The Merchant of Venice - furiodetti.it

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SCENE II. Venice. A street.Enter LAUNCELOTLAUNCELOTCertainly my conscience will serve me to run fromthis Jew my master. The fiend is at mine elbow andtempts me saying to me 'Gobbo, Launcelot Gobbo, goodLauncelot,' or 'good Gobbo,' or good LauncelotGobbo, use your legs, take the start, run away. Myconscience says 'No; take heed,' honest Launcelot;take heed, honest Gobbo, or, as aforesaid, 'honestLauncelot Gobbo; do not run; scorn running with thyheels.' Well, the most courageous fiend bids mepack: 'Via!' says the fiend; 'away!' says thefiend; 'for the heavens, rouse up a brave mind,'says the fiend, 'and run.' Well, my conscience,hanging about the neck of my heart, says very wiselyto me 'My honest friend Launcelot, being an honestman's son,' or rather an honest woman's son; for,indeed, my father did something smack, somethinggrow to, he had a kind of taste; well, my consciencesays 'Launcelot, budge not.' 'Budge,' says thefiend. 'Budge not,' says my conscience.'Conscience,' say I, 'you counsel well;' ' Fiend,'say I, 'you counsel well:' to be ruled by myconscience, I should stay with the Jew my master,who, God bless the mark, is a kind of devil; and, torun away from the Jew, I should be ruled by thefiend, who, saving your reverence, is the devilhimself. Certainly the Jew is the very devilincarnal; and, in my conscience, my conscience isbut a kind of hard conscience, to offer to counselme to stay with the Jew. The fiend gives the morefriendly counsel: I will run, fiend; my heels areat your command; I will run.Enter Old GOBBO, with a basketGOBBO28
Master young man, you, I pray you, which is the wayto master Jew's?LAUNCELOT[Aside] O heavens, this is my true-begotten father!who, being more than sand-blind, high-gravel blind,knows me not: I will try confusions with him.GOBBOMaster young gentleman, I pray you, which is the wayto master Jew's?LAUNCELOTTurn up on your right hand at the next turning, but,at the next turning of all, on your left; marry, atthe very next turning, turn of no hand, but turndown indirectly to the Jew's house.GOBBOBy God's sonties, 'twill be a hard way to hit. Canyou tell me whether one Launcelot,that dwells with him, dwell with him or no?LAUNCELOTTalk you of young Master Launcelot?AsideMark me now; now will I raise the waters. Talk youof young Master Launcelot?GOBBONo master, sir, but a poor man's son: his father,though I say it, is an honest exceeding poor manand, God be thanked, well to live.LAUNCELOT29
Page 1 and 2: The Merchant of VeniceShakespeare,
Page 3 and 4: • Romeo and Juliet (1597)• Haml
Page 5 and 6: What harm a wind too great at sea m
Page 7 and 8: My Lord Bassanio, since you have fo
Page 9 and 10: ANTONIOWell, tell me now what lady
Page 11 and 12: That shall be rack'd, even to the u
Page 13 and 14: dislike; so is the will of a living
Page 15 and 16: NERISSAWhat think you of the Scotti
Page 17 and 18: The four strangers seek for you, ma
Page 19 and 20: Have you heard any imputation to th
Page 21 and 22: I'll break a custom. Is he yet poss
Page 23 and 24: SHYLOCKSignior Antonio, many a time
Page 25 and 26: O father Abram, what these Christia
Page 27: That won three fields of Sultan Sol
Page 31 and 32: LAUNCELOTDo you not know me, father
Page 33 and 34: LAUNCELOTTo him, father.GOBBOGod bl
Page 35 and 36: LAUNCELOTFather, in. I cannot get a
Page 37 and 38: BASSANIOWell, we shall see your bea
Page 39 and 40: SCENE IV. The same. A street.Enter
Page 41 and 42: 'Tis good we do so.Exeunt SALARINO
Page 43 and 44: LAUNCELOTI beseech you, sir, go: my
Page 45 and 46: SCENE VI. The same.Enter GRATIANO a
Page 47 and 48: LORENZODescend, for you must be my
Page 49 and 50: SCENE VII. Belmont. A room in PORTI
Page 51 and 52: He unlocks the golden casketMOROCCO
Page 53 and 54: Why, all the boys in Venice follow
Page 55 and 56: SCENE IX. Belmont. A room in PORTIA
Page 57 and 58: How much unlike my hopes and my des
Page 59 and 60: Act IIISCENE I. Venice. A street.En
Page 61 and 62: I say, my daughter is my flesh and
Page 63 and 64: were dead at my foot, and the jewel
Page 65 and 66: SCENE II. Belmont. A room in PORTIA
Page 67 and 68: As are those dulcet sounds in break
Page 69 and 70: Or whether, riding on the balls of
Page 71 and 72: My lord and lady, it is now our tim
Page 73 and 74: I thank your honour. For my part, m
Page 75 and 76: If they deny him justice: twenty me
Page 77 and 78: SCENE III. Venice. A street.Enter S
Page 79 and 80:
SCENE IV. Belmont. A room in PORTIA
Page 81 and 82:
BALTHASARMadam, I go with all conve
Page 83 and 84:
SCENE V. The same. A garden.Enter L
Page 85 and 86:
How every fool can play upon the wo
Page 87 and 88:
LORENZONo, pray thee, let it serve
Page 89 and 90:
DUKEMake room, and let him stand be
Page 91 and 92:
And bid the main flood bate his usu
Page 93 and 94:
From both, my lord. Bellario greets
Page 95 and 96:
You hear the learn'd Bellario, what
Page 97 and 98:
Which if thou follow, this strict c
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Why then, thus it is:You must prepa
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Antonio, I am married to a wifeWhic
Page 103 and 104:
BASSANIOHere is the money.PORTIASof
Page 105 and 106:
That indirectly and directly tooTho
Page 107 and 108:
In christening shalt thou have two
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I see, sir, you are liberal in offe
Page 111 and 112:
That they did give the rings away t
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JESSICAIn such a nightDid young Lor
Page 115 and 116:
Tell him there's a post come from m
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Nothing is good, I see, without res
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PORTIAYou should in all sense be mu
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My Lord Bassanio gave his ring away
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NERISSAAnd I his clerk; therefore b
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There you shall find that Portia wa
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Page 129 and 130:
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