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Susan Lenox: Her Fall and Rise, by David Graham Phillips

Susan Lenox: Her Fall and Rise, by David Graham Phillips

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pleasing if sc<strong>and</strong>alous suggestions <strong>and</strong> even possibilities in themind of every man with a carnal eye. And not unnaturally. To thinkof her was to think of the circumstances surrounding her cominginto the world; <strong>and</strong> to think of those circumstances was to think ofimmorality.<strong>Susan</strong>, all unconscious of that polluted <strong>and</strong> impudent gaze, wassoon st<strong>and</strong>ing before the narrow door numbered 34, as she barelymade out, for the lamps in the saloon ch<strong>and</strong>eliers were turned low.She unlocked it, entered the small clean stateroom <strong>and</strong> depositedher bundle on the floor. With just a glance at her quarters shehurried to the opposite door–the one giving upon the promenade.She opened it, stepped out, crossed the deserted deck <strong>and</strong> stoodat the rail.The »General Lytle« was drawing slowly away from the wharfboat.As that part of the promenade happened to be sheltered fromthe steamer's lights, she was seeing the panorama of Sutherl<strong>and</strong>–its long stretch of shaded waterfront, its cupolas <strong>and</strong> steeples, thewide leafy streets leading straight from the river <strong>by</strong> a gentle slopeto the base of the dark towering bluffs behind the town–all sleepingin peace <strong>and</strong> beauty in the soft light of the moon. That farthestcupola to the left–it was the Number Two engine house, <strong>and</strong> thethird place from it was her uncle's house. Slowly the steamer, nowin mid-stream, drew away from the town. One <strong>by</strong> one the familiarl<strong>and</strong>marks–the packing house, the soap factory, the Geissbrewery, the tall chimney of the pumping station, the shorn top ofReservoir Hill–slipped ghostlily away to the southwest. The sobschoked up into her throat <strong>and</strong> the tears rained from her eyes. Theyall pitied <strong>and</strong> looked down on her there; still, it had been home theonly home she ever had known or ever would know. And untilthese last few frightful days, how happy she had been there! Forthe first time she felt desolate, weak, afraid. But not daunted. It isstrange to see in strong human character the strength <strong>and</strong> theweakness, two flat contradictions, existing side <strong>by</strong> side <strong>and</strong> makingweak what seems so strong <strong>and</strong> making strong what seems soweak. However, human character is a tangle of inconsistencies, asdisorderly <strong>and</strong> inchoate as the tangible <strong>and</strong> visible parts of nature.<strong>Susan</strong> felt weak, but not the kind of weakness that skulks. Andthere lay the difference, the a<strong>by</strong>smal difference, between courage<strong>and</strong> cowardice. Courage has full as much fear as cowardice, oftenmore; but it has a something else that cowardice has not. Ittrembles <strong>and</strong> shivers but goes forward.Wiping her eyes she went back to her own cabin. She hadneglected closing its other door, the one from the saloon. The clerkwas st<strong>and</strong>ing smirking in the doorway."You must be going away for quite some time," said he. And hefixed upon her as greedy <strong>and</strong> impudent eyes as ever looked from acommon face. It was his battle glance. Guileful women, bent ontrimming him for anything from a piece of plated jewelry to a saucerof ice cream, had led him to believe that before it walls of virtuetottered <strong>and</strong> fell like Jericho's before the trumpets of Joshua."It makes me a little homesick to see the old town disappear,"hastily explained <strong>Susan</strong>, recovering herself. The instant anyonewas watching, her emotions always hid."Wouldn't you like to sit out on deck a while?" pursued the clerk,bringing up a winning smile to reinforce the fetching stare.The idea was attractive, for she did not feel like sleep. It wouldbe fine to sit out in the open, watch the moon <strong>and</strong> the stars, themysterious banks gliding swiftly <strong>by</strong>, <strong>and</strong> new vistas alwayswidening out ahead. But not with this puny, s<strong>and</strong>y little "rivercharacter," not with anybody that night. "No," replied she. "I think I'llgo to bed."She had hesitated–<strong>and</strong> that was enough to give himencouragement. "Now, do come," he urged. "You don't know hownice it is. And they say I'm mighty good company.""No, thanks." <strong>Susan</strong> nodded a pleasant dismissal.The clerk lingered. "Can't I help you in some way? Wouldn't youlike me to get you something?""No–nothing.""Going to visit in Cincinnati? I know the town from A to Izzard.It's a lot of fun over the Rhine. I've had mighty good times there–the kind a pretty, lively girl like you would take to.""When do we get to Cincinnati?"

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