jones and Treadawayreally capture the old style ofspeaking and feeling, McGovernis deliciously overwrought and EllieKendrick is strong in support asDolly’s younger sister Kitty. FenellaWoolgar and Mackenzie Crook raisesolid laughs as a bickering marriedcouple whose young son is lettingoff stink bombs, Barbara Flynn’s abit of a hoot as a silly but sexy oldauntie and Joanna Hole is funny asan old maid.This is a minor, low-budget Brit effortdirected and co-written byDonald Rice (son of Tim), but, withthe settings, costumes, score andphotography so lovingly achieved,it’s surprisingly classy and evenmemorable. Fans of wedding filmsand stories of English eccentricswon’t feel short changed. There’seven a little hint of Brief Encounterabout it as Treadaway manages hisfinal speech beautifully.<strong>www</strong>.<strong>ufmag</strong>.org40