BEiJiNG 2008 - Jodi Kaplan & Associates
BEiJiNG 2008 - Jodi Kaplan & Associates
BEiJiNG 2008 - Jodi Kaplan & Associates
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the fa C t o r y<br />
Odyssey Dance Theatre<br />
Choreography: Trey Barber<br />
Music: Christopher Lennertz, Timbaland Featuring Jay Z, Eminem, Linkin Park, Trazz Featuring Wayne<br />
Wonder, L’il Mama with Chris Brown and T Pain<br />
Dancers: Sarah Aezer, Katie Brimley, Mallauri Esquibel, Thayne Jasperson, Eldon Johnson, Elizabeth<br />
Martineau, Veronica Yeager<br />
A new Hip-Hop piece by the fabulous Trey Barber (The Krew) about The Factory - where the world’s<br />
finest Hip-Hop Dancers are created and produced - but as usual - something goes wrong on the production<br />
line.<br />
INTERMISSION<br />
Kun q u vision [World Premiere]<br />
Artists from the National Ballet of China<br />
Choreography: Fei Bo<br />
Music: Chen Xinnuo<br />
Dancers: Fei Bo and Cao Shuci (National Ballet of China), Yi Jie (China Er Pao Army Song and Dance<br />
Troupe), Li Xing (People’s Liberation Army Art School)<br />
The ancient art form Kunqu opera is over 600 years old, and in the fast pace of modern life it teeters<br />
on the precipice of extinction. This traditional culture deserves to be revisited with new eyes so that it<br />
can be shared with people from all walks of life who will no doubt esteem its tremendous value. The<br />
strongest feeling I get about Kunqu is that it is a way of life that has been lost due to carelessness. In<br />
this short piece, we draw on elements of Kunqu opera to discover a new kind of modern expression<br />
from an ancient culture; from form, we excavate substance.<br />
tra n s i t i o n a l il l u M i n at i o n s - so u n d tr a x<br />
Odyssey Dance Theatre<br />
Choreography: Eldon Johnson<br />
Music: Edward Shearmur<br />
Dancers: Sarah Aezer, Katie Brimley, Mallauri Esquibel, Thayne Jasperson, Eldon Johnson, Elizabeth<br />
Martineau, Veronica Yeager<br />
This sensitive and provocative piece, by long-time company member Eldon Johnson, explores the<br />
effects of music on the dancer’s body and psyche. Set to the music of Edward Shearmur, this piece is<br />
the beginning of great things from Mr. Johnson.<br />
sC a l e s<br />
Kim Robards Dance<br />
Choreography: Kim Robards<br />
Music: Jerome Begin<br />
Dancers: Alexis Drabek, Daniel Escudero, Emily Kampf, Stuart Lauer, Kim Robards, Lauren Schmitz,<br />
LaRana Skalicky, Jon Sloven, Alice Wylie<br />
Scales is both a musical exploration of the piano keys and notes on a music staff, as well as a metaphor<br />
for “scales” (which weigh things). The piece explores the shifts of energy from one side to the<br />
other and in this process the support that we receive from others.<br />
“in s e C t”<br />
from Oath (Midnight Rain) (commissioned by the 2006 Venice Biennale)<br />
Beijing Modern Dance Company<br />
Choreography: Gao Yanjinzi<br />
Music: Wenzi<br />
Makeup: Jia Lei<br />
Costumes: Zhong Jiani, Ah Kuan<br />
Dancer: Yang Chang<br />
Insect is the final of five solos (Flower, Grass, Fish, Bird, Insect) in an evening-length work commissioned<br />
by the 2006 Venice Biennale that explores the Buddhist concept of Samsara or rebirth and the<br />
soul’s search for unrequited love. Each occurs in the liminal moment between the end of one day and<br />
the beginning of a new one, in the crossroad of night and morning, the moment between beginning and<br />
ending of all things.